| # | Title | Artist | Length |
|---|
| 1 | Cold as Ice- phonographic copyright (℗) by:
- WEA International Inc. (in 1977)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division, Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 3:23 |
| 2 | (Don't Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 5:06 |
| 3 | Hold the Line- engineer and mixer:
- Tom Knox
- producer:
- Toto
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Bobby Kimball (in 1978-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 3:59 |
| 4 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
| Boston | 4:48 |
| 5 | Babe | Styx | 4:30 |
| 6 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 3:29 |
| 7 | A Horse With No Name | America | 4:10 |
| 8 | On and On- sound engineer:
- Henry Lewy
- assistant engineer:
- Leslie Jones and Helen Silvani
- producer:
- Stephen Bishop and Henry Lewy
- acoustic guitar, background vocals and lead vocals:
- Stephen Bishop
- bass guitar:
- Mac Cridlin
- drums (drum set):
- Larry Brown
- electric guitar:
- Andrew Gold
- electric piano:
- Barlow Jarvis
- marimba, percussion and vibraphone:
- Victor Feldman
- steel guitar:
- Michael Staton
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (in 1976)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios in Los Angeles, California, United States
- recording of:
- On and On
- lyricist and composer:
- Stephen Bishop
- publisher:
- Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング
| Stephen Bishop | 3:05 |
| 9 | Miracles | Jefferson Starship | 6:55 |
| 10 | Woodstock | Matthews Southern Comfort | 4:30 |
| 11 | Rhiannon | Fleetwood Mac | 4:12 |
| 12 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4:30 |
| 13 | Baby, I Love Your Way | Peter Frampton | 4:48 |
| 14 | The Guitar Man | Bread | 3:48 |
| 15 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:13 |
| 16 | Slabo Day | Peter Green | 5:06 |
| 17 | Oye como va | Santana | 4:20 |
| 18 | Long Train Runnin'- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman, Tom Johnston, Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp., Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 3:27 |
