The Best of the Song Books: The Ballads

~ Release by Ella Fitzgerald (see all versions of this release, 2 available)

Annotation

Notes

It's obvious that Verve at some point in time drown itself into the vast amount of genius material that Fitzgerald left behind her.
Both monumental (hence to some point hard to digest in its entirety) and rich enough to develop a consistency across releases, the Songbooks were the perfect material to endlessly build "samplers" and thematic compilations.
This (serie) is one of these attempts at making the customer swallow yet again the same thing advertised in a way appealing to some specific category of persons.
While this definitely is not bad, and while some people can find great pleasure in digging it (with reasons), this pretty much pose the problem of the essentially destructive nature of compilations: the better they are, the less their relevance is obvious when compared to the original releases (which at least bear the artist intent) - the more they are, the less likely they are to accompany the newcomers to the original releases, lost into a sea of redundant, infinitely intersecting packages that customers finally grow tired of, leading them away rather than to the heart.

Dig this if you really can't help buying compilations (this release actually is one of the very best introduction to the songbooks, a perfect entrance for newcomers) - otherwise, you should really consider moving to the original releases if you don't want to follow Verve into sinking...

Tracklist

1CD
#TitleLength
1Oh, Lady Be Good
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1959-01 until 1959-03)
cover recording of:
Oh, Lady Be Good! (in 1959)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
4:04
2I’m Old Fashioned3:30
3Laura
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Willie Smith (from 1964-10-19 until 1964-10-21)
clarinet:
Buddy DeFranco (from 1964-10-19 until 1964-10-21)
instruments:
Paul Smith (from 1964-10-19 until 1964-10-21)
tenor saxophone:
Plas Johnson (from 1964-10-19 until 1964-10-21)
vibraphone:
Frank Flynn (from 1964-10-19 until 1964-10-21)
lead vocals:
Ella Fitzgerald (from 1964-10-19 until 1964-10-21)
conductor:
Nelson Riddle (from 1964-10-19 until 1964-10-21)
performer:
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Laura (1945 song) (in 1964)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc., EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:46
4Day‐Dream
engineer:
Val Valentin (on 1957-06-24)
producer:
Norman Granz
piano:
Duke Ellington (on 1957-06-24)
trumpet:
William “Cat” Anderson (on 1957-06-24), Willie Cook (on 1957-06-24), Dizzy Gillespie (on 1957-06-24) and Clark Terry (on 1957-06-24)
trumpet and violin:
Ray Nance (on 1957-06-24)
lead vocals:
Ella Fitzgerald (on 1957-06-24)
performer:
Duke Ellington and His Orchestra (on 1957-06-24)
cover recording of:
Day Dream (on 1957-06-24)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (in 1941) and Billy Strayhorn (in 1941)
4:01
5Easy to Love
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (in 1956)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Easy to Love (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
3:27
6It Was Written in the Stars
cover recording of:
It Was Written in the Stars
lyricist:
Leo Robin (in 1948)
composer:
Harold Arlen (in 1948)
5:12
7How Long Has This Been Going On?
producer:
Norman Granz
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:48
8Let’s Begin
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
Let’s Begin (from "Roberta") (in 1963)
lyricist:
Dorothy Fields and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
3:01
9Now It Can Be Told
engineer:
Val Valentin (on 1958-03-17)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-17)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-17)
cover recording of:
Now It Can Be Told (on 1958-03-17)
lyricist and composer:
Irving Berlin (in 1938)
part of:
The 11th Academy Award for Best Original Song (number: 2)
3:13
10There’s a Small Hotel
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1956-08-29)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:52
11Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
7:44
12Ill Wind (You’re Blowin’ Me No Good)
cover recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:54
13You’re Laughing at Me
engineer:
Val Valentin (on 1958-03-17)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-17)
orchestra:
Paul Weston & His Orchestra (in 1958)
conductor:
Paul Weston (in 1958)
arranger:
Paul Weston (in 1958)
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-17)
cover recording of:
You’re Laughing at Me (on 1958-03-17)
lyricist and composer:
Irving Berlin (in 1937)
3:18
14A Ship Without a Sail
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
A Ship Without a Sail (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (in 1929)
4:11
15Trav’lin Light
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Willie Smith (from 1964-10-19 until 1964-10-21)
clarinet:
Buddy DeFranco (from 1964-10-19 until 1964-10-21)
instruments:
Paul Smith (from 1964-10-19 until 1964-10-21)
tenor saxophone:
Plas Johnson (from 1964-10-19 until 1964-10-21)
vibraphone:
Frank Flynn (from 1964-10-19 until 1964-10-21)
lead vocals:
Ella Fitzgerald (from 1964-10-19 until 1964-10-21)
conductor:
Nelson Riddle (from 1964-10-19 until 1964-10-21)
performer:
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Trav’lin’ Light (in 1964)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:51
16This Time the Dream’s on Me
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
This Time the Dream’s on Me (in 1960)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
4:35

Credits

Release

ASIN:US: B0000046U6 [info]