| # | Title | Length |
|---|
| A1a | Cruel Prelude | 0:39 |
| A1b | Don’t Be Cruel- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- executive producer:
- Louil Silas, Jr.
- producer:
- Babyface, L.A. and L.A. & Babyface
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface, Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface, Bobby Brown, Kayo, Daryl Simmons and Karyn White
- other vocals [cruel rap]:
- Bobby, Daryl and L.A.
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- La'Face, Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Be Cruel
- writer:
- Antonio “L.A.” Reid, Babyface and Daryl Simmons
- publisher:
- Hip Trip Music, Kear Music, Wil-He Music and Chappell Music Ltd. (from 1988 to present)
| 6:52 |
| A2 | My Prerogative- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- bass saxophone, bass synthesizer and synthesizer:
- Teddy Riley
- finger snaps:
- Bobby Brown
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- music videos:
- My Prerogative by Bobby Brown
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 98) and Billboard: The 500 Best Pop Songs (number: 460)
- recording of:
- My Prerogative
- writer:
- Bobby Brown, Gene Griffin and Teddy Riley
- publisher:
- Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp., Universal Music–Z Tunes LLC and Virgin Music (Publishers) Ltd.
| 4:57 |
| A3 | Roni- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface, Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface, Bobby Brown, Kayo, Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Roni
- writer:
- Babyface and Darnell Bristol
- publisher:
- Chappell Music Ltd., Hip Chic Music, Hip Trip Music and Kear Music
| 5:58 |
| A4 | Rock Wit’cha | 4:47 |
| B1 | Every Little Step- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface, Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface, Bobby Brown, Kayo, Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Every Little Step
- writer:
- Antonio “L.A.” Reid and Babyface
- publisher:
- Chappell Music Ltd., Hip Trip Music and Kear Music
| 3:59 |
| B2 | I’ll Be Good to You- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- B. Brown Productions and G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- recording of:
- I’ll Be Good to You
- writer:
- Bobby Brown and Gene Griffin
- publisher:
- Cal-Gene Music, Inc., MCA Music Ltd. and Virgin Music (Publishers) Ltd.
| 4:25 |
| B3 | Take It Slow- recording engineer:
- Michael Denten and Howard Johnston
- miscellaneous support:
- Michael Denten
- engineer and producer:
- Larry White
- mixer:
- Michael Denten and Larry White
- bass and synthesizer [bass]:
- Kirk Crumpler
- bass [tastie bass] and drums (drum set):
- Larry White
- effects [special f/x and sound]:
- Ruben Laxamana
- finger snaps:
- Tommy Brown, Ervilinda Nasaira Hill and Mel Jay
- guitar:
- Emilio Conesa and Larry White
- keyboard:
- Ben Rayes, Percy Scott and Dewayne Sweet
- membranophone [fills]:
- Richard Aguon
- soprano saxophone:
- “The Cat” Melicio Magdaluyo
- background vocals:
- Richard Aguon, Ollie Bolds, Lee Peters, Ronnie Watkins and Larry White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- recorded at:
- Different Fur Studios in San Francisco, California, United States and Infinite Studio in Alameda, California, United States
- recording of:
- Take It Slow
- writer:
- Jay Logan, Lee Peters and Larry White
- publisher:
- BMG Music Publishing Ltd. and MCA Music Ltd.
| 5:22 |
| B4 | All Day All Night- recording engineer:
- Michael Denten and Howard Johnston
- producer:
- Larry White
- mixer:
- Michael Denten and Larry White
- drums (drum set) [drums]:
- Richard Aguon and Dewayne Sweet
- keyboard:
- Ben Rayes, Percy Scott, Dewayne Sweet and Larry White
- synthesizer [bass]:
- Dewayne Sweet
- background vocals:
- Richard Aguon, Ollie Bolds, Michael Denten and Lee Peters
- spoken vocals [telephone conversation]:
- Ervilinda Nasaira Hill
- additional remixer:
- K2, Mark Slagle and Larry White
- remixer:
- Louil Silas, Jr.
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- recorded at:
- Different Fur Studios in San Francisco, California, United States and Infinite Studio in Alameda, California, United States
- recording of:
- All Day All Night
- writer:
- Lee Peters, Dewayne Sweet, Dennis Wadlington and Larry White
- publisher:
- MCA Music Ltd.
| 4:40 |
| B5a | I Really Love You Girl- recording engineer:
- Phil Waters
- producer:
- Gordon Jones
- assistant mixer:
- Paul Einger
- mixer:
- Mitch Gibson and Gordon Jones
- editor:
- Bill Dirks
- instruments:
- Gordon Jones
- membranophone [overdubs]:
- Flip Kirby
- background vocals:
- Gordon Jones and Porsche Griffin
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- B. Brown Productions and Flash Productions
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States and Cochrane Studios in Studio City, Los Angeles, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- I Really Love You Girl
- writer:
- Bobby Brown and Gordon Jones
- publisher:
- MCA Music Ltd.
| 5:11 |
| B5b | Cruel Reprise | 0:18 |
