Black Sunday

~ Release by John Williams (see all versions of this release, 4 available)

Annotation

Limited edition of 10000 copies

Tracklist

1▼CD
#TitleLength
1Beirut
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Beirut (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:37
2Commandos Arrive
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Commandos Arrive (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:14
3Commando Raid
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Commando Raid (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
5:30
4It Was Good / Dahlia Arrives / The Unloading
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
It Was Good / Dahlia Arrives / The Unloading (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:12
5Speed Boat Chase
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Speed Boat Chase (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:50
6The Telephone Man / The Captain Returns
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Telephone Man / The Captain Returns (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:13
7Nurse Dahlia / Kabakov’s Card / The Hypodermic
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Nurse Dahlia / Kabakov’s Card / The Hypodermic (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:30
8Moshevsky’s Dead
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Moshevsky’s Dead (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:55
9The Test
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Test (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:56
10Building the Bomb
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Building the Bomb (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:52
11Miami / Dahlia’s Call
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Miami / Dahlia’s Call (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:26
12The Last Night
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Last Night (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:28
13Preparations
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Preparations (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:42
14Passed
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Passed (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:31
15The Flight Check
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Flight Check (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:50
16Airborne / Bomb Passes Stadium
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Airborne / Bomb Passes Stadium (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:45
17Farley’s Dead
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Farley’s Dead (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:33
18The Blimp and the Bomb
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Blimp and the Bomb (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
3:12
19The Take Off
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Take Off (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:43
20Underway
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Underway (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
0:39
21Air Chase (Part 1)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Air Chase (Part 1) (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
1:12
22Air Chase (Parts 2 and 3) / The Blimp Hits
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Air Chase (Parts 2 and 3) / The Blimp Hits (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
7:19
23The Explosion
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Explosion (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:36
24End Title
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
End Title (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:19
25Hotel Lobby (source)
1:47
26Fight Song #1 (source)
0:50
27Fight Song #2 (source)
1:48
28End Title (alternate, without percussion)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
2:17
29The Explosion (revised ending) / End Title (film edit)
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
2:11