| # | Title | Artist | Length |
|---|
| 1 | Leave the Door Open- recording engineer:
- Cody Cichowski (strings) and Charles Moniz
- assistant engineer:
- Alex Resoagli
- engineer:
- John Hanes (task: engineered for mix) and Charles Moniz
- producer:
- D’Mile and Bruno Mars
- assistant mixer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- bass:
- Brody Brown
- cello:
- Glenn Fischbach
- congas and guitar:
- Bruno Mars
- drums (drum set) [drums]:
- Anderson .Paak
- effects [guitar effects]:
- Ella Feingold
- guitar [lead guitar]:
- Mike Feingold
- piano:
- D’Mile
- viola [violas]:
- Jonathan Kim and Yoshihiko Nakano
- violin [violins]:
- Natasha Colkett, Gared Crawford, Blake Espy, Emma Kummrow, Luigi Mazzocchi and Tess Varley
- vocals:
- Anderson .Paak and Bruno Mars
- conductor:
- Larry Gold
- strings arranger:
- Larry Gold
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2021) and Atlantic Recording Corporation (in 2021)
- recorded at:
- Shampoo Press & Curl Studios
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- arranged at:
- Milk Boy Studios in Philadelphia, Pennsylvania, United States (strings)
- part of:
- Grammy Award: Best R&B Performance nominees (number: 2022 winner), Billboard Year-End Hot 100 singles of 2021 (number: 7) and Grammy Award: Record of the Year nominees (number: 2022 winner)
- recording of:
- Leave the Door Open
- writer:
- Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars
- publisher:
- 9 Lives Later, BMG Platinum Songs, BMG Rights Management, Dii Music LLC Global Publishing, Hard Workin Black Folks pub designee, Khlexs Dream, Mars Force Songs, LLC, Tailored 4U Music, LLC, Warner Geo Met Ric Music, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- part of:
- Grammy Award: Best R&B Song nominees (number: 2022 winner) and Grammy Award: Song of the Year nominees (number: 2022 winner)
| Bruno Mars, Anderson .Paak & Silk Sonic | 4:02 |
| 2 | Abcdefu (Chill) | GAYLE | 2:57 |
| 3 | Thinking Out Loud- programming and producer:
- Jake Gosling
- engineer:
- Jake Gosling and Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass, Hammond organ and solo electric guitar:
- Chris Leonard
- drums (drum set) and percussion:
- Jake Gosling
- guitar:
- Ed Sheeran
- piano:
- Peter Gosling
- vocals:
- Ed Sheeran
- phonographic copyright (℗) by:
- Asylum Records UK (in 2014), Warner Music UK Ltd. (in 2014) and Warner Music UK Limited (in 2024)
- recorded at:
- Sticky Studios in Windlesham, Surrey, England, United Kingdom
- mixed at:
- Mixsuite UK in London, England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 2), Grammy Award: Best Pop Solo Performance nominees (number: 2016 winner), Billboard Decade End Chart: Adult Contemporary Songs (number: 9), BILLIONS CLUB and Billboard: The 500 Best Pop Songs (number: 328)
- recording of:
- Thinking Out Loud
- writer:
- Ed Sheeran and Amy Wadge
- publisher:
- BDi Music Ltd., Ed Sheeran Limited, Sony/ATV Music Publishing and Sony/ATV Music Publishing (UK) Ltd.
| Ed Sheeran | 4:42 |
| 4 | Running Up That Hill- programming, producer and mixer:
- Christian ‘Leggy’ Langdon
- engineer:
- Christian ‘Leggy’ Langdon and Carl Stoodt
- bass guitar, guitar, percussion, piano and synthesizer:
- Christian ‘Leggy’ Langdon
- vocals:
- Meg Myers
- phonographic copyright (℗) by:
- 300 Entertainment (in 2019)
- cover recording of:
- Running Up That Hill
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Germany GmbH, EMI Music Publishing Ltd., Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc., Sony/ATV Music Publishing LLC and ソニー・ミュージックパブリッシング EMI外国事業部
| MEG MYERS | 4:24 |
| 5 | Whirlwind | Sam Ryder | 3:28 |
| 6 | We Don’t Talk Anymore | Charlie Puth feat. Selena Gomez | 3:38 |
| 7 | H.E.A.V.E.N | Ava Max | 1:46 |
| 8 | Paradise | Coldplay | 4:39 |
| 9 | Strangest Thing | The War On Drugs | 6:41 |
| 10 | Come Over (acoustic version) | Rudimental feat. Anne-Marie | 2:39 |
| 11 | Never Gonna Give You Up | The Black Keys | 3:39 |
| 12 | Empty | Bebe Rexha | 2:28 |
| 13 | Mad World | Jasmine Thompson | 3:11 |
| 14 | Remember That Night? | Sara Kays | 3:47 |
| 15 | FRIENDS- programming and producer:
- Marshmello
- engineer:
- Cameron Gower Poole
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- vocals:
- Anne‐Marie
- phonographic copyright (℗) by:
- Joytime Collective (in 2018)
- recorded at:
- Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London, England, United Kingdom
- mixed at:
- Mixsuite LA in Los Angeles, California, United States and Mixsuite UK in London, England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 26) and BILLIONS CLUB
- recording of:
- Friends
- writer:
- Anne-Marie Nicholson, Marshmello and Natalie Dunn
- publisher:
- EMI Music Publishing Ltd., Mushroom Music and Young & Vicious
| Anne-Marie & Marshmello | 3:23 |
| 16 | Tell Her You Love Her | Echosmith | 4:07 |
| 17 | Lola | Maude Latour | 2:42 |
| 18 | Infinity | Jaymes Young | 3:58 |
| 19 | Piano in the Sky | Winona Oak | 3:10 |
| 20 | I’m BLESSED | HONNE feat. Reuben James | 3:35 |
| 21 | Beautiful | Bazzi | 2:58 |
| 22 | At My Worst | Pink Sweat$ | 2:50 |
| 23 | 10,000 Hours - (piano version) | Dan + Shay & Justin Bieber | 2:52 |
| 24 | Family | David Guetta feat. Bebe Rexha, Ty Dolla $ign & A Boogie Wit da Hoodie | 2:39 |
| 25 | You and Me - (piano version) | Eliza Doolittle | 3:58 |
| 26 | Learning to Fly - (acoustic version) | Jason Castro | 4:35 |
| 27 | Up at Night | Kehlani feat. Justin Bieber | 3:02 |
| 28 | Take Me Home- drum machine programming:
- Chris Laws
- engineer:
- Dann Pursey, Geoff Foster, John Hanes and Chris Laws
- producer:
- Steve Mac
- mixer:
- Serban Ghenea
- cello:
- Adrian Bradbury, Nick Cooper, Frank Schaefer and Will Schofield
- double bass:
- Mark Scully and Richard Pryce
- guitar:
- Paul Gendler
- Hammond organ:
- Dave Arch
- keyboard [keyboards] and piano:
- Steve Mac
- percussion:
- Dann Pursey
- viola:
- Nick Barr, Reiad Chibah, Helen Kamminga, Bruce White and Katie Wilkinson
- violin:
- Andy Parker, Martin Burgess, Dai Emanuel, Alison Dods, Gaby Lester, Peter Hanson, Ian Humphries, Oli Langford, Steve Morris, Everton Nelson, Tom Pigott‐Smith, Chris Tombling and Debbie Widdup
- lead vocals:
- Jess Glynne
- strings [string] arranger:
- Dave Arch and Steve Mac
- phonographic copyright (℗) by:
- Atlantic Records UK Ltd (in 2015)
- recorded at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom and Rokstone Studios in Parsons Green, Hammersmith and Fulham, London, England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- Take Me Home
- writer:
- Jess Glynne, Wayne Hector, Steve Mac and Nick Tsang
| Jess Glynne | 4:25 |
| 29 | Fall Into Me | Forest Blakk | 3:46 |
| 30 | Under the Milky Way | Sia | 3:35 |
| 31 | Butterflies | Ali Gatie & MAX | 3:11 |
| 32 | Favorite Part | Sabrina Claudio | 3:26 |
| 33 | If I Didn't Love You | Ben Abraham | 4:06 |
| 34 | Panic | L Devine | 3:21 |
| 35 | Die First | Nessa Barrett | 2:57 |
| 36 | Bed on Fire | Teddy Swims feat. Ingrid Andress | 3:49 |
| 37 | It Girl | Jason Derulo | 3:12 |
| 38 | Truth Hurts- programming:
- Ricky Reed and Tele
- engineer:
- Ethan Shumaker
- co-producer:
- Tele
- producer:
- Ricky Reed
- assistant mixer:
- Scott Desmarais and Robin Florent
- mixer:
- Chris Galland and Manny Marroquin
- vocals:
- Lizzo
- recorded at:
- Elysian Park in Echo Park, Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- iHeartRadio Music Awards: Song of the Year nominees (number: 2020 winner), Grammy Award: Best Pop Solo Performance nominees (number: 2020 winner), Grammy Award: Record of the Year nominees (number: 2020), Billboard Year-End Hot 100 singles of 2019 (number: 13), Rolling Stone: The 100 Best Songs of the 2010s (number: 24), Spotify: Top Hits of 2019 (number: 49), Billboard Year-End Hot 100 singles of 2020 (number: 55), Billboard: The 500 Best Pop Songs (number: 281), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 497)
- recording of:
- Truth Hurts
- publisher:
- Jesse St. John Geller
- writer:
- Steven Cheung, Eric Frederic, Melissa “Lizzo” Jefferson and Jesse Saint John
- publisher:
- Frederic and Ried Music, Jesse SJ Music, Lizzo Music, Songs from the Boardwalk, Sony/ATV Ballad, Sony/ATV Music Publishing, LLC and Telethebusiness
| Lizzo | 2:53 |
| 39 | Our Song- recording engineer:
- TMS (lead vocals)
- additional programming:
- Chris Bishop and Cameron Gower Poole
- engineer:
- TMS
- producer:
- Cameron Gower Poole (task: vocal), TMS and TMS (task: vocal)
- assistant mixer:
- Matt Wolach
- mixer:
- Mark “Spike” Stent
- bass:
- Ben Kohn
- drums (drum set) [drums]:
- Tom Barnes
- guitar [guitars]:
- Vern Asbury and Niall Horan
- keyboard [keyboards]:
- Pete Kelleher
- vocals:
- Anne‐Marie and Niall Horan
- recorded at:
- Eastcote Studios in London, England, United Kingdom
- mixed at:
- Mixsuite LA in Los Angeles, California, United States and Mixsuite UK in London, England, United Kingdom
- recording of:
- Our Song
- writer:
- Anne-Marie Nicholson, Niall Horan, Ben Kohn, Pete Kelleher, Philip Plested and Tom Barnes
- publisher:
- Downtown Music, EMI Music Publishing Ltd., Sony ATV, Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Tunes LLC
| Anne-Marie & Niall Horan | 2:44 |
| 40 | Let Me Down Slowly | Alec Benjamin feat. Alessia Cara | 2:49 |
| 41 | Welcome Back | Ali Gatie & Alessia Cara | 2:53 |
| 42 | In the Stars- recording engineer:
- Rafael "Come2Brazil" Fadul
- programming:
- Jason Evigan
- additional producer:
- Michael Pollack
- producer:
- Lionel Crasta (task: vocal), Jason Evigan (task: and vocal) and Jackson Rau (task: vocal)
- mixer:
- Serban Ghenea
- drums (drum set) and guitar:
- Jason Evigan
- keyboard:
- Michael Pollack
- background vocals:
- Jason Evigan and Michael Pollack
- vocals:
- Benson Boone
- phonographic copyright (℗) by:
- Night Street Records, Inc. and Warner Records Inc. (in 2022)
- recorded at:
- Chumba Meadows in Tarzana, Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- BILLIONS CLUB
- recording of:
- In the Stars
- writer:
- Benson Boone, Jason Evigan and Michael Pollack
- publisher:
- Big Tall Guy Music, Saint Sounds Great, Songs With a Pure Tone, Warner–Tamerlane Publishing Corp. and What Key Do You Want It in Music
| Benson Boone | 3:36 |
| 43 | THE BOTTOM | MICHELLE | 3:40 |
| 44 | I Need You to Hate Me - (piano version) | JC Stewart | 2:50 |
| 45 | Tick Tock - (acoustic version) | Clean Bandit & Mabel | 3:09 |
| 46 | See You Again- executive producer:
- Neal H. Moritz
- producer:
- Mike Caren, Andrew Cedar, Frank E, Charlie Puth and Kevin Weaver
- assistant mixer:
- Chris Galland and Ike Schultz
- mixer:
- Manny Marroquin
- background vocals:
- Aton Ben-Horin, DJ Frank E, Latoya Lee and The Truth Experiment
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 3), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016), Billboard Decade End Chart: Streaming Songs (number: 40), Billboard Year-End Hot 100 singles of 2016 (number: 99) and BILLIONS CLUB
- recording of:
- See You Again
- writer:
- Andrew Cedar, DJ Frank E, Josh Hardy, Dann Hume, Phoebe Lou, Charlie Puth and Wiz Khalifa
- publisher:
- Andrew Cedar Publishing, Artist 101 Publishing Group, Artist Publishing Group, Artist Publishing Group West, BMG, BMG Platinum Songs, Canadiana Music, Charlie Puth Music Publishing, J Franks Publishing, Kobalt Music, New World Music, Universal Pictures, Universal Pictures Music, UPG Music Publishing, Warner Music Group, Warner–Tamerlane Publishing Corp., Warner/Chappell, WB Music Corp., WC Music Corp. and Wiz Khalifa Publishing
| Wiz Khalifa feat. Charlie Puth | 3:50 |
| 47 | Good Stuff | Griff | 3:25 |
| 48 | It's You | Ali Gatie | 3:33 |
| 49 | Evergreen (You Didn't Deserve Me at All)- phonographic copyright (℗) by:
- Omar Apollo (in 2021, in 2022)
| Omar Apollo | 3:37 |
| 50 | Good Enough | Maisie Peters | 3:41 |
