Ella Fitzgerald Sings the Rodgers and Hart Song Book

~ Release by Ella Fitzgerald (see all versions of this release, 11 available)

Annotation

This double cd release contains 14 bonus tracks (in cd 2), 20-page booklet and 24 bit remaster

Tracklist

1▶CD
2▼CD
#TitleLength
1The Blue Room
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Blue Room (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
2:35
2My Funny Valentine
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
lead vocals:
Ella Fitzgerald (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:58
3Bewitched
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company
part of:
Pal Joey
7:07
4Mountain Greenery
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (on 1956-08-28)
cello:
Robert La Marchina (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (on 1956-08-28)
woodwind:
Bob Cooper (on 1956-08-28), Ted Nash (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (on 1956-08-28)
vocals:
Ella Fitzgerald (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Mountain Greenery (on 1956-08-28)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
2:19
5Wait Till You See Her
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Wait Till You See Her (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers
composer:
Richard Rodgers (in 1942)
1:35
6Lover
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Lover (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
3:22
7Isn’t It Romantic?
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (on 1956-08-31)
piano:
Paul Smith (on 1956-08-31)
vocals:
Ella Fitzgerald (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
3:06
8Here in My Arms
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
bass trombone:
George Roberts (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (on 1956-08-31)
piano:
Paul Smith (on 1956-08-31)
vocals:
Ella Fitzgerald (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Here in My Arms (on 1956-08-31)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (in 1925)
1:57
9Blue Moon
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Blue Moon (on 1956-08-29)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
3:17
10My Heart Stood Still
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Heart Stood Still (on 1956-08-30)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros., Warner Bros., Inc. and Warner Chappell Music Ltd.
part of:
One Dam Thing After Another
3:08
11I’ve Got Five Dollars
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (on 1956-08-21)
tenor saxophone:
Bob Cooper (on 1956-08-21) and Ted Nash (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
I’ve Got Five Dollars (on 1956-08-21)
lyricist:
Lorenz Hart (in 1931)
composer:
Richard Rodgers (in 1931)
2:43
12Lover (mono take)
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Lover (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
3:17
13The Silent Treatment
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (from 1956-08-21 until 1956-08-31), Ted Nash (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger:
Buddy Bregman
recording of:
The Silent Treatment (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
2:53
14Stay There
recorded in:
Los Angeles, California, United States (on 1956-01-25)
bass:
Max Bennett (on 1956-01-25)
celesta [celeste] and piano:
Lou Levy (on 1956-01-25)
drums (drum set):
Gus Johnson (on 1956-01-25)
vocals:
Ella Fitzgerald (on 1956-01-25)
orchestra:
Buddy Bregman Orchestra (on 1956-01-25) and The Marty Paich Dek‐Tette (on 1956-01-25)
recording of:
Stay There (on 1956-01-25)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
2:37
15The Sun Forgot to Shine This Morning
recorded in:
Los Angeles, California, United States (on 1956-01-25)
bass:
Max Bennett (on 1956-01-25)
celesta [celeste] and piano:
Lou Levy (on 1956-01-25)
drums (drum set):
Gus Johnson (on 1956-01-25)
vocals:
Ella Fitzgerald (on 1956-01-25)
orchestra:
Buddy Bregman Orchestra (on 1956-01-25)
recording of:
The Sun Forgot to Shine This Morning (on 1956-01-25)
writer:
Bill Carey and Gene Howard
3:19
16Too Young for the Blues (alternate take)
recorded in:
Los Angeles, California, United States (on 1956-01-25)
bass:
Max Bennett (on 1956-01-25)
celesta [celeste] and piano:
Lou Levy (on 1956-01-25)
drums (drum set):
Gus Johnson (on 1956-01-25)
vocals:
Ella Fitzgerald (on 1956-01-25)
orchestra:
Buddy Bregman Orchestra (on 1956-01-25)
cover recording of:
Too Young for the Blues (on 1956-01-25)
writer:
Charles Meyer and Biff Jones
3:17
17Too Young for the Blues
recorded in:
Los Angeles, California, United States (on 1956-01-25)
bass:
Max Bennett (on 1956-01-25)
celesta [celeste] and piano:
Lou Levy (on 1956-01-25)
drums (drum set):
Gus Johnson (on 1956-01-25)
vocals:
Ella Fitzgerald (on 1956-01-25)
orchestra:
Buddy Bregman Orchestra (on 1956-01-25)
cover recording of:
Too Young for the Blues (on 1956-01-25)
writer:
Charles Meyer and Biff Jones
3:18
18It’s Only a Man
recorded in:
Los Angeles, California, United States (on 1956-01-25)
bass:
Max Bennett (on 1956-01-25)
celesta [celeste] and piano:
Lou Levy (on 1956-01-25)
drums (drum set):
Gus Johnson (on 1956-01-25)
vocals:
Ella Fitzgerald (on 1956-01-25)
orchestra:
Buddy Bregman Orchestra (on 1956-01-25)
recording of:
It’s Only a Man (on 1956-01-25)
lyricist:
Paul Francis Webster
composer:
Hal Borne
3:29
19(The End of) a Beautiful Friendship
recorded in:
Los Angeles, California, United States (on 1956-03-27)
engineer:
Val Valentin
bass:
Max Bennett (on 1956-03-27)
celesta [celeste] and piano:
Lou Levy (on 1956-03-27)
drums (drum set):
Gus Johnson (on 1956-03-27)
vocals:
Ella Fitzgerald (on 1956-03-27)
orchestra:
Buddy Bregman Orchestra (on 1956-03-27)
recording of:
A Beautiful Friendship (on 1956-03-27)
lyricist:
Stanley Styne
composer:
Donald Kahn
2:39
20Beale Street Blues
recorded in:
Los Angeles, California, United States (in 1956)
vocals:
Ella Fitzgerald (in 1956)
orchestra:
Nelson Riddle’s Orchestra (in 1956)
recording of:
Beale Street Blues (in 1956)
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
2:29
21Hear My Heart
recorded in:
Los Angeles, California, United States (on 1957-01-14)
vocals:
Ella Fitzgerald (on 1957-01-14)
orchestra:
Russ Garcia Orchestra (on 1957-01-14)
recording of:
Hear My Heart (on 1957-01-14)
lyricist and composer:
Buddy Lester
2:21
22Hotta Chocolatta
recorded in:
Los Angeles, California, United States (on 1957-01-14)
vocals:
Ella Fitzgerald (on 1957-01-14)
orchestra:
Russ Garcia Orchestra (on 1957-01-14)
cover recording of:
Hotta Chocolatta (on 1957-01-14)
writer:
Milton Drake and Victor Mizzy
3:10
23Your Red Wagon
recorded in:
Los Angeles, California, United States (on 1958-07-01)
bass:
Max Bennett (on 1958-07-01)
celesta [celeste] and piano:
Lou Levy (on 1958-07-01)
drums (drum set):
Gus Johnson (on 1958-07-01)
vocals:
Ella Fitzgerald (on 1958-07-01)
cover recording of:
Red Wagon (Your Red Wagon) (on 1958-07-01)
lyricist:
Gene de Paul and Don Raye
composer:
Richard M. Jones
2:58
24Trav’lin’ Light
recorded in:
Los Angeles, California, United States (on 1958-07-01)
bass:
Max Bennett (on 1958-07-01)
celesta [celeste] and piano:
Lou Levy (on 1958-07-01)
drums (drum set):
Gus Johnson (on 1958-07-01)
organ:
Dick Hyman (on 1958-07-01)
vocals:
Ella Fitzgerald (on 1958-07-01)
cover recording of:
Trav’lin’ Light (on 1958-07-01)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation, Rytvoc, Inc. and WB Music Corp.
3:14
25Oh, What a Night for Love
recorded in:
Los Angeles, California, United States (on 1958-11-23)
vocals:
Ella Fitzgerald (on 1958-11-23)
orchestra:
The Marty Paich Dek‐Tette (on 1958-11-23)
recording of:
Oh, What a Night for Love (on 1958-11-23)
lyricist:
Steve Allen
composer:
Neal Hefti
2:26
26Dreams Are Made for Children
recorded in:
Los Angeles, California, United States (on 1958-11-23)
vocals:
Ella Fitzgerald (on 1958-11-23)
orchestra:
The Marty Paich Dek‐Tette (on 1958-11-23)
recording of:
Dreams Are Made for Children (on 1958-11-23)
writer:
Mack David, Jerry Livingston and Max Meth
2:38