The Essential Satie

~ Release by Satie (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistLength
13 Gymnopédies: No. 1, Lent et douloureux
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Erik Satie2:41
2Gnossiennes no. 1, Lent
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Gnossienne no. 1 (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:10
3Je te veux
recording of:
Je te veux (for piano solo)
composer:
Erik Satie (in 1897)
arranger:
Erik Satie
arrangement of:
Je te veux (for voice and piano)
Erik Satie4:29
4Enfantillages pittoresques: II. Berceuse
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Enfantillages pittoresques : II. Berceuse (lent) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1913)
part of:
Enfantillages pittoresques
Erik Satie1:05
5Mercure, Scene 1: Danse de tendresse. Apollon et Venus
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Mercure: Danse de tendresse (Apollon et Vénus) (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Mercure (for orchestra)
Erik Satie2:09
6Pièces froides: II. Danses de travers
engineer:
István Berényi
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1993-03-08 until 1993-03-10)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1993-03-08 until 1993-03-10)
recording of:
Pièces froides: no. 2, Danses de travers (from 1993-03-08 until 1993-03-10)
composer:
Erik Satie (in 1897)
part of:
Pièces froides
Erik Satie4:39
7Nocturnes nos. 1–3: Le Premier
Erik Satie2:28
8Caresse
engineer:
István Berényi
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1993-03-08 until 1993-03-10)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1993-03-08 until 1993-03-10)
recording of:
Caresse (from 1993-03-08 until 1993-03-10)
composer:
Erik Satie (in 1897)
Erik Satie1:36
9Gnossiennes no. 4, Lent
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Gnossienne no. 4 (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1891)
Erik Satie2:55
10Le piccadilly
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1994-02-08 until 1994-02-11)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1994-02-08 until 1994-02-11)
recording of:
Le Piccadilly (from 1994-02-08 until 1994-02-11)
composer:
Erik Satie (in 1904)
Erik Satie1:44
116 Pieces: Desespoir agreable. Calme
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Six Pièces de la période 1906–1913 : I. Désespoir agréable (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (from 1906 until 1913)
part of:
Six Pièces de la période 1906–1913
Erik Satie1:00
12Menus propos enfantines : Ce que dit la petite princesse des Tulipes. Tres lent
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Menus Propos Enfantins: II. Ce que dit la petite princesse des tulipes (très lent) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1913)
part of:
Menus Propos Enfantins
Erik Satie0:40
133 Gymnopédies: No. 3, Lent et grave
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (in 1997-09)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie orch. Debussy2:15
14Rag‐Time Parade
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Rag-Time Parade (for piano, Ourdine) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie
arranger:
Hans Ourdine
arrangement of:
Parade: Ragtime du paquebot
Erik Satie arr. H. Ourdine2:37
153 Sarabandes: I. —
recording of:
Première Sarabande (Sarabande No. 1)
composed in:
Paris, Île-de-France, France (on 1887-09-01)
composer:
Erik Satie (on 1887-09-01)
dedicated to:
Conrad Satie
part of:
Trois Sarabandes
Erik Satie4:22
16Avant‐dernières pensées
engineer:
István Berényi (from 1993-03-11 until 1993-03-13)
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1993-03-11 until 1993-03-13)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1993-03-11 until 1993-03-13)
recording of:
Avant-dernières pensées (from 1993-03-11 until 1993-03-13)
composer:
Erik Satie (from 1915-08-23 until 1915-10-06)
premiered by:
Erik Satie (on 1916-05-30)
Erik Satie3:32
17Gnossiennes no. 5, Modere
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Gnossienne no. 5 (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1889)
Erik Satie2:28
18Parade: No. 1, Prélude du rideau rouge / No. 2, Prestidigitateur chinois
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Parade: Choral (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Parade
recording of:
Parade: I. Prestidigitateur chinois (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Parade
recording of:
Parade: Prélude du rideau rouge (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Parade
Erik Satie5:43
19Verset laïque et somptueux
engineer:
Norbert Kraft
producer:
Norbert Kraft and Bonnie Silver
editor:
Bonnie Silver
solo piano:
Duanduan Hao (from 2017-05-12 until 2017-05-14)
phonographic copyright (℗) by:
Naxos Rights US, Inc. (in 2018)
recorded at:
The Country Day School: Performing Arts Centre in King City, Ontario, Canada (from 2017-05-12 until 2017-05-14)
recording of:
Verset laïque et somptueux (from 2017-05-12 until 2017-05-14)
composer:
Erik Satie (in 1900)
Erik Satie1:30
206 Pieces: Songe creux. Tres calme
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Six Pièces de la période 1906–1913 : VI. Songe Creux (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (from 1906 until 1913)
part of:
Six Pièces de la période 1906–1913
Erik Satie1:32
213 Gymnopédies: No. 2, Lent et triste
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1888)
part of:
Gymnopédies
Erik Satie2:12
22Mercure, Scene 1: La nuit
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Mercure: La Nuit (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Mercure (for orchestra)
Erik Satie1:13
233 Sarabandes: No. 2, À Maurice Ravel
piano:
Nicolas Horvath (from 2014-12-09 until 2014-12-11)
recorded at:
Villa Bossi in Bodio Lomnago, Varese, Lombardia, Italy (from 2014-12-09 until 2014-12-11)
recording of:
Première Sarabande (Sarabande No. 1) (from 2014-12-09 until 2014-12-11)
composed in:
Paris, Île-de-France, France (on 1887-09-01)
composer:
Erik Satie (on 1887-09-01)
dedicated to:
Conrad Satie
part of:
Trois Sarabandes
Erik Satie4:04
24La belle excentrique: II. Marche franco‐lunaire / III. Valse du mysterieux baiser dans l’oeil / IV. Can‐can Grand Mondain
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Gábor Eckhardt (from 1994-02-08 until 1994-02-11) and Klára Körmendi (from 1994-02-08 until 1994-02-11)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1994-02-08 until 1994-02-11)
recording of:
La Belle Excentrique (Fantasie sérieuse) (from 1994-02-08 until 1994-02-11)
composer:
Erik Satie (from 1920-07 until 1920-10)
Erik Satie7:37
25Gnossiennes no. 3, Lent
engineer:
Horváth János
producer:
János Mátyás
piano:
Klára Körmendi (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (in 1989)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Gnossienne no. 3 (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:26
263 Valses distinguées du précieux dégoûté
engineer:
István Berényi (from 1993-03-11 until 1993-03-13)
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1993-03-11 until 1993-03-13)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1993-03-11 until 1993-03-13)
recording of:
Les Trois Valses distinguées du précieux dégoûté (from 1993-03-11 until 1993-03-13)
composer:
Erik Satie (in 1914)
Erik Satie3:51
27Relâche: Final
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Cinéma (in 1997-09)
composer:
Erik Satie (in 1924)
Erik Satie11:02
28Nocturne No. 4
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1992-06-01 until 1992-06-03)
phonographic copyright (℗) by:
HNH International Ltd. (in 1993)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-06-01 until 1992-06-03)
recording of:
Cinq Nocturnes : No. 4. ♪ = 92 (from 1992-06-01 until 1992-06-03)
composer:
Erik Satie (in 1919)
part of:
Cinq Nocturnes
Erik Satie2:17
294 Ogives: No. 4, —
piano:
Nicolas Horvath (from 2014-12-09 until 2014-12-11)
recorded at:
Villa Bossi in Bodio Lomnago, Varese, Lombardia, Italy (from 2014-12-09 until 2014-12-11)
recording of:
Quatre Ogives : IV. Quatrième Ogive (à Conrad Satie) (from 2014-12-09 until 2014-12-11)
composer:
Erik Satie (in 1886)
part of:
Quatre Ogives
Erik Satie1:43
303 morceaux en forme de poire
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Gábor Eckhardt (from 1994-02-08 until 1994-02-11) and Klára Körmendi (from 1994-02-08 until 1994-02-11)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1994-02-08 until 1994-02-11)
recording of:
Trois morceaux en forme de poire (for piano four hands) (from 1994-02-08 until 1994-02-11)
composer:
Erik Satie (in 1903)
publisher:
Rouart, Lerolle & Cie.
Erik Satie12:13
31Rêverie du pauvre
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1992-06-01 until 1992-06-03)
phonographic copyright (℗) by:
HNH International Ltd. (in 1993)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-06-01 until 1992-06-03)
recording of:
Rêverie du pauvre (from 1992-06-01 until 1992-06-03)
composer:
Jules Massenet
previously attributed to:
Erik Satie
Erik Satie4:04
32Le piège de Méduse
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1994-02-08 until 1994-02-11)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1994-02-08 until 1994-02-11)
recording of:
Le Piège de Méduse (music only) (from 1994-02-08 until 1994-02-11)
composer:
Erik Satie
is based on:
Le Piège de Méduse (full play)
Erik Satie4:08
33Mercure – Poses plastiques en trois tableaux: Marche‐Ouverture
engineer and editor:
Andrew Groves
producer:
Paul Myers
orchestra:
Orchestre symphonique et lyrique de Nancy (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est, France (in 1997-09)
recording of:
Mercure: Marche‐ouverture (for orchestra) (in 1997-09)
composer:
Erik Satie
part of:
Mercure (for orchestra)
Erik Satie1:11
343 Sonneries de la Rose+Croix: No. 1. Air de l’ordre
engineer:
János Bohus
producer:
Ibolya Tóth
piano:
Klára Körmendi (from 1992-06-01 until 1992-06-03)
phonographic copyright (℗) by:
HNH International Ltd. (in 1993)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-06-01 until 1992-06-03)
recording of:
Trois sonneries de la Rose+Croix: I. Air de l'Ordre (piano) (from 1992-06-01 until 1992-06-03)
composer:
Erik Satie (in 1892-02)
part of:
Trois sonneries de la Rose+Croix
Erik Satie4:17
35Fete donnee par des Chevaliers Normands … / Prelude d’Eginhard / Deux preludes du Nazareen
engineer:
István Berényi (from 1993-03-11 until 1993-03-13)
producer:
Ibolya Tóth
piano:
Klára Körmendi (in 1993-03)
phonographic copyright (℗) by:
HNH International Ltd. (in 1994)
recorded at:
Unitarian Church in Budapest, Hungary (from 1993-03-11 until 1993-03-13)
recording of:
Quatre préludes (from 1993-03-11 until 1993-03-13)
composer:
Erik Satie (from 1892 until 1893)
Erik Satie12:38