Janet Baker: The Beloved Mezzo

~ Release by Dame Janet Baker (see all versions of this release, 1 available)

Annotation

Alto Rhapsody

ISRC GBAYC0400276
first released on LP UK-1971 HMV ASD2746
UK-1981 HMV Concert Classics SXLP30529; CQ TC-SXLP30529

Wesendonk Lieder

ISRC GBAYC0800346 - GBAYC0800350
first released on LP UK-1976 HMV SQ ASD3260 (coupled with Strauss Lieder below, rerelease of Alto Rhapsody)

Strauss Lieder

Liebeshymnus has ISRC GBAYC0800351
Das Rosenband: ISRC: GBAYC0800353
Ruhe, meine Seele: ISRC: GBAYC0800354
Muttertändelei: ISRC: GBAYC0800355

Sea Pictures

ISRC GBAYC0400722 - GBAYC0400726
Recorded 30 Aug 1965 at No. 1 Studio, Abbey Road, London
can also be found on Cello Concerto / Sea Pictures / Overture: "Cockaigne" (London Symphony Orchestra feat. conductor: Sir John Barbirolli, cello: Jacqueline du Pré, mezzo-soprano: Janet Baker)
first vinyl release Cello Concerto / Sea Pictures (London Symphony Orchestra feat. conductor: Sir John Barbirolli)

Dream of Gerontius

ISRC GBAYC0701032
probable release 2LP 1965-UK ASD648-9; ALP2101-2

Les Nuits d'été

ISRC GBAYC9801685 - GBAYC9801690
First release LP UK-1969 HMV ASD2444 coupled with Shérérazade

Shéhérazade: ISRC GBAYC9500261 - GBAYC9500263

Poème de l'amour et de la mer

ISRC GBAYC9502476 - GBAYC9502478
probable first release LP UK-1978 EMI HMV SQ ASD3455, US-1978 Angel S37401

Kindertotenlieder

ISRC: GBAYC9801218 - GBAYC9801222
first released on LP UK-1968 EMI ASD 2338 with Lieder eines fahrenden Gesellen and RL No. 3 below. Baker credited as contralto.

Rückert Lieder

nos 1, 2, 4, 5, 3 have ISRC GBAYC9801224 - GBAYC9801228
first released on LP UK-1969 HMV ASD2518-9 (coupled with Mahler's 5.)

Lieder eines fahrenden Gesellen: ISRC: GBAYC9801230 - GBAYC9801233
Ich bin der Welt abhanden gekommen (RL No. 3): ISRC GBAYC9801234

Urlicht (Symphony No.2)

ISRC GBAYC8603247
First released on 2LP UK-1987 EX270598-3; Cassette UK-1987 EX270598-5; 2CD UK-1987 CDS7 47962-8

He was despised (from Messiah)

ISRC GBAYC8703034

Per trofei di mia costanza: ISRC GBAYC0100681
Ah! crudel, e pur ten vai: ISRC GBAYC0100684

Schlummert ein, ihr matten Augen

ISRC: GBAYC0100652

Bereite dich, Zion: ISRC GBAYC0100663
Es ist vollbracht: ISRC GBAYC0100671
Bist du bei mir: ISRC GBAYC0100670

Come again, sweet love doth now invite

ISRC GBAYC0800356

Never Love Unlesse You Can: ISRC GBAYC0800357
Oft Have I Sigh'd for Him That Heares Me Not: ISRC GBAYC0800358
If Thou Long'st So Much to Learn: ISRC GBAYC0800359
Faine Would I Wed a Faire Yong Man: ISRC GBAYC0800360
Sleep, Adam: ISRC GBAYC0800361
Lord, what is man?: ISRC GBAYC0800362
Tell me, lovely shepherd: ISRC GBAYC0800363
My Lovely Celia: ISRC GBAYC0800364
Where the Bee sucks, there lurk I: ISRC GBAYC0800365

Gretchen am Spinnrade

ISRC GBAYC9602531

Ellens Gesang III: ISRC GBAYC9603752
Heidenröslein: ISRC GBAYC9600502
An die Musik: ISRC GBAYC9600494
Die Forelle: ISRC GBAYC9600499
Auf dem Wasser zu singen: ISRC GBAYC9600496
Du bist die Ruh: ISRC GBAYC9600500
Nacht und Träume: ISRC GBAYC9602543
Gesang: ISRC GBAYC9600495

Frauenliebe und -leben

ISRC GBAYC9502493 - GBAYC9502500

Neue Liebe

ISRC GBAYC0000606

Auf Flügeln des Gesanges: ISRC GBAYC0000605
Nachtlied: ISRC GBAYC0000615
Die Lorelei: ISRC GBAYC0000633
Über allen gipfeln ist Ruh': ISRC GBAYC0000637

two first digits after GBAYC gives year of remastering (or first release, if any)

Tracklist

1▼Digital Media
#	Title	Artist	Length
1	Alto Rhapsody, Op. 53 mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Alto Rhapsody, op. 53 lyricist: Johann Wolfgang von Goethe composer: Johannes Brahms (in 1869) dedicated to: Julie Schumann premiered at: [concert] publisher: N. Simrock (in 1870-01) part of: Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)	Johannes Brahms	11:57
2	Wesendonck Lieder, WWV 91 No. 1: Der Engel mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) orchestrator: Felix Mottl lyricist: Mathilde Wesendonck composer: Richard Wagner version of: Wesendonck-Lieder: I. Der Engel (for voice and piano) part of: Wesendonck-Lieder (for voice and large orchestra, Mottl)	Richard Wagner	3:46
3	Wesendonck Lieder, WWV 91 No. 2: Stehe still! mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) orchestrator: Felix Mottl lyricist: Mathilde Wesendonck composer: Richard Wagner version of: Wesendonck-Lieder: II. Stehe still (for voice and piano) part of: Wesendonck-Lieder (for voice and large orchestra, Mottl)	Richard Wagner	4:51
4	Wesendonck Lieder, WWV 91 No. 3: Im Treibhaus mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) orchestrator: Felix Mottl lyricist: Mathilde Wesendonck composer: Richard Wagner arrangement of: Wesendonck-Lieder: III. Im Treibhaus (for voice and piano) part of: Wesendonck-Lieder (for voice and large orchestra, Mottl)	Richard Wagner	6:20
5	Wesendonck Lieder, WWV 91 No. 4: Schmerzen mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) orchestrator: Felix Mottl lyricist: Mathilde Wesendonck composer: Richard Wagner version of: Wesendonck-Lieder: IV. Schmerzen (for voice and piano) part of: Wesendonck-Lieder (for voice and large orchestra, Mottl)	Richard Wagner	2:57
6	Wesendonck Lieder, WWV 91 No. 5: Träume mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) orchestrator and composer: Richard Wagner lyricist: Mathilde Wesendonck arrangement of: Wesendonck-Lieder: V. Träume (for voice and piano) is based on: Träume, WWV 91b (for violin and orchestra) part of: Wesendonck-Lieder (for voice and large orchestra, Mottl)	Richard Wagner	5:55
7	Liebeshymnus, Op. 32 No. 3 mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Liebeshymnus, op. 32 no. 3 lyricist: Karl Friedrich Henckell composer: Richard Strauss part of: 5 Lieder for voice and piano (op. 32; TrV 174)	Richard Strauss	2:06
8	Das Rosenband, Op. 36 No. 1 mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Das Rosenband, op. 36 no. 1 (for voice and orchestra) lyricist: Friedrich Gottlieb Klopstock composer: Richard Strauss (from 1897 until 1898) arrangement of: Das Rosenband, op. 36 no. 1 (for voice and piano) part of: 4 Lieder for voice and piano (op. 36; TrV 186)	Richard Strauss	3:32
9	Ruhe, meine Seele, Op. 27 No. 1 mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Ruhe, meine Seele, op. 27 no. 1 lyricist: Karl Friedrich Henckell composer: Richard Strauss (in 1894) part of: 4 Lieder, op. 27	Richard Strauss	4:36
10	Muttertändelei, Op. 43 No. 2 mezzo-soprano vocals: Dame Janet Baker orchestra: London Philharmonic Orchestra recording of: Muttertändelei, op. 43 no. 2 (for voice and orchestra) lyricist: Gottfried August Bürger composer: Richard Strauss (in 1899) arranger: Richard Strauss (in 1900) arrangement of: Muttertändelei, op. 43 no. 2 (for voice and piano)	Richard Strauss	2:22
11	Sea Pictures, Op. 37 No. 1: Sea Slumber-Song producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1965-08-30) vocals: Dame Janet Baker orchestra: London Symphony Orchestra (on 1965-08-30) conductor: Sir John Barbirolli (on 1965-08-30) balance engineer: Christopher Parker (on 1965-08-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-08-30) recording of: Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30) lyricist: Roden Noel composer: Edward Elgar (in 1899) part of: Sea Pictures, op. 37	Sir Edward Elgar	5:04
12	Sea Pictures, Op. 37 No. 2: In Haven (Capri) producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1965-08-30) vocals: Dame Janet Baker orchestra: London Symphony Orchestra (on 1965-08-30) conductor: Sir John Barbirolli (on 1965-08-30) balance engineer: Christopher Parker (on 1965-08-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-08-30) recording of: Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30) lyricist: Alice Elgar composer: Edward Elgar (in 1899) part of: Sea Pictures, op. 37	Sir Edward Elgar	2:05
13	Sea Pictures, Op. 37 No. 3: A Sabbath Morning at Sea producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1965-08-30) vocals: Dame Janet Baker orchestra: London Symphony Orchestra (on 1965-08-30) conductor: Sir John Barbirolli (on 1965-08-30) balance engineer: Christopher Parker (on 1965-08-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-08-30) recording of: Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30) lyricist: Elizabeth Barrett Browning composer: Edward Elgar (in 1899) part of: Sea Pictures, op. 37	Sir Edward Elgar	6:20
14	Sea Pictures, Op. 37 No. 4: Where Corals Lie producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1965-08-30) vocals: Dame Janet Baker orchestra: London Symphony Orchestra (on 1965-08-30) conductor: Sir John Barbirolli (on 1965-08-30) balance engineer: Christopher Parker (on 1965-08-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-08-30) recording of: Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30) lyricist: Richard Garnett composer: Edward Elgar (in 1899) part of: Sea Pictures, op. 37	Sir Edward Elgar	4:10
15	Sea Pictures, Op. 37 No. 5: The Swimmer producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1965-08-30) vocals: Dame Janet Baker orchestra: London Symphony Orchestra (on 1965-08-30) conductor: Sir John Barbirolli (on 1965-08-30) balance engineer: Christopher Parker (on 1965-08-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-08-30) recording of: Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30) lyricist: Adam Lindsay Gordon composer: Edward Elgar (in 1899) part of: Sea Pictures, op. 37	Sir Edward Elgar	6:10
16	The Dream of Gerontius, Op. 38 No. 20: Softly and Gently ... mezzo-soprano vocals: Dame Janet Baker recording of: The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) composer: Edward Elgar (in 1900) part of: The Dream of Gerontius, op. 38	Sir Edward Elgar	7:00
17	Les Nuits d'été, Op. 7 No. 1: Villanelle producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	2:22
18	Les Nuits d'été, Op. 7 No. 2: Le spectre de la rose producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	7:53
19	Les Nuits d'été, Op. 7 No. 3: Sur les lagunes producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	5:37
20	Les Nuits d'été, Op. 7 No. 4: Absence producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	5:28
21	Les Nuits d'été, Op. 7 No. 5: Au cimetière producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	6:08
22	Les Nuits d'été, Op. 7 No. 6: L'île inconnue producer: Christopher Bishop mezzo-soprano vocals: Janet Baker (on 1967-12-23) orchestra: New Philharmonia Orchestra (on 1967-12-23) conductor: Sir John Barbirolli (on 1967-12-23) balance engineer: Christopher Parker recorded at: Kingsway Hall in London, England, United Kingdom (on 1967-12-23) recording of: Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (on 1967-12-23) lyricist: Théophile Gautier composer: Hector Berlioz (in 1841) part of: Les Nuits d’été, H. 81, op. 7	Hector Berlioz	4:01
23	Shéhérazade, No. 1: Asie mezzo-soprano vocals: Dame Janet Baker recording of: Shéhérazade: I. Asie lyricist: Tristan Klingsor composer: Maurice Ravel (in 1903) part of: Schéhérazade: Trois poèmes pour chant et orchestre	Maurice Ravel	9:51
24	Shéhérazade, No. 2: La flûte enchantée mezzo-soprano vocals: Dame Janet Baker recording of: Shéhérazade: II. La Flûte enchantée lyricist: Tristan Klingsor composer: Maurice Ravel (in 1903) part of: Schéhérazade: Trois poèmes pour chant et orchestre	Maurice Ravel	3:00
25	Shéhérazade, No. 3: L'indifférent mezzo-soprano vocals: Dame Janet Baker recording of: Shéhérazade: III. L'Indifférent lyricist: Tristan Klingsor composer: Maurice Ravel (in 1903) part of: Schéhérazade: Trois poèmes pour chant et orchestre	Maurice Ravel	3:47
26	Poème de l'amour et de la mer, Op. 19 No. 1: La fleur des eaux producer: Christopher Bishop mezzo-soprano vocals: Dame Janet Baker (from 1977-04-18 until 1977-04-21) orchestra: London Symphony Orchestra (from 1977-04-18 until 1977-04-21) conductor: André Previn (from 1977-04-18 until 1977-04-21) balance engineer: Christopher Parker recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1977-04-18 until 1977-04-21) recording of: Poème de l'amour et de la mer, op. 19: I. La fleur des eaux (from 1977-04-18 until 1977-04-21) lyricist: Maurice Bouchor composer: Ernest Chausson part of: Poème de l'amour et de la mer, op. 19	Ernest Chausson	11:27
27	Poème de l'amour et de la mer, Op. 19 No. 2: Interlude producer: Christopher Bishop orchestra: London Symphony Orchestra (from 1977-04-18 until 1977-04-21) conductor: André Previn (from 1977-04-18 until 1977-04-21) balance engineer: Christopher Parker recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1977-04-18 until 1977-04-21) recording of: Poème de l'amour et de la mer, op. 19: II. Interlude (from 1977-04-18 until 1977-04-21) composer: Ernest Chausson part of: Poème de l'amour et de la mer, op. 19	Ernest Chausson	2:41
28	Poème de l'amour et de la mer, Op. 19 No. 3: La mort de l'amour producer: Christopher Bishop mezzo-soprano vocals: Dame Janet Baker (from 1977-04-18 until 1977-04-21) orchestra: London Symphony Orchestra (from 1977-04-18 until 1977-04-21) conductor: André Previn (from 1977-04-18 until 1977-04-21) balance engineer: Christopher Parker recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1977-04-18 until 1977-04-21) recording of: Poème de l'amour et de la mer, op. 19: III. La mort de l'amour (from 1977-04-18 until 1977-04-21) lyricist: Maurice Bouchor composer: Ernest Chausson part of: Poème de l'amour et de la mer, op. 19	Ernest Chausson	13:09
29	Kindertotenlieder, No 1: Nun will die Sonn' so hell aufgeh'n producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1967-07-12 until 1967-07-13) orchestra: Hallé Orchestra (from 1967-07-12 until 1967-07-13) conductor: Sir John Barbirolli (from 1967-07-12 until 1967-07-13) balance engineer: Peter Bown phonographic copyright (℗) by: EMI Records Ltd. (in 1968) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1967-07-12 until 1967-07-13) recording of: Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1967-07-12 until 1967-07-13) composer: Gustav Mahler (in 1901) librettist: Friedrich Rückert (from 1833 until 1834) part of: Kindertotenlieder (Songs on the Death of Children)	Gustav Mahler	6:00
30	Kindertotenlieder, No 2: Nun seh' ich wohl, warum so dunkle Flammen producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1967-07-12 until 1967-07-13) orchestra: Hallé Orchestra (from 1967-07-12 until 1967-07-13) conductor: Sir John Barbirolli (from 1967-07-12 until 1967-07-13) balance engineer: Peter Bown phonographic copyright (℗) by: EMI Records Ltd. (in 1968) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1967-07-12 until 1967-07-13) recording of: Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1967-07-12 until 1967-07-13) composer: Gustav Mahler (in 1904) librettist: Friedrich Rückert (from 1833 until 1834) part of: Kindertotenlieder (Songs on the Death of Children)	Gustav Mahler	5:11
31	Kindertotenlieder, No 3: Wenn dein Mütterlein producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1967-07-12 until 1967-07-13) orchestra: Hallé Orchestra (from 1967-07-12 until 1967-07-13) conductor: Sir John Barbirolli (from 1967-07-12 until 1967-07-13) balance engineer: Peter Bown phonographic copyright (℗) by: EMI Records Ltd. (in 1968) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1967-07-12 until 1967-07-13) recording of: Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1967-07-12 until 1967-07-13) composer: Gustav Mahler (in 1901) librettist: Friedrich Rückert (from 1833 until 1834) part of: Kindertotenlieder (Songs on the Death of Children)	Gustav Mahler	5:21
32	Kindertotenlieder, No 4: Oft denk' ich, sie sind nur ausgegangen producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1967-07-12 until 1967-07-13) orchestra: Hallé Orchestra (from 1967-07-12 until 1967-07-13) conductor: Sir John Barbirolli (from 1967-07-12 until 1967-07-13) balance engineer: Peter Bown phonographic copyright (℗) by: EMI Records Ltd. (in 1968) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1967-07-12 until 1967-07-13) recording of: Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1967-07-12 until 1967-07-13) composer: Gustav Mahler (in 1901) librettist: Friedrich Rückert (from 1833 until 1834) part of: Kindertotenlieder (Songs on the Death of Children)	Gustav Mahler	3:09
33	Kindertotenlieder, No 5: In diesem Wetter! producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1967-07-12 until 1967-07-13) orchestra: Hallé Orchestra (from 1967-07-12 until 1967-07-13) conductor: Sir John Barbirolli (from 1967-07-12 until 1967-07-13) balance engineer: Peter Bown phonographic copyright (℗) by: EMI Records Ltd. (in 1968) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1967-07-12 until 1967-07-13) recording of: Kindertotenlieder: V. “In diesem Wetter” (from 1967-07-12 until 1967-07-13) composer: Gustav Mahler (in 1904) librettist: Friedrich Rückert (from 1833 until 1834) part of: Kindertotenlieder (Songs on the Death of Children)	Gustav Mahler	7:44
34	Rückert-Lieder, No. 1: Blicke mir nicht in die Lieder producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1969-07-17 until 1969-07-18) orchestra: New Philharmonia Orchestra (from 1969-07-17 until 1969-07-18) conductor: Sir John Barbirolli (from 1969-07-17 until 1969-07-18) balance engineer: Stuart Eltham (from 1969-07-17 until 1969-07-18) phonographic copyright (℗) by: EMI Records Ltd. (in 1969) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18) recording of: Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	1:38
35	Rückert-Lieder, No. 2: Ich atmet’ einen linden Duft producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1969-07-17 until 1969-07-18) orchestra: New Philharmonia Orchestra (from 1969-07-17 until 1969-07-18) conductor: Sir John Barbirolli (from 1969-07-17 until 1969-07-18) balance engineer: Stuart Eltham (from 1969-07-17 until 1969-07-18) phonographic copyright (℗) by: EMI Records Ltd. (in 1969) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18) recording of: Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder recording of: Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	2:41
36	Rückert-Lieder, No. 4: Um Mitternacht producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1969-07-17 until 1969-07-18) orchestra: New Philharmonia Orchestra (from 1969-07-17 until 1969-07-18) conductor: Sir John Barbirolli (from 1969-07-17 until 1969-07-18) balance engineer: Stuart Eltham (from 1969-07-17 until 1969-07-18) phonographic copyright (℗) by: EMI Records Ltd. (in 1969) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18) recording of: Rückert Lieder: IV. Um Mitternacht (from 1969-07-17 until 1969-07-18) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	5:54
37	Rückert-Lieder, No. 5: Liebst du um Schönheit producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1969-07-17 until 1969-07-18) orchestra: New Philharmonia Orchestra (from 1969-07-17 until 1969-07-18) conductor: Sir John Barbirolli (from 1969-07-17 until 1969-07-18) balance engineer: Stuart Eltham (from 1969-07-17 until 1969-07-18) phonographic copyright (℗) by: EMI Records Ltd. (in 1969) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18) recording of: Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-17 until 1969-07-18) orchestrator: Max Puttmann lyricist: Friedrich Rückert composer: Gustav Mahler (in 1902-08) premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	2:27
38	Rückert-Lieder, No. 3: Ich bin der Welt abhanden gekommen producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (from 1969-07-17 until 1969-07-18) orchestra: New Philharmonia Orchestra (from 1969-07-17 until 1969-07-18) conductor: Sir John Barbirolli (from 1969-07-17 until 1969-07-18) balance engineer: Stuart Eltham (from 1969-07-17 until 1969-07-18) phonographic copyright (℗) by: EMI Records Ltd. (in 1969) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18) recording of: Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	6:55
39	Lieder eines fahrenden Gesellen, No. 1: Wenn mein Schatz Hochzeit macht producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1967-05-04) orchestra: Hallé Orchestra (on 1967-05-04) conductor: Sir John Barbirolli (on 1967-05-04) balance engineer: Neville Boyling (on 1967-05-04) phonographic copyright (℗) by: EMI Records Ltd. (in 1967) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-04) recording of: Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (on 1967-05-04) lyricist and composer: Gustav Mahler part of: Lieder eines fahrenden Gesellen (Songs of a Wayfarer)	Gustav Mahler	4:20
40	Lieder eines fahrenden Gesellen, No. 2: Ging heut Morgen übers Feld producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1967-05-04) orchestra: Hallé Orchestra (on 1967-05-04) conductor: Sir John Barbirolli (on 1967-05-04) balance engineer: Neville Boyling (on 1967-05-04) phonographic copyright (℗) by: EMI Records Ltd. (in 1967) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-04) recording of: Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1967-05-04) lyricist and composer: Gustav Mahler part of: Lieder eines fahrenden Gesellen (Songs of a Wayfarer)	Gustav Mahler	4:43
41	Lieder eines fahrenden Gesellen, No. 3: Ich hab'ein glühend Messer producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1967-05-04) orchestra: Hallé Orchestra (on 1967-05-04) conductor: Sir John Barbirolli (on 1967-05-04) balance engineer: Neville Boyling (on 1967-05-04) phonographic copyright (℗) by: EMI Records Ltd. (in 1967) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-04) recording of: Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (on 1967-05-04) lyricist and composer: Gustav Mahler part of: Lieder eines fahrenden Gesellen (Songs of a Wayfarer)	Gustav Mahler	3:34
42	Lieder eines fahrenden Gesellen, No. 4: Die zwei blauen Augen von meinem Schatz producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1967-05-04) orchestra: Hallé Orchestra (on 1967-05-04) conductor: Sir John Barbirolli (on 1967-05-04) balance engineer: Neville Boyling (on 1967-05-04) phonographic copyright (℗) by: EMI Records Ltd. (in 1967) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-04) recording of: Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (on 1967-05-04) lyricist and composer: Gustav Mahler part of: Lieder eines fahrenden Gesellen (Songs of a Wayfarer)	Gustav Mahler	5:06
43	Rückert-Lieder, No. 3: Ich bin der Welt abhanden gekommen producer: Ronald Kinloch Anderson mezzo-soprano vocals: Janet Baker (on 1967-05-04) orchestra: Hallé Orchestra (on 1967-05-04) conductor: Sir John Barbirolli (on 1967-05-04) balance engineer: Neville Boyling (on 1967-05-04) phonographic copyright (℗) by: EMI Records Ltd. (in 1967) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-04) recording of: Rückert Lieder: III. Ich bin der Welt abhanden gekommen (on 1967-05-04) lyricist: Friedrich Rückert composer: Gustav Mahler premiered at: [concert] part of: Rückert-Lieder	Gustav Mahler	6:58
44	Symphony No. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig) mezzo-soprano vocals: Dame Janet Baker recording of: Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) composer: Gustav Mahler (from 1888 until 1894) librettist: [anonymous] arrangement of: Des Knaben Wunderhorn: Urlicht part of: Symphony no. 2 “Resurrection” recording of: Symphony no. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig) version of: Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)	Gustav Mahler	5:10
45	Messiah, HWV 56: He Was Despised mezzo-soprano vocals: Janet Baker orchestra: English Chamber Orchestra conductor: Charles Mackerras recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	12:41
46	Ah! crudel nel pianto mio, HWV 78: Per trofei di mia costanza mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	Georg Friedrich Händel	7:47
47	Armida Abbandonata (Dietro l'orme fugaci), HWV 105: Ah! crudel, e pur ten vai mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai composer: George Frideric Handel part of: Armida abbandonata, HWV 105	Georg Friedrich Händel	7:01
48	Ich habe genug, BWV 82: Schlummert ein, ihr matten Augen mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07) composer: Johann Sebastian Bach librettist: [anonymous] part of: Notebook for Anna Magdalena Bach (number: 34) part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	9:54
49	Weihnachtsoratorium, BWV 248: Bereite dich, Zion mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio") recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach	5:09
50	St. John Passion, BWV 245: Es ist vollbracht viola da gamba: Jane Ryan (from 1975-10-07 until 1975-10-09, on 1975-10-17) mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245) recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17) composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach	5:38
51	Bist du bei mir, BWV 508 mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09) lyricist: [unknown] composer: Gottfried Heinrich Stölzel previously attributed to: Johann Sebastian Bach part of: Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17) lyricist: [unknown] composer: Gottfried Heinrich Stölzel previously attributed to: Johann Sebastian Bach part of: Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)	Johann Sebastian Bach	2:58
52	Come Again, Sweet Love Doth Now Invite mezzo-soprano vocals: Dame Janet Baker recording of: The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" composer: John Dowland (in 1597) part of: The First Booke of Songs or Ayres	John Dowland	2:29
53	Never Love Unlesse You Can mezzo-soprano vocals: Dame Janet Baker	Thomas Campion	1:09
54	Oft Have I Sigh'd for Him That Heares Me Not mezzo-soprano vocals: Dame Janet Baker recording of: Oft have I sighed lyricist and composer: Thomas Campion	Thomas Campion	2:36
55	If Thou Long'st So Much to Learn mezzo-soprano vocals: Dame Janet Baker recording of: If thou long’st so much to learn composer: Thomas Campion	Thomas Campion	1:52
56	Faine Would I Wed a Faire Young Man mezzo-soprano vocals: Dame Janet Baker recording of: Faine Would I Wed (The Fourth Booke of Ayres, no. 11) composer: Thomas Campion (in 1617)	Thomas Campion	1:18
57	Sleep, Adam, Z. 195 mezzo-soprano vocals: Dame Janet Baker recording of: Sleep, Adam, and Take Thy Rest, Z. 195 lyricist: [anonymous] composer: Henry Purcell (in 1683) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 195)	Henry Purcell	1:54
58	Lord, What Is Man?, Z. 192 mezzo-soprano vocals: Dame Janet Baker recording of: Lord, what is Man?, Z. 192 lyricist: Dr. William Fuller composer: Henry Purcell part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 192)	Henry Purcell	5:41
59	Tell Me, Lovely Shepherd mezzo-soprano vocals: Dame Janet Baker recording of: Solomon: Part I. "Tell me, lovely shepherd" composer: William Boyce part of: Solomon: Part I	William Boyce	2:10
60	My Lovely Celia mezzo-soprano vocals: Dame Janet Baker	George Munro	2:24
61	Where the Bee Sucks, There Lurk I mezzo-soprano vocals: Dame Janet Baker	Thomas Arne	1:51
62	Gretchen am Spinnrade, D. 118 mezzo-soprano vocals: Dame Janet Baker recording of: Gretchen am Spinnrade, D. 118 lyricist: Johann Wolfgang von Goethe composer: Franz Schubert part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)	Franz Schubert	3:39
63	Ellens Gesang III ("Ave Maria"), D. 839 mezzo-soprano vocals: Dame Janet Baker recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) lyricist: Jairo and Sir Walter Scott composer: Franz Schubert (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Franz Schubert	6:49
64	Heidenröslein, D. 257 piano: Geoffrey Parsons (from 1980-04 until 1980-12) mezzo-soprano vocals: Dame Janet Baker (from 1980-04 until 1980-12) recording of: Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (from 1980-04 until 1980-12) lyricist: Johann Wolfgang von Goethe composer: Franz Schubert (on 1815-08-19) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)	Franz Schubert	1:50
65	An die Musik, D. 547 mezzo-soprano vocals: Dame Janet Baker recording of: An die Musik, D. 547 (original, for solo voice and piano) lyricist: Franz von Schober composer: Franz Schubert (in 1817-03) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)	Franz Schubert	2:46
66	Die Forelle, D. 550 mezzo-soprano vocals: Dame Janet Baker recording of: Die Forelle, D. 550 (The Trout, D. 550) lyricist: Christian Friedrich Daniel Schubart (from 1777 until 1787) composer: Franz Schubert (from 1816-11 until 1817-07) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550) is based on: Die Forelle (Schubart poem, not the Schubert song)	Franz Schubert	2:00
67	Auf dem Wasser zu singen, D. 774 mezzo-soprano vocals: Dame Janet Baker recording of: Auf dem Wasser zu singen, D. 774 lyricist: Friedrich Leopold Graf zu Stolberg-Stolberg composer: Franz Schubert part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)	Franz Schubert	3:18
68	Du bist die Ruh, D. 776 mezzo-soprano vocals: Dame Janet Baker recording of: Du bist die Ruh’, D. 776 lyricist: Friedrich Rückert composer: Franz Schubert (in 1823) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)	Franz Schubert	4:31
69	Nacht und Träume, D. 827 mezzo-soprano vocals: Dame Janet Baker recording of: Nacht und Träume, D. 827 lyricist: Matthäus von Collin composer: Franz Schubert part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 827)	Franz Schubert	4:32
70	Gesang, D. 891 mezzo-soprano vocals: Dame Janet Baker recording of: An Sylvia, D. 891 (for voice and piano) lyricist: William Shakespeare composer: Franz Schubert (in 1826) translator: Eduard von Bauernfeld part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)	Franz Schubert	3:00
71	Frauenliebe und -leben, Op. 42 No. 1: Seit ich ihn gesehen mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 1. Seit ich ihn gesehen lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	2:29
72	Frauenliebe und -leben, Op. 42 No. 2: Er, der Herrlichste von allen mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 2. Er, der Herrlichste von allen lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	3:09
73	Frauenliebe und -leben, Op. 42 No. 3: Ich kann's nicht fassen, nicht glauben mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 3. Ich kann's nicht fassen, nicht glauben lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	1:52
74	Frauenliebe und -leben, Op. 42 No. 4: Du Ring an meinem Finger mezzo-soprano vocals: Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 4. Du Ring an meinem Finger lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	2:50
75	Frauenliebe und -leben, Op. 42 No. 5: Helft mir, ihr Schwestern mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 5. Helft mir, ihr Schwestern lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	2:02
76	Frauenliebe und -leben, Op. 42 No. 6: Süßer Freund, du blickest mich verwundert an mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 6. Süßer Freund, du blickest lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	5:08
77	Frauenliebe und -leben, Op. 42 No. 7: An meinem Herzen, an meiner Brust mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 7. An meinem Herzen, an meiner Brust lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	1:25
78	Frauenliebe und -leben, Op. 42 No. 8: Nun hast du mir den ersten Schmerz getan mezzo-soprano vocals: Dame Janet Baker recording of: Frauenliebe und -leben, op. 42: Nr. 8. Nun hast du mir den ersten Schmerz getan lyricist: Adelbert von Chamisso composer: Robert Schumann part of: Frauenliebe und -leben, op. 42	Robert Schumann	4:12
79	Neue Liebe, Op. 19a No. 4 piano: Geoffrey Parsons (in 1980-12) mezzo-soprano vocals: Dame Janet Baker (in 1980-12) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1980-12) recording of: Neue Liebe, op. 19a no. 4 (in 1980-12) lyricist: Heinrich Heine composer: Felix Mendelssohn part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 70) part of: 6 Gesänge, op. 19a	Felix Mendelssohn	2:20
80	Auf Flügeln des Gesanges, Op. 34 No. 2 piano: Geoffrey Parsons (in 1980-12) mezzo-soprano vocals: Dame Janet Baker (in 1980-12) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1980-12) recording of: Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano) (in 1980-12) lyricist: Heinrich Heine composer: Felix Mendelssohn (in 1836) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 86) part of: 6 Gesänge, op. 34	Felix Mendelssohn	3:16
81	Nachtlied, Op. 71 No. 6 piano: Geoffrey Parsons (in 1980-12) mezzo-soprano vocals: Dame Janet Baker (in 1980-12) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1980-12) recording of: Nachtlied, op. 71 no. 6 (in 1980-12) lyricist: Joseph von Eichendorff composer: Felix Mendelssohn (in 1847) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 125) part of: 6 Lieder, op. 71	Felix Mendelssohn	4:16
82	Die Lorelei, S. 273 mezzo-soprano vocals: Dame Janet Baker	Franz Liszt	7:28
83	Über allen gipfeln ist Ruh', S. 306 piano: Geoffrey Parsons (from 1979-06 until 1980-04) mezzo-soprano vocals: Dame Janet Baker (from 1979-06 until 1980-04) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1979-06 until 1980-04) recording of: Über allen Gipfeln ist Ruh, S. 306 (unspecified version) (from 1979-06 until 1980-04) lyricist: Johann Wolfgang von Goethe composer: Franz Liszt	Franz Liszt	3:14

Credits

Release

ASIN:	UK: B0016IV2CK [info]

Release group

reviews:	http://www.musicweb-international.com/classrev/2008/Sept08/Janet_Baker_2080872.htm [info]