Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▼CD: Mozart: La clemenza di Tito (Act I)
#TitleArtistLength
1La clemenza di Tito, K. 621: Ouverture
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Ouverture (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:47
2La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Ma ché? sempre l'istesso” (Vitellia, Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:11
3La clemenza di Tito, K. 621: Atto Primo. N. 1 Duetto: “Come ti piace imponi” - “Fan mille affetti insieme” (Sesto, Vitellia)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:37
4La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Amico, il passo affretta” (Annio, Vitellia, Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:11
5La clemenza di Tito, K. 621: Atto Primo. N. 2 Aria: “Deh, se piacer mi vuoi” (Vitellia)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:02
6La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Amico, ecco il momento” (Annio, Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:28
7La clemenza di Tito, K. 621: Atto Primo. N. 3 Duettino: “Deh, prendi un dolce amplesso” (Annio, Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:48
8La clemenza di Tito, K. 621: Atto Primo. N. 4 Marcia
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:49
9La clemenza di Tito, K. 621: Atto Primo. N. 5 Coro: “Serbate, o Dei custodi” (popolo)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:47
10La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Te della patria il padre” (Publio, Annio, Tito)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:40
11La clemenza di Tito, K. 621: Atto Primo. N. 5 Coro da capo: “Serbate, o Dei custodi” (popolo)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:47
12La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Adesso, o Sesto, parla per me” (Annio, Sesto, Tito)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:30
13La clemenza di Tito, K. 621: Atto Primo. N. 6 Aria: “ Dei più sublime soglio” (Tito)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:50
14La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Non ci pentiam” (Annio, Servilia)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:45
15La clemenza di Tito, K. 621: Atto Primo. N. 7 Duetto: “Ah, perdona al primo affetto” (Annio, Servilia)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:35
16La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Servilia! Augusta!” (Tito, Servilia)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Servilia! Augusta!" (Tito, Servilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:30
17La clemenza di Tito, K. 621: Atto Primo. N. 8 Aria: “Ah, se fosse intorno al trono” (Tito)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
tenor vocals [Tito Vespasiano, imperatore di Roma]:
Anthony Rolfe Johnson (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:58
18La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Felice me!” (Servilia, Vitellia) / “Ancora mi schernisce?” (Vitellia, Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:16
19La clemenza di Tito, K. 621: Atto Primo. N. 9 Aria: “Parto, ma tu, ben mio” (Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:50
20La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Vedrai, Tito, vedrai” (Vitellia, Publio, Annio)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:43
21La clemenza di Tito, K. 621: Atto Primo. N. 10 Terzetto: “Vengo… aspettate… Sesto!…” (Vitellia, Annio, Publio)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:17
22La clemenza di Tito, K. 621: Atto Primo. N. 11 Recitativo accompagnato: “O Dei, che smania è questa” (Sesto)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:24
23La clemenza di Tito, K. 621: Atto Primo. N. 12 Quintetto con coro: “Deh, conservate, o Dei” (Sesto, Annio, Servilia, popolo, Publio, Vitellia1)
recording engineer:
Ulrich Vette (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler
basset clarinet and basset horn:
Leslie Schatzberger (in 1990-06)
cello [violoncello]:
Angela East (in 1990-06)
fortepiano:
Alastair Ross (in 1990-06)
bass vocals [Publio, prefetto del pretorio]:
Cornelius Hauptmann (in 1990-06)
mezzo-soprano vocals [Annio, amico di Sesto, amante di Servilia]:
Catherine Robbin (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (in 1990-06)
soprano vocals [Servilia, sorella di Sesto, amante d'Annio]:
Sylvia McNair (in 1990-06)
soprano vocals [Vitellia, figlia dell'imperatore Vitellio]:
Júlia Várady (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
concertmaster:
Alison Bury (in 1990-06)
recorded at:
Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:35
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten