Atlantic Rhythm and Blues 1947–1974, Volume 5: 1962–1966

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1CD
#TitleArtistLength
1Up on the Roof
recorded in:
New York, New York, United States (on 1962-06-28)
producer:
Leiber and Stoller
double bass [bass]:
George Duvivier (on 1962-06-28)
drums (drum set) [drums]:
Gary Chester (on 1962-06-28)
guitar:
Don Arnone (on 1962-06-28), Billy Davis (on 1962-06-28), Bob Bushnell (on 1962-06-28) and Al Casamenti (on 1962-06-28)
keyboard:
Ernie Hayes and Carole King (on 1962-06-28)
percussion:
George Devens (on 1962-06-28) and Bobby Rosengarden (on 1962-06-28)
trombone:
Jimmy Cleveland (on 1962-06-28) and Frank Saracco (on 1962-06-28)
trumpet:
Jimmy Nottingham (on 1962-06-28) and Jimmy Sedlar (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (on 1962-06-28)
conductor:
Gary Sherman (on 1962-06-28)
arranger:
Gary Sherman and Bert Keyes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (number: 113) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Drifters2:36
2See See Rider
producer:
Ahmet Ertegun and Jerry Wexler
bass:
Russ Saunders (on 1962-09-26)
guitar:
Everett Barksdale (on 1962-09-26), Carl Lynch (on 1962-09-26) and Joe "Groundhog" Richardson (on 1962-09-26)
membranophone:
Sticks Evans (on 1962-09-26)
organ:
Ernest Hayes (on 1962-09-26)
other instruments:
[unknown]
piano:
Paul Griffin (on 1962-09-26)
tenor saxophone:
Buddy Lucas (on 1962-09-26)
vocals:
LaVern Baker (on 1962-09-26)
conductor:
Ray Ellis (on 1962-09-26)
arranger:
Ray Ellis
recording of:
See See Rider Blues (on 1962-09-26)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 10056)
LaVern Baker2:33
3I (Who Have Nothing)
Ben E. King2:31
4If You Need MeSolomon Burke2:35
5These Arms of Mine
recorded in:
Memphis, Tennessee, United States (in 1962-10)
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (in 1962-10)
bass guitar:
Lewie Steinberg (in 1962-10)
drums (drum set):
Al Jackson, Jr. (in 1962-10)
guitar:
Steve Cropper (in 1962-10) and Johnny Jenkins (in 1962-10)
organ:
Booker T. Jones (in 1962-10)
piano:
Steve Cropper (in 1962-10)
tenor saxophone:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp.
Otis Redding2:34
6Hello Stranger
recorded in:
Chicago, Illinois, United States (on 1963-01-16)
producer:
Ollie McLaughlin
bass, drums (drum set), guitar, organ and piano:
[unknown] (on 1963-01-16)
vocals:
The Dells (on 1963-01-16) and Barbara Lewis (on 1963-01-16)
conductor:
Riley Hampton (on 1963-01-16)
arranger:
Riley Hampton
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 27)
recording of:
Hello Stranger (on 1963-01-16)
lyricist and composer:
Barbara Lewis
Barbara Lewis2:43
7On Broadway
recorded in:
New York, New York, United States (on 1963-01-22)
producer:
Leiber and Stoller
bass:
Russ Saunders (on 1963-01-22)
drums (drum set) [drums]:
Gary Chester (on 1963-01-22)
guitar:
Everett Barksdale (on 1963-01-22), Bill Suyker (on 1963-01-22), Billy Davis (on 1963-01-22) and Billy Butler (on 1963-01-22)
percussion:
Martin Grupp (on 1963-01-22), Phil Kraus (on 1963-01-22) and Nick Rodriquez (on 1963-01-22)
trumpet:
Joe Newman (on 1963-01-22) and Ernie Royal (on 1963-01-22)
background vocals:
vocal group (on 1963-01-22)
baritone vocals:
Eugene Pearson (on 1963-01-22)
bass vocals:
Tommy Evans (on 1963-01-22)
lead vocals:
Rudy Lewis (on 1963-01-22)
tenor vocals:
Charlie Thomas (on 1963-01-22)
vocals:
Doris Troy (on 1963-01-22), Dee Dee Warwick (on 1963-01-22) and Dionne Warwick (on 1963-01-22)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (on 1963-01-22)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
The Drifters3:03
8Just One LookDoris Troy2:31
9Land of 1000 Dances
producer:
Allen Toussaint
vocals:
Chris Kenner (on 1963-05-17)
arranger:
Allen Toussaint
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Chris Kenner2:30
10Walkin’ the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas
publisher:
Almo Music Corp. and East/Memphis Music
Rufus Thomas2:31
11Release MeEsther Phillips3:17
12Mercy, Mercy
recorded in:
New York, New York, United States (on 1964-05-18)
producer:
Horace Ott
guitar:
Jimi Hendrix (on 1964-05-18)
vocals:
Don Covay (on 1964-05-18)
arranger:
Horace Ott
recording of:
Mercy, Mercy (on 1964-05-18)
writer:
Don Covay and R.A. Miller
publisher:
Cotillion Music Inc. and Vonglo Music
Don Covay2:25
13Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters2:43
14And I Love Him
recorded in:
New York, New York, United States (on 1964-10-01)
engineer:
Tom Dowd
producer:
Bert Berns and Ahmet Ertegun
double bass [bass]:
Milt Hinton (on 1964-10-01)
drums (drum set) [drums]:
Mel Lewis (on 1964-10-01)
flute:
Hubert Laws (on 1964-10-01)
guitar:
Mundell Lowe (on 1964-10-01)
piano:
Dave McKenna (on 1964-10-01)
strings [ten strings]:
[unknown] (on 1964-10-01)
trombone:
Billy Byers (on 1964-10-01), Buddy Morrow (on 1964-10-01), Santo Russo (on 1964-10-01) and Bart Varsalona (on 1964-10-01)
vocals:
Esther Phillips (on 1964-10-01)
conductor:
Ray Ellis (on 1964-10-01)
arranger:
Ray Ellis
cover recording of:
And I Love Her (on 1964-10-01)
writer:
John Lennon and Paul McCartney
publisher:
Blackwood Music Inc., Maclen Music, Inc., Northern Songs, Sony/ATV Music Publishing LLC, Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部
Esther Phillips2:43
15Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (on 1964-11-06)
bass:
Warren Jones (on 1964-11-06)
drums (drum set):
Clyde Williams (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (on 1964-11-06)
tenor saxophone:
Eddie Williams (on 1964-11-06)
vocals:
Joe Tex (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:08
16Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:38
17Baby I’m Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (on 1965-01-08)
strings:
[unknown] (on 1965-01-08)
tenor saxophone:
Charlie Brown (on 1965-01-08)
trombone:
Jimmy Cleveland (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (on 1965-01-08) and Clark Terry (on 1965-01-08)
background vocals:
vocal group (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:33
18Teasin’ You
recorded in:
New Orleans, Louisiana, United States (in 1964)
producer:
Wardell Quezergue
vocals:
Willie Tee (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:48
19I’ve Been Loving You Too Long
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (in 1965) and Otis Redding (in 1965)
publisher:
East, Time and Wildwood Music Ltd.
Otis Redding3:14
20In the Midnight Hour
Wilson Pickett2:28
21See Saw
Don Covay3:03
22Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (in 1965-07) and Wayne Jackson (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Otis Redding2:08
23You Don’t Know Like I KnowSam & Dave2:39
24When a Man Loves a Woman
producer:
Marlin Greene and Quin Ivy
double bass:
Albert Lowe Jr. (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
Percy Sledge2:53
25Hold on I’m Comin’Sam & Dave2:37
26Cool Jerk
recorded in:
Detroit, Michigan, United States (on 1966-03-11)
vocals:
The Capitols (on 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (on 1966-03-11)
lyricist and composer:
Donald Storball
publisher:
Trio Music Company and Aberbach (in 1967)
The Capitols2:37
27Neighbor, Neighbor
Jimmy Hughes2:39