Blue Valentine

~ Release by Tom Waits (see all versions of this release, 10 available)

Tracklist

1▼CD
#TitleLength
1Somewhere (From "West Side Story")
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (from 1978-07 until 1978-08)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc., G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
part of:
West Side Story: Ballet Sequence
3:53
2Red Shoes by the Drugstore
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Byron Miller (from 1978-07 until 1978-08)
drums (drum set):
Ricky Lawson (from 1978-07 until 1978-08)
electric guitar:
Roland Bautista (from 1978-07 until 1978-08)
electric piano:
George Duke (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Red Shoes by the Drugstore (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
3:15
3Christmas Card From a Hooker in Minneapolis
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric piano:
George Duke (from 1978-07 until 1978-08)
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Christmas Card From a Hooker in Minneapolis (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4:33
4Romeo Is Bleeding
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
congas:
Bobbye Hall (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Romeo Is Bleeding (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4:53
5$29.00
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Byron Miller (from 1978-07 until 1978-08)
drums (drum set):
Ricky Lawson (from 1978-07 until 1978-08)
electric guitar:
Roland Bautista (from 1978-07 until 1978-08) and Tom Waits (from 1978-07 until 1978-08)
electric piano:
George Duke (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
$29.00 (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
8:16
6Wrong Side of the Road
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Wrong Side of the Road (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
5:14
7Whistlin’ Past the Graveyard
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Scott Edwards (from 1978-07 until 1978-08)
drums (drum set):
Earl Palmer (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Alvin Robinson (from 1978-07 until 1978-08)
piano:
Harold Battiste (from 1978-07 until 1978-08)
tenor saxophone:
Herb Hardesty (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Whistlin’ Past the Graveyard (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
3:18
8Kentucky Avenue
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Kentucky Avenue (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4:50
9A Sweet Little Bullet From a Pretty Blue Gun
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Scott Edwards (from 1978-07 until 1978-08)
drums (drum set):
Earl Palmer (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Alvin Robinson (from 1978-07 until 1978-08)
piano:
Harold Battiste (from 1978-07 until 1978-08)
tenor saxophone:
Herb Hardesty (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
A Sweet Little Bullet From a Pretty Blue Gun (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
5:37
10Blue Valentines
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Blue Valentines (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
5:50