Negotiations and Love Songs: 1971–1986

~ Release by Paul Simon (see all versions of this release, 10 available)

Tracklist

1▼CD
#TitleLength
1Mother and Child Reunion
recording of:
Mother and Child Reunion
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd and Paul Simon Music (in 1971)
2:49
2Me and Julio Down by the Schoolyard
producer:
Paul Simon
bass:
Russell George
guitar:
Paul Simon and David Spinozza
percussion:
Airto Moreira
vocals:
Paul Simon
arranger:
Paul Simon
recording of:
Me and Julio Down by the Schoolyard
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd and Paul Simon Music (in 1971)
2:44
3Something So Right
engineer:
Phil Ramone
co-producer:
Phil Ramone
producer:
Paul Simon
double bass [acoustic bass]:
Richard Davis
drums (drum set) [drums]:
Grady Tate
electric bass guitar [elec. bass]:
Bob Cranshaw
guitar:
Alexander Gafa, Paul Simon and David Spinozza
keyboard:
Bobby James
piano:
Bobby Scott
vibraphone [vibes]:
Don Elliott
strings arranger:
Quincy Jones
phonographic copyright (℗) by:
CBS, Inc. (in 1973)
recording of:
Something So Right
lyricist and composer:
Paul Simon
publisher:
Sony/ATV Songs LLC and Paul Simon Music (in 1973)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:31
4St. Judy's Comet
engineer:
Jerry Masters
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon
bass guitar:
David Hood
guitar:
Paul Simon
keyboard and vibraphone [vibes]:
Barry Beckett
percussion:
Roger Hawkins
phonographic copyright (℗) by:
CBS, Inc. (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
St. Judy’s Comet
publisher:
Paul Simon (in 1973)
lyricist and composer:
Paul Simon
publisher:
Paul Simon Music
3:17
5Loves Me Like a Rock
engineer:
Jerry Masters and Phil Ramone
co-producer:
The Muscle Shoals Rhythm Section and Phil Ramone
producer:
Paul Simon
bass guitar:
David Hood
drums (drum set) [drums]:
Roger Hawkins
guitar:
Paul Simon
additional guest background vocals and background vocals [vocal group]:
The Dixie Hummingbirds
phonographic copyright (℗) by:
CBS, Inc. (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Loves Me Like a Rock
publisher:
Paul Simon (in 1973)
lyricist and composer:
Paul Simon
publisher:
Paul Simon Music
3:18
6Kodachrome
engineer:
Jerry Masters and Phil Ramone
co-producer:
The Muscle Shoals Rhythm Section
producer:
Paul Simon
bass guitar:
David Hood
drums (drum set) [drums]:
Roger Hawkins
electric guitar:
Jimmy Johnson
guitar:
Pete Carr and Paul Simon
keyboard:
Barry Beckett
phonographic copyright (℗) by:
CBS, Inc. (in 1973)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Kodachrome (in 1973)
publisher:
Paul Simon (in 1973)
lyricist and composer:
Paul Simon
publisher:
Paul Simon Music
3:31
7Have a Good Time
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon
bass guitar [bass]:
Tony Levin
drums (drum set):
Steve Gadd
electric guitar:
Joe Beck and Hugh McCracken
electric piano:
Bob James
percussion:
Ralph MacDonald
solo saxophone:
Phil Woods
background vocals:
Valerie Simpson
vocals:
Paul Simon
brass [horns] arranger:
David Matthews
phonographic copyright (℗) by:
Paul Simon (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (in 1975)
recording of:
Have a Good Time
lyricist and composer:
Paul Simon
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
3:23
850 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon
acoustic guitar:
Paul Simon
bass guitar [bass]:
Tony Levin
drums (drum set):
Steve Gadd
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon
phonographic copyright (℗) by:
Paul Simon (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
3:32
9Still Crazy After All These Years
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon
bass guitar [bass]:
David Hood
drums (drum set):
Roger Hawkins
electric piano:
Barry Beckett
solo saxophone:
Michael Brecker
vocals:
Paul Simon
strings and woodwind arranger:
Bob James
phonographic copyright (℗) by:
Paul Simon (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (in 1975)
recording of:
Still Crazy After All These Years
lyricist and composer:
Paul Simon
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:23
10Late in the Evening
engineer:
Jim Boyer and Phil Ramone
producer:
Phil Ramone and Paul Simon
mixer:
Phil Ramone
acoustic guitar:
Hugh McCracken
bass guitar [bass]:
Tony Levin
drums (drum set):
Steve Gadd
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
background vocals and lead vocals:
Paul Simon
brass [horns] arranger:
Dave Grusin
phonographic copyright (℗) by:
Paul Simon (in 1980)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 1980)
recorded at:
A&R Recording Studio in New York, New York, United States
recording of:
Late in the Evening
lyricist and composer:
Paul Simon
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
3:54
11Slip Slidin' Away
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 48)
recording of:
Slip Slidin’ Away
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd and Paul Simon Music (in 1977)
4:43
12Hearts and Bones
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar]:
Anthony Jackson
acoustic guitar:
Paul Simon
drums (drum set):
Steve Gadd
guitar [hi‐string guitar]:
Dean Parks
marimba and vibraphone:
Mike Mainieri
percussion:
Airto Moreira
Rhodes piano:
Richard Tee
mixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Hearts and Bones
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd and Paul Simon Music (in 1982)
5:38
13Train in the Distance
recording of:
Train in the Distance
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd and Paul Simon Music
4:22
14Rene and Georgette Magritte With Their Dog After the War
engineer and mixer:
Roy Halee
acoustic bass guitar [contrabass guitar] and fretless bass:
Anthony Jackson
electric guitar:
Paul Simon
piano:
Rob Sabino
Rhodes piano, Rhodes piano and synthesizer and synthesizer:
Richard Tee
synclavier:
Wells Christie
background vocals:
The Harptones
vocals:
Paul Simon
vocals arranger:
The Harptones
orchestrator:
Georges Delerue
mixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Rene and Georgette Magritte With Their Dog After the War
orchestrator:
Georges Delerue
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd
3:44
15Diamonds on the Soles of Her Shoes
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon
alto saxophone:
Alex Foster
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
guitar:
Chikapa “Ray” Phiri and Paul Simon
percussion:
Assane Thiam, Babacar Faye and Youssou N’Dour
tenor saxophone:
Leonard Pickett
trumpet:
Earl Gardner
choir vocals:
Ladysmith Black Mambazo
vocals:
Paul Simon
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986-05)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
Diamonds on the Soles of Her Shoes
lyricist and composer:
Paul Simon
additional writer:
Joseph Shabalala
publisher:
Paul Simon Music (in 1986)
5:46
16You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon
publisher:
Paul Simon Music (in 1986)
4:40