Seven Classic Albums Plus Bonus Tracks

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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1CD: Jazz as Played in an Exclusive Side Street Club / Nina Simone & Friends
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1Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
4:04
2Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Philips (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
3:13
3He Needs Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
2:31
4Little Girl Blue4:19
5Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:23
6My Baby Just Cares for Me3:38
7Good Bait
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie and Tadd Dameron
publisher:
Redwood Music Ltd. and Warner Chappell Music Ltd.
5:29
8Plain Gold Ring
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
lyricist:
George Stone
composer:
Blue Sky Black Death, Earl Burroughs and George Stone
publisher:
Thandewye Music and Hank Snow Music (on 1959-09-21)
3:55
9You’ll Never Walk Alone
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1998)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Chappell Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
3:47
10I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:11
11Central Park Blues
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
recording of:
Central Park Blues (in 1957-12)
composer:
Nina Simone
publisher:
Memory Music Lane Ltd.
6:51
12My Baby Just Cares for Me (extended version)5:18
13He’s Got the Whole World in His Hands
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional]
publisher:
Thandewye Music
3:11
14For All We Know
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
lyricist:
Sam M. Lewis (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
4:02
15African Mailman
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (in 1959)
recording of:
African Mailman (in 1957-12)
composer:
Nina Simone
publisher:
Sam Fox Publishing Co. Ltd.
3:10
2CD: The Amazing Nina Simone / Nina Simone at Town Hall
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1Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 2004)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
3:23
2Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1960)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 133)
2:53
3Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 2004)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959-04)
recording of:
Tomorrow (We Will Meet Once More) (in 1959-04)
writer:
Stephen Gale and Jerry Silverman
3:03
4Stompin’ at the Savoy2:11
5It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 2004)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959-04)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:56
6You’ve Been Gone Too Long
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
lyricist and composer:
Brother John Sellers
2:13
7That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
2:32
8Chilly Winds Don’t Blow
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
writer:
Hecky Krasnow and Bill Lovelock
is based on:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
2:44
9Theme from “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
writer:
George Bassman and Paddy Chayefsky
2:30
10Can’t Get You Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
lyricist:
Frank Loesser
composer:
Jimmy McHugh
2:34
11Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
3:14
12Solitaire
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (in 1969)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Solitaire (in 1959)
writer:
Reneé Borek, King Guion and Carl Nutter
3:29
13Black Is the Colour of My True Love’s Hair
producer:
Bob Blake
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1959-09-12)
lyricist and composer:
[traditional]
arranger:
Nina Simone
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3:33
14Exactly Like You
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Exactly Like You (on 1959-09-12)
lyricist:
Dorothy Fields (in 1930)
writer:
Fritz Löhner-Beda
composer:
Jimmy McHugh (in 1930)
3:14
15The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
The Other Woman (in 1959-10)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music
3:02
16Under the Lowest
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
live recording of:
Under the Lowest (on 1959-09-15)
composer:
Nina Simone
5:32
17I Don’t Want Him Anymore
producer:
Bob Blake and Jack Gold
piano:
Nina Simone (on 1959-09-15)
live cover recording of:
You Can Have Him (on 1959-09-15)
lyricist and composer:
Irving Berlin (in 1949)
cover recording of:
You Can Have Him
lyricist and composer:
Irving Berlin (in 1949)
5:50
18Summertime (instrumental)
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
live instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1959-09-15)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:54
19Summertime (vocal)
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano:
Nina Simone (on 1959-09-15)
vocals:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1959-09-15)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:43
20Cotton Eyed Joe
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 942)
2:53
21Return Home
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
live recording of:
Return Home (on 1959-09-15)
composer:
Nina Simone
5:29
22Wild Is the Wind
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (on 1959-09-12)
lead vocals:
Nina Simone (in 1959-10)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1959)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1959-09-12)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
3:30
23Fine and Mellow
producer:
Bob Blake and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano:
Nina Simone (on 1959-09-15)
vocals:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
live cover recording of:
Fine and Mellow (on 1959-09-15)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co.
3:31
3CD: Forbidden Fruit / Nina at Newport
#TitleLength
1Rags and Old Iron
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Rags and Old Iron (in 1961)
lyricist and composer:
Oscar Brown Jr.
4:07
2No Good Man
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
lyricist:
Sammy Gallop
composer:
Dan Fisher and Irene Higginbotham
3:39
3Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
3:03
4I’ll Look Around
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I’ll Look Around (in 1961)
lyricist:
Douglass Cross
composer:
George Cory
publisher:
Universal/MCA Music Ltd.
5:06
5I Love to Love
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I Love to Love (Herbert Baker song) (in 1961)
lyricist and composer:
Herbert Baker
3:26
6Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr.
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
2:35
7Where Can I Go Without Him
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Where Can I Go Without You? (in 1961)
writer:
Peggy Lee and Victor Young
publisher:
Denslow Music, Inc. and EMI Waterford Music
2:50
8Just Say I Love Him
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Just Say I Love Her (Engl. translation "Dicitencello vujie") (in 1961)
lyricist:
Enzo Fusco
composer:
Rodolfo Falvo
additional arranger:
Jimmy Dale and Jack Val
translator:
Martin Kalmanoff and Sam Ward
translated version of:
Dicitencello vuje
6:37
9Memphis in June
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Memphis in June (in 1961)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
2:38
10Forbidden Fruit
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
recording of:
Forbidden Fruit (in 1961)
writer:
Oscar Brown Jr.
3:49
11Trouble in Mind
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live cover recording of:
Trouble in Mind (on 1960-06-30)
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. and Universal‐MCA Music Publishing
5:40
12Blues for Porgy
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live recording of:
Blues for Porgy (on 1960-06-30)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
5:09
13Li’l Liza Jane (version 1)
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live cover recording of:
Li’l Liza Jane (1916 original) (on 1960-06-30)
lyricist and composer:
Countess Ada de Lachau
publisher:
Sherman, Clay & Co. (in 1916)
4:30
14You’d Be So Nice to Come Home To
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live cover recording of:
You’d Be So Nice to Come Home To (on 1960-06-30)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:23
15Flo Me La
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live recording of:
Flo Me La (on 1960-06-30)
composer:
[traditional] and Nina Simone
7:10
16Nina’s Blues
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live recording of:
Nina’s Blues (on 1960-06-30)
composer:
Nina Simone
6:09
17In the Evening by the Moonlight
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (on 1960-06-30)
vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
live cover recording of:
In the Evening by the Moonlight (1879 song) (on 1960-06-30)
lyricist and composer:
James A. Bland (in 1879)
6:07
4CD: Nina at the Village Gate / Nina Simone Sings Ellington
#TitleLength
1Just in Time6:36
2He Was Too Good to Me5:02
3House of the Rising Sun
bass:
Chris White (in 1961)
drums (drum set):
Bobby Hamilton (in 1961)
guitar:
Al Schackman (in 1961)
lead vocals:
Nina Simone (in 1961)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961)
live recording of:
House of the Rising Sun (in 1961)
lyricist and composer:
[traditional]
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
4:30
4Bye Bye Blackbird8:16
5Brown Baby5:49
6Zungo
live recording of:
Zungo (Olatunji)
publisher:
Thandewye Music
3:01
7If He Changed My Name
4:00
8Children Go Where I Send You
live recording of:
Children Go Where I Send Thee
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 133)
7:47
9Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
2:49
10I Got It Bad (and That Ain’t Good)
lead vocals:
Nina Simone (in 1962)
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:05
11Hey Buddy Bolden
lead vocals:
Nina Simone
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington and Billy Strayhorn
2:26
12Merry Mending
recording of:
Merry Mending
writer:
Duke Ellington
2:33
13Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
2:54
14You Better Know It
cover recording of:
You Better Know It
lyricist and composer:
Duke Ellington
2:23
15I Like the Sunrise
lead vocals:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
composer:
Duke Ellington (in 1947)
publisher:
Duke Ellington Music and Tempo Music, Inc.
2:59
16Solitude
lead vocals:
Nina Simone (in 1962)
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
3:44
17The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington and Irving Mills
2:06
18Satin Doll
instrumental cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
3:36
19It Don’t Mean a Thing (If It Ain’t Got That Swing)
lead vocals:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:30