| # | Title | Artist | Length |
|---|
| 1 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 36, Chorus. Fallt mit Danken, fallt mit Loben- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 5:31 |
| 2 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 37, Recit. Und da acht Tage um waren (Evangelist) | Johann Sebastian Bach | 0:32 |
| 3 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 38, Recit & Arioso. Immanuel, o süßes Wort! – Jesu, du mein liebstes Leben- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- performer:
- Nancy Argenta (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 2:15 |
| 4 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 39, Aria. Flösst, mein Heiland, flösst dein Namen- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- oboe:
- Anthony Robson (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- soprano vocals [Echo]:
- Katie Pringle (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 5:40 |
| 5 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 40, Recit & Chorale. Wohlan, dein Name soll allein – Jesu, meine Freud und Wonne- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- soprano vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- performer:
- Nancy Argenta (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 1:21 |
| 6 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 41, Aria. Ich will nur dir zu Ehren leben | Johann Sebastian Bach | 4:23 |
| 7 | Weihnachts-Oratorium, BWV 248: Pt. 4: No. 42, Chorale. Jesus richte mein Beginnen | Johann Sebastian Bach | 1:58 |
| 8 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 43, Chorus. Ehre sei dir, Gott, gesungen- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 5:56 |
| 9 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 44, Recit. Da Jesus geboren war zu Bethlehem (Evangelist) | Johann Sebastian Bach | 0:23 |
| 10 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 45, Chorus with Recit. Wo ist der neugeborne König der Jüden? | Johann Sebastian Bach | 1:40 |
| 11 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 46, Chorale. Dein Glanz all Finsternis verzehrt | Johann Sebastian Bach | 0:45 |
| 12 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 47, Aria. Erleucht auch meine finstre Sinnen- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- oboe d'amore:
- Anthony Robson (in 1987-01)
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 3:59 |
| 13 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 48, Recit. Da das der König Herodes hörte (Evangelist) | Johann Sebastian Bach | 0:12 |
| 14 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 49, Recit. Warum wollt ihr erschrecken? | Johann Sebastian Bach | 0:30 |
| 15 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 50, Recit. Und ließ versammlen alle Hohepriester (Evangelist) | Johann Sebastian Bach | 1:24 |
| 16 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 51, Trio. Ach, wenn wird die Zeit erscheinen?- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 5:34 |
| 17 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 52, Recit. Mein Liebster herrschet schon | Johann Sebastian Bach | 0:25 |
| 18 | Weihnachts-Oratorium, BWV 248: Pt. 5: No. 53, Chorale. Zwar ist solche Herzensstube | Johann Sebastian Bach | 0:47 |
| 19 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 54, Chorus. Herr, wenn die stolzen Feinde schnauben- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 4:58 |
| 20 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 55, Recit. Da berief Herodes die Weisen heimlich (Evangelist/Herodes) | Johann Sebastian Bach | 0:42 |
| 21 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 56, Recit. Du Falscher, suche nur den Herrn zu fällen- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- soprano vocals:
- Nancy Argenta (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 0:56 |
| 22 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 57, Aria. Nur ein Wink von seinen Händen | Johann Sebastian Bach | 4:23 |
| 23 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 58, Recit. Als sie nun den König gehöret hatten (Evangelist) | Johann Sebastian Bach | 1:02 |
| 24 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 59, Chorale. Ich steh an deiner Krippen hier- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- choir vocals:
- Monteverdi Choir (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 263)
- is based on:
- Nun freut euch, lieben Christen g’mein
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 1:02 |
| 25 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 60, Recit. Und Gott befahl ihnen im Traum (Evangelist) | Johann Sebastian Bach | 0:23 |
| 26 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 61, Recit. So geht! Genug, mein Schatz geht nicht von hier- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 1:52 |
| 27 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 62, Aria. Nun mögt ihr stolzen Feinde schrecken | Johann Sebastian Bach | 3:59 |
| 28 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 63, Recit. Was will der Höllen Schrecken nun?- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals [Herod]:
- Olaf Bär (in 1987-01)
- mezzo-soprano vocals [alto]:
- Anne Sofie von Otter (in 1987-01)
- soprano vocals:
- Nancy Argenta (in 1987-01)
- tenor vocals:
- Hans Peter Blochwitz (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1987-01)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 0:37 |
| 29 | Weihnachts-Oratorium, BWV 248: Pt. 6: No. 64, Chorale. Nun seid ihr wohl gerochen | Johann Sebastian Bach | 3:26 |