| # | Title | Artist | Length |
|---|
| 1 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation, Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 3:30 |
| 2 | Evil Ways- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (on 1969-05-12)
- guitar:
- Carlos Santana (on 1969-05-12)
- organ and piano:
- Gregg Rolie (on 1969-05-12)
- vocals:
- Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
- arranger:
- Alberto Gianquinto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1969), Sony BMG Music Entertainment (in 1969) and Sony Music Entertainment Inc. (in 1969)
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 69)
- cover recording of:
- Evil Ways (on 1969-05-12)
- lyricist and composer:
- Clarence “Sonny” Henry
- publisher:
- EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
| Santana | 3:57 |
| 3 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman, Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd., Bug Music, Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control, Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 5:07 |
| 4 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control, Irving Music, Inc., Kobalt Music Publishing Ltd., Polygram Music and Universal Music Publishing
| Free | 5:29 |
| 5 | Locomotive Breath- engineer:
- John Burns
- executive producer:
- Terry Ellis
- producer:
- Ian Anderson and Terry Ellis
- acoustic guitar and flute and lead vocals:
- Ian Anderson (on 1971-02-12)
- bass guitar and treble recorder / alto recorder:
- Jeffrey Hammond Hammond (on 1971-02-12)
- drums (drum set) and percussion:
- Clive Bunker (on 1971-02-12)
- electric guitar and soprano recorder:
- Martin Barre (on 1971-02-12)
- Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
- John Evan (on 1971-02-12)
- conductor:
- Dee Palmer (on 1971-02-12)
- remixer:
- Robin Black
- orchestrator:
- Dee Palmer
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (on 1971-02-12)
- remixed at:
- Morgan Studios in Willesden, Brent, London, England, United Kingdom
- recording of:
- Locomotive Breath (on 1971-02-12)
- lyricist and composer:
- Ian Anderson
| Jethro Tull | 4:24 |
| 6 | Walk Away | James Gang | 3:34 |
| 7 | Maggie May- producer:
- Rod Stewart
- acoustic guitar:
- Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
- bass:
- Andy Pyle (in 1971-01)
- bass guitar, guitar and pedal steel guitar:
- Ronnie Wood (in 1971-01)
- double bass:
- Danny Thompson (in 1971-01)
- drums (drum set):
- Micky Waller (in 1971-01)
- organ:
- Ian McLagan (in 1971-01)
- piano:
- Pete Sears (in 1971-01)
- slide guitar:
- Sam Mitchell (in 1971-01)
- violin:
- Dick Powell (in 1971-01)
- lead vocals:
- Rod Stewart (in 1971-01)
- vocals:
- Madeline Bell (in 1971-01)
- compilation of:
- Henry by Rod Stewart and Maggie May by Rod Stewart
- music videos:
- Maggie May by Rod Stewart
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
- recording of:
- Henry (in 1971-01)
- composer:
- Martin Quittenton
- recording of:
- Maggie May (in 1971-01)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control, EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing, EMI Music Publishing Ltd., H. G. Music Inc, Mushroom Music, Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 5:46 |
| 8 | I’d Love to Change the World | Ten Years After | 3:44 |
| 9 | Long Cool Woman (in a Black Dress) | The Hollies | 3:17 |
| 10 | Frankenstein | Edgar Winter | 4:44 |
| 11 | Saturday Night’s Alright (for Fighting) | Elton John | 4:56 |
| 12 | We’re an American Band | Grand Funk Railroad | 3:26 |
| 13 | Rocky Mountain Way | Joe Walsh | 5:16 |
| 14 | China Grove (album version)- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman, Tom Johnston, Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- China Grove
- lyricist and composer:
- Tom Johnston
- publisher:
- Copyright Control and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 3:15 |
| 15 | Radar Love (album version)- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London, England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music, Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 6:25 |
| 16 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King, Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4:41 |
| 17 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 3:52 |
