The Masterworks

~ Release by Bach (see all versions of this release, 1 available)

Annotation

Cardboard box with 40 CDs in thin cardboard sleeves.

The discs have individual barcodes and catalog numbers:

CD 01: barcode 5028421239118, catalog number 92391/1
CD 02: barcode 5028421239125, catalog number 92391/2
CD 03: barcode 5028421239132, catalog number 92391/3
CD 04: barcode 5028421239149, catalog number 92391/4
CD 05: barcode 5028421239156, catalog number 92391/5
CD 06: barcode 5028421239163, catalog number 92391/6
CD 07: barcode 5028421239170, catalog number 92391/7
CD 08: barcode 5028421239187, catalog number 92391/8
CD 09: barcode 5028421239194, catalog number 92391/9
CD 10: barcode 5028421391106, catalog number 92391/10
CD 11: barcode 5028421391113, catalog number 92391/11
CD 12: barcode 5028421391120, catalog number 92391/12
CD 13: barcode 5028421391137, catalog number 92391/13
CD 14: barcode 5028421391144, catalog number 92391/14
CD 15: barcode 5028421391151, catalog number 92391/15
CD 16: barcode 5028421391168, catalog number 92391/16
CD 17: barcode 5028421391175, catalog number 92391/17
CD 18: barcode 5028421391182, catalog number 92391/18
CD 19: barcode 5028421391199, catalog number 92391/19
CD 20: barcode 5028421391205, catalog number 92391/20
CD 21: barcode 5028421391212, catalog number 92391/21
CD 22: barcode 5028421391229, catalog number 92391/22
CD 23: barcode 5028421391236, catalog number 92391/23
CD 24: barcode 5028421391243, catalog number 92391/24
CD 25: barcode 5028421391250, catalog number 92391/25
CD 26: barcode 5028421391267, catalog number 92391/26
CD 27: barcode 5028421391274, catalog number 92391/27
CD 28: barcode 5028421391281, catalog number 92391/28
CD 29: barcode 5028421391298, catalog number 92391/29
CD 30: barcode 5028421391304, catalog number 92391/30
CD 31: barcode 5028421391311, catalog number 92391/31
CD 32: barcode 5028421391328, catalog number 92391/32
CD 33: barcode 5028421391335, catalog number 92391/33
CD 34: barcode 5028421391342, catalog number 92391/34
CD 35: barcode 5028421391359, catalog number 92391/35
CD 36: barcode 5028421391366, catalog number 92391/36
CD 37: barcode 5028421391373, catalog number 92391/37
CD 38: barcode 5028421391380, catalog number 92391/38
CD 39: barcode 5028421391397, catalog number 92391/39
CD 40: barcode 5028421391403, catalog number 92391/40

Tracklist

1▶CD: Brandenburg Concertos 1, 2, 3
2▶CD: Brandenburg Concertos 4, 5, 6
3▶CD: Orchestral Suites 1 & 2
4▶CD: Orchestral Suites 3 & 4
5▶CD: Violin Concertos
6▶CD: Double Concertos
7▶CD: The Well-Tempered Clavier, Book I no. 1 - 12
8▶CD: The Well-Tempered Clavier, Book I no. 13 - 24
9▶CD: The Well-Tempered Clavier, Book II no. 1 - 12
10▶CD: The Well-Tempered Clavier, Book II no. 13 - 24
11▶CD: Partitas 1, 2, 6
12▶CD: Partitas 3, 4, 5
13▶CD: Italian Concerto / French Overture / Chromatic Fantasy & Fugue
14▶CD: Goldberg Variations
15▶CD: English Suites 1, 2, 3
16▶CD: English Suites 4, 5, 6
17▶CD: Organ Works 1
18▶CD: Organ Works 2
19▶CD: Organ Works 3
20▶CD: Sonate e Partite per Violino Solo I
21▶CD: Sonate e Partite per Violino Solo II
22▶CD: Cello Suites 1, 3, 5
23▶CD: Cello Suites 2, 4, 6
24▶CD: Musikalisches Opfer
25▶CD: Violin Sonatas: BWV 1014 - 1016
26▶CD: Violin Sonatas: BWV 1017 - 1019
27▶CD: Motets
28▶CD: Easter Oratorio
29▶CD: Matthäus-Passion (1)
30▶CD: Matthäus-Passion (2)
31▼CD: Matthäus-Passion (3)
#TitleArtistLength
1Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:04
2Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:20
3Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:28
4Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:44
5Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:23
6Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Michael Chance
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:58
7Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Michael Chance
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:50
8Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:42
9Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:11
10Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:12
11Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1994)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:57
12Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
13Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
David Thomas
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:34
14Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
David Thomas
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:19
15Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:52
16Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:30
17Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:09
18Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:57
19Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:14
20Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Michael Chance
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:25
21Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Michael Chance
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:23
22Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach1:21
23Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:04
24Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:17
25Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:09
26Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:33
27Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1994)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
28Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:08
29Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach0:19
30Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:21
31Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
David Thomas
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:59
32Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
bass vocals:
David Thomas
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:20
33Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach1:02
34Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:59
35Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:38
36Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
alto vocals:
Michael Chance
bass vocals:
David Thomas
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Emma Kirkby
tenor vocals:
Martyn Hill
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
37Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
engineer:
Erik Sikkema and Adriaan Verstijnen
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1994)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:33
32▶CD: Johannes-Passion (1)
33▶CD: Johannes-Passion (2)
34▶CD: Cantatas: BWV 80, 82 & 61
35▶CD: Cantatas: BWV 106, 199 & 161
36▶CD: Cantatas: BWV 149, 69 & 169
37▶CD: Cantatas: BWV 6, 163 & 96
38▶CD: Cantatas: BWV 60, 78 & 151
39▶CD: Cantatas: BWV 195, 1 & 63
40▶CD: Cantatas: BWV 147, 181 & 66