The Golden Voice: Original Masters

~ Release by Gundula Janowitz (see all versions of this release, 2 available)

Tracklist

1▶CD: Mozart: Concert & Opera Arias

2▶CD

3▶CD

4▶CD

5▼CD
#	Title	Artist	Length
1	Capriccio, op. 85: Andante con moto (Mondscheinmusik) recording engineer: Günter Hermanns executive producer: Dr. Ellen Hickmann and Dr. Hans Hirsch producer: Wolfgang Lohse orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1971-04) conductor: Karl Böhm (in 1971-04) recorded at: Herkulessaal in München, Bayern, Germany (in 1971-04) recording of: Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) (in 1971-04) composer: Richard Strauss part of: Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)	Richard Strauss	3:07
2	Capriccio, op. 85: “Wo ist mein Bruder?” recording engineer: Günter Hermanns executive producer: Dr. Ellen Hickmann and Dr. Hans Hirsch producer: Wolfgang Lohse solo cello: Walter Nothas (in 1971-04) solo harpsichord: Hedwig Bilgram (in 1971-04) solo violin: Rudolf Koeckert (in 1971-04) bass vocals [Haushofmeister]: Karl Christian Kohn (in 1971-04) soprano vocals [Die Gräfin]: Gundula Janowitz (in 1971-04) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1971-04) conductor: Karl Böhm (in 1971-04) recorded at: Herkulessaal in München, Bayern, Germany (in 1971-04) recording of: Capriccio, op. 85: Letzte Szene. „Wo ist mein Bruder?“ (Gräfin, Haushofmeister) (in 1971-04) composer: Richard Strauss part of: Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)	Richard Strauss	3:07
3	Capriccio, op. 85: “Kein andres, das mir so im Herzen loht” recording engineer: Günter Hermanns executive producer: Dr. Ellen Hickmann and Dr. Hans Hirsch producer: Wolfgang Lohse solo harp: Wladimir Haag soprano vocals [Die Gräfin]: Gundula Janowitz (in 1971-04) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1971-04) conductor: Karl Böhm (in 1971-04) recorded at: Herkulessaal in München, Bayern, Germany (in 1971-04) recording of: Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin) (in 1971-04) composer: Richard Strauss part of: Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene) recording of: Capriccio, op. 85 - 4. Szene: Kein andres, das mir so im Herzen loht composer: Richard Strauss part of: Capriccio, op. 85: 4. Szene	Richard Strauss	4:29
4	Capriccio, op. 85: “Ihre Liebe schlägt mir entgegen” recording engineer: Günter Hermanns executive producer: Dr. Ellen Hickmann and Dr. Hans Hirsch producer: Wolfgang Lohse soprano vocals [Die Gräfin]: Gundula Janowitz (in 1971-04) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1971-04) conductor: Karl Böhm (in 1971-04) recorded at: Herkulessaal in München, Bayern, Germany (in 1971-04) recording of: Capriccio, op. 85: Letzte Szene. „Ihre Liebe schlägt mir entgegen“ (Gräfin) (in 1971-04) composer: Richard Strauss part of: Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)	Richard Strauss	4:01
5	Capriccio, op. 85: “Du Spiegelbild der verliebten Madeleine” recording engineer: Günter Hermanns executive producer: Dr. Ellen Hickmann and Dr. Hans Hirsch producer: Wolfgang Lohse solo cello: Walter Nothas (in 1971-04) solo harpsichord: Hedwig Bilgram (in 1971-04) solo violin: Rudolf Koeckert (in 1971-04) bass vocals [Haushofmeister]: Karl Christian Kohn (in 1971-04) soprano vocals [Die Gräfin]: Gundula Janowitz (in 1971-04) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1971-04) conductor: Karl Böhm (in 1971-04) recorded at: Herkulessaal in München, Bayern, Germany (in 1971-04) recording of: Capriccio, op. 85: Letzte Szene. „Du Spiegelbild der verliebten Madeleine“ (Gräfin, Haushofmeister) (in 1971-04) composer: Richard Strauss part of: Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)	Richard Strauss	6:04
6	Vier letzte Lieder: 1. Frühling soprano vocals: Gundula Janowitz orchestra: Royal Concertgebouw Orchestra Amsterdamx conductor: Bernard Haitink recording of: Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-07-20) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	3:39
7	Vier letzte Lieder: 2. September soprano vocals: Gundula Janowitz orchestra: Royal Concertgebouw Orchestra Amsterdamx conductor: Bernard Haitink recording of: Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-09-20) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	4:08
8	Vier letzte Lieder: 3. Beim Schlafengehen soprano vocals: Gundula Janowitz orchestra: Royal Concertgebouw Orchestra Amsterdamx conductor: Bernard Haitink recording of: Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-08-04) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	5:25
9	Vier letzte Lieder: 4. Im Abendrot soprano vocals: Gundula Janowitz orchestra: Royal Concertgebouw Orchestra Amsterdamx conductor: Bernard Haitink recording of: Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) lyricist: Joseph von Eichendorff composer: Richard Strauss (on 1948-05-06) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	5:36
10	Carmina Burana: Cour d’amours: Stetit puella producer: Hans Hirsch soprano vocals: Gundula Janowitz (in 1967-10) orchestra: Orchester der Deutschen Oper Berlin (in 1967-10) conductor: Eugen Jochum (in 1967-10) balance engineer: Klaus Scheibe recorded at: UFA-Tonstudio in Berlin, Germany (in 1967-10) recording of: Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1967-10) composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne part of: Carmina Burana: III. Cour d’amours	Carl Orff	1:54
11	Carmina Burana: Cour d’amours: In trutina producer: Hans Hirsch soprano vocals: Gundula Janowitz (in 1967-10) orchestra: Orchester der Deutschen Oper Berlin (in 1967-10) conductor: Eugen Jochum (in 1967-10) balance engineer: Klaus Scheibe recorded at: UFA-Tonstudio in Berlin, Germany (in 1967-10) recording of: Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1967-10) composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne part of: Carmina Burana: III. Cour d’amours	Carl Orff	2:01
12	Le nozze di Figaro, K. 492: Atto II. “Porgi amor” executive producer: Dr. Hans Hirsch producer: Wolfgang Lohse soprano vocals and soprano vocals [La Contessa di Almaviva]: Gundula Janowitz (in 1968-03) orchestra: Orchester der Deutschen Oper Berlin (in 1968-03) conductor: Karl Böhm (in 1968-03) balance engineer: Günter Hermanns (in 1968-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1968) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03) recording of: Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart	4:18
13	Le nozze di Figaro, K. 492: Atto III. “E Susanna non vien!” executive producer: Dr. Hans Hirsch producer: Wolfgang Lohse soprano vocals [La Contessa di Almaviva]: Gundula Janowitz (in 1968-03) orchestra: Orchester der Deutschen Oper Berlin (in 1968-03) conductor: Karl Böhm (in 1968-03) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1968) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03) recording of: Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart	1:44
14	Le nozze di Figaro, K. 492: Atto III. “Dove sono i bei momenti” executive producer: Dr. Hans Hirsch producer: Wolfgang Lohse soprano vocals and soprano vocals [La Contessa di Almaviva]: Gundula Janowitz (in 1968-03) orchestra: Orchester der Deutschen Oper Berlin (in 1968-03) conductor: Karl Böhm (in 1968-03) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1968) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03) recording of: Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart	4:59

Credits

Release

Discogs:	https://www.discogs.com/release/12420990 [info]
discography entry:	https://www.deutschegrammophon.com/de/katalog/produkte/janowitz-the-golden-voice-4529 [info]

Discogs