The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1

2▶CD: Vol 1. Cantatas CD 2

3▶CD: Vol 1. Cantatas CD 3

4▶CD: Vol 1. Cantatas CD 4

5▶CD: Vol 2. Cantatas CD 1

6▶CD: Vol 2. Cantatas CD 2

7▶CD: Vol 2. Cantatas CD 3

8▶CD: Vol 2. Cantatas CD 4

9▶CD: Vol 3. Cantatas CD 1

10▶CD: Vol 3. Cantatas CD 2

11▶CD: Vol 3. Cantatas CD 3

12▶CD: Vol 3. Cantatas CD 4

13▶CD: Vol 4. Cantatas CD 1

14▶CD: Vol 4. Cantatas CD 2

15▶CD: Vol 4. Cantatas CD 3

16▶CD: Vol 4. Cantatas CD 4

17▶CD: Vol 5. Cantatas CD 1

18▶CD: Vol 5. Cantatas CD 2

19▶CD: Vol 5. Cantatas CD 3

20▶CD: Vol 5. Cantatas CD 4

21▶CD: Vol 6. Cantatas CD 1

22▶CD: Vol 6. Cantatas CD 2

23▶CD: Vol 6. Cantatas CD 3

24▶CD: Vol 6. Cantatas CD 4

25▶CD: Vol 7. Cantatas CD 1

26▶CD: Vol 7. Cantatas CD 2

27▶CD: Vol 7. Cantatas CD 3

28▶CD: Vol 7. Cantatas CD 4

29▶CD: Vol 8. Cantatas CD 1

30▶CD: Vol 8. Cantatas CD 2

31▶CD: Vol 8. Cantatas CD 3

32▶CD: Vol 8. Cantatas CD 4

33▶CD: Vol 9. Cantatas CD 1

34▶CD: Vol 9. Cantatas CD 2

35▶CD: Vol 9. Cantatas CD 3

36▶CD: Vol 9. Cantatas CD 4

37▶CD: Vol 10. Cantatas CD 1

38▶CD: Vol 10. Cantatas CD 2

39▶CD: Vol 10. Cantatas CD 3

40▶CD: Vol 10. Cantatas CD 4

41▶CD: Vol 11. Cantatas CD 1

42▶CD: Vol 11. Cantatas CD 2

43▶CD: Vol 11. Cantatas CD 3

44▶CD: Vol 11. Cantatas CD 4

45▶CD: Vol 12. Cantatas CD 1

46▶CD: Vol 12. Cantatas CD 2

47▶CD: Vol 12. Cantatas CD 3

48▶CD: Vol 12. Cantatas CD 4

49▶CD: Vol 13. Cantatas CD 1

50▶CD: Vol 13. Cantatas CD 2

51▶CD: Vol 13. Cantatas CD 3

52▶CD: Vol 13. Cantatas CD 4

53▶CD: Vol 14. Cantatas CD 1

54▶CD: Vol 14. Cantatas CD 2

55▶CD: Vol 14. Cantatas CD 3

56▶CD: Vol 14. Cantatas CD 4

57▶CD: Vol 15. Cantatas CD 1

58▶CD: Vol 15. Cantatas CD 2

59▶CD: Vol 15. Cantatas CD 3

60▶CD: Vol 15. Cantatas CD 4

61▶CD: Vol 16. Cantatas CD 1

62▶CD: Vol 16. Cantatas CD 2

63▶CD: Vol 16. Cantatas CD 3

64▶CD: Vol 16. Cantatas CD 4

65▶CD: Vol 17. Cantatas CD 1

66▶CD: Vol 17. Cantatas CD 2

67▶CD: Vol 17. Cantatas CD 3

68▶CD: Vol 17. Cantatas CD 4

69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1

70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2

71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3

72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4

73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1

74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2

75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3

76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4

77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1

78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2

79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3

80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4

81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1

82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2

83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3

84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4

85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1

86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2

87▼CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
#	Title	Length
1	Oster‐Oratorium, BWV 249: I. Sinfonia orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach version of: Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia part of: Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	4:03
2	Oster‐Oratorium, BWV 249: II. Adagio orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach version of: Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	4:18
3	Oster‐Oratorium, BWV 249: III. Coro „Kommt, eilet und laufet“ choir vocals: Gächinger Kantorei Stuttgart solo bass vocals: Philippe Huttenlocher solo tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	4:43
4	Oster‐Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) „O kalter Männer Sinn“ alto vocals and solo mezzo-soprano vocals [Alt]: Júlia Hamari bass vocals and solo bass vocals: Philippe Huttenlocher solo soprano vocals and soprano vocals: Arleen Augér solo tenor vocals and tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249) recording of: Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" composer: Johann Sebastian Bach (in 1738) part of: Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)	1:07
5	Oster‐Oratorium, BWV 249: V. Aria (Sopran) „Seele, deine Spezereien“ solo soprano vocals and soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249) recording of: Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder" composer: Johann Sebastian Bach (in 1725) part of: Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"	8:21
6	Oster‐Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) „Hier ist die Gruft“ alto vocals and solo mezzo-soprano vocals [Alt]: Júlia Hamari bass vocals and solo bass vocals: Philippe Huttenlocher solo tenor vocals and tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	0:48
7	Oster‐Oratorium, BWV 249: VII. Aria (Tenor) „Sanfte soll mein Todeskummer“ solo tenor vocals and tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	6:11
8	Oster‐Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) „Indessen seufzen wir“ alto vocals and solo mezzo-soprano vocals [Alt]: Júlia Hamari solo soprano vocals and soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	0:56
9	Oster‐Oratorium, BWV 249: IX. Aria (Alt) „Saget, saget mir geschwinde“ alto vocals and solo mezzo-soprano vocals [Alt]: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249) recording of: Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach arrangement of: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"	6:58
10	Oster‐Oratorium, BWV 249: X. Recitativo (Bass) „Wir sind erfreut“ bass vocals and solo bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	0:42
11	Oster‐Oratorium, BWV 249: XI. Coro „Preis und Dank“ choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05) recording of: Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	2:47
12	Himmelfahrts‐Oratorium, BWV 11: I. Coro „Lobet Gott in seinen Reichen“ choir vocals: Gächinger Kantorei Stuttgart (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	4:41
13	Himmelfahrts‐Oratorium, BWV 11: II. „Der Herr Jesu hub seine Hände auf“ (Evangelista) tenor vocals [Evangelist]: Adalbert Kraus (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	0:30
14	Himmelfahrts‐Oratorium, BWV 11: III. Recitativo (Bass) „Ach, Jesu, ist dein Abschied schon so nah“ bass vocals: Andreas Schmidt (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	1:06
15	Himmelfahrts‐Oratorium, BWV 11: IV. Aria (Alt) „Ach bleibe doch, mein liebstes Leben“ alto vocals: Mechthild Georg (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	6:14
16	Himmelfahrts‐Oratorium, BWV 11: V. „Und ward aufgehaben zusehends“ (Evangelista) tenor vocals [Evangelist]: Adalbert Kraus (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	0:26
17	Himmelfahrts‐Oratorium, BWV 11: VI. Choral „Nun lieget alles unter dir“ choir vocals: Gächinger Kantorei Stuttgart (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1984-02) lyricist: Johann von Rist composer: Johann Sebastian Bach (in 1735) part of: Breitkopf 389 Choralgesänge (number: 82) part of: Himmelfahrts-Oratorium, BWV 11	1:11
18	Himmelfahrts‐Oratorium, BWV 11: VII. „Und da sie ihm nachsahen“ (Evangelista) tenor vocals [Evangelist]: Adalbert Kraus (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	2:11
19	Himmelfahrts‐Oratorium, BWV 11: VIII. Aria (Sopran) „Jesu, deine Gnadenblicke“ soprano vocals: Costanza Cuccaro (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11 recording of: Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	5:43
20	Himmelfahrts‐Oratorium, BWV 11: IX. Choral „Wenn soll es doch geschehen“ choir vocals: Gächinger Kantorei Stuttgart (in 1984-02) orchestra: Württembergisches Kammerorchester Heilbronn (in 1984-02) conductor: Helmuth Rilling (in 1984-02) recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02) mixed at and edited at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11 recording of: Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1984-02) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	4:10

88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4

89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1

90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2

91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3

92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4

93▶CD: Vol 24. A Book Of Chorale-Settings CD 1

94▶CD: Vol 24. A Book Of Chorale-Settings CD 2

95▶CD: Vol 24. A Book Of Chorale-Settings CD 3

96▶CD: Vol 24. A Book Of Chorale-Settings CD 4

97▶CD: Vol 25. Organ Works CD 1

98▶CD: Vol 25. Organ Works CD 2

99▶CD: Vol 25. Organ Works CD 3

100▶CD: Vol 25. Organ Works CD 4

101▶CD: Vol 26. Organ Works CD 1

102▶CD: Vol 26. Organ Works CD 2

103▶CD: Vol 26. Organ Works CD 3

104▶CD: Vol 26. Organ Works CD 4

105▶CD: Vol 27. Organ Works CD 1

106▶CD: Vol 27. Organ Works CD 2

107▶CD: Vol 27. Organ Works CD 3

108▶CD: Vol 27. Organ Works CD 4

109▶CD: Vol 28. Organ Works CD 1

110▶CD: Vol 28. Organ Works CD 2

111▶CD: Vol 28. Organ Works CD 3

112▶CD: Vol 28. Organ Works CD 4

113▶CD: Vol 29. Organ Works CD 1

114▶CD: Vol 29. Organ Works CD 2

115▶CD: Vol 29. Organ Works CD 3

116▶CD: Vol 29. Organ Works CD 4

117▶CD: Vol 30. Harpsichord Music CD 1

118▶CD: Vol 30. Harpsichord Music CD 2

119▶CD: Vol 30. Harpsichord Music CD 3

120▶CD: Vol 30. Harpsichord Music CD 4

121▶CD: Vol 31. Keyboard Works CD 1

122▶CD: Vol 31. Keyboard Works CD 2

123▶CD: Vol 31. Keyboard Works CD 3

124▶CD: Vol 31. Keyboard Works CD 4

125▶CD: Vol 32. Keyboard Works CD 1

126▶CD: Vol 32. Keyboard Works CD 2

127▶CD: Vol 32. Keyboard Works CD 3

128▶CD: Vol 32. Keyboard Works CD 4

129▶CD: Vol 33. Keyboard Works CD 1

130▶CD: Vol 33. Keyboard Works CD 2

131▶CD: Vol 33. Keyboard Works CD 2

132▶CD: Vol 33. Keyboard Works CD 4

133▶CD: Vol 34. Keyboard Works CD 1

134▶CD: Vol 34. Keyboard Works CD 2

135▶CD: Vol 34. Keyboard Works CD 3

136▶CD: Vol 34. Keyboard Works CD 4

137▶CD: Vol 35. Keyboard Works CD 1

138▶CD: Vol 35. Keyboard Works CD 2

139▶CD: Vol 35. Keyboard Works CD 3

140▶CD: Vol 35. Keyboard Works CD 4

141▶CD: Vol 36. Keyboard Works CD 1

142▶CD: Vol 36. Keyboard Works CD 2

143▶CD: Vol 36. Keyboard Works CD 3

144▶CD: Vol 36. Keyboard Works CD 4

145▶CD: Vol 37. Keyboard Works CD 1

146▶CD: Vol 37. Keyboard Works CD 2

147▶CD: Vol 37. Keyboard Works CD 3

148▶CD: Vol 37. Keyboard Works CD 4

149▶CD: Vol 38. Orchestral Music CD 1

150▶CD: Vol 38. Orchestral Music CD 2

151▶CD: Vol 38. Orchestral Music CD 3

152▶CD: Vol 38. Orchestral Music CD 4

153▶CD: Vol 39. Works For Violin CD 1

154▶CD: Vol 39. Works For Violin CD 2

155▶CD: Vol 39. Works For Violin CD 3

156▶CD: Vol 39. Works For Violin CD 4

157▶CD: Vol 40. Harpsichord Concertos CD 1

158▶CD: Vol 40. Harpsichord Concertos CD 2

159▶CD: Vol 40. Harpsichord Concertos CD 3

160▶CD: Vol 40. Harpsichord Concertos CD 4

161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1

162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2

163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3

164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4

165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1

166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2

167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3

168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4

169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1

170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2

171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3

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Discogs:	https://www.discogs.com/release/10243039 [info]

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Discogs:	https://www.discogs.com/master/1175451 [info]
other databases:	https://rateyourmusic.com/release/comp/johann_sebastian_bach/edition_bachakademie__172_cd_box/ [info]

The Complete Works (Edition Bachakademie)

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