Memorial

~ Release by Duke Ellington and His Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleLength
A1Black and Tan Fantasy
recorded in:
Camden, New Jersey, United States (on 1927-10-26)
alto saxophone:
Harry Carney (on 1927-10-26) and Otto Hardwick (on 1927-10-26)
banjo:
Fred Guy (on 1927-10-26)
baritone saxophone:
Harry Carney (on 1927-10-26)
clarinet:
Harry Carney (on 1927-10-26), Otto Hardwick (on 1927-10-26) and Rudy Jackson (on 1927-10-26)
double bass:
Wellman Braud (on 1927-10-26)
drums (drum set):
Sonny Greer (on 1927-10-26)
piano:
Duke Ellington (on 1927-10-26)
reeds:
Harry Carney (on 1927-10-26) and Rudy Jackson (on 1927-10-26)
saxophone:
Otto Hardwick (on 1927-10-26)
tenor saxophone:
Rudy Jackson (on 1927-10-26)
trombone:
Tricky Sam Nanton (on 1927-10-26)
trumpet:
Louis Metcalf (on 1927-10-26), Bubber Miley (on 1927-10-26) and unidentified (on 1927-10-26)
recording of:
Black and Tan Fantasy (on 1927-10-26)
composer:
Duke Ellington and Bubber Miley
?:??
A2The New East St. Louis Toodle‐oo
alto saxophone:
Edgar Sampson (on 1926-11-29)
banjo:
Fred Guy (on 1926-11-29)
drums (drum set):
Sonny Greer (on 1926-11-29)
piano:
Duke Ellington (on 1926-11-29)
reeds:
Otto Hardwick (on 1926-11-26) and Prince Robinson (on 1926-11-29)
saxophone:
Otto Hardwick (on 1926-11-29)
trombone:
Joe Nanton (on 1926-11-29)
trumpet:
Louis Metcalf (on 1926-11-29) and Bubber Miley (on 1926-11-29)
tuba [brass bass]:
Mack Shaw (on 1926-11-29)
recording of:
East St. Louis Toodle‐oo (on 1926-11-29)
composer:
Duke Ellington and Bubber Miley
publisher:
Mills Music, Inc.
?:??
A3The Creole Love Call
recording of:
Creole Love Call (on 1927-10-26)
lyricist and composer:
Duke Ellington
?:??
A4The Mooche
recording of:
The Mooche
composer:
Duke Ellington and Irving Mills
?:??
A5Mood Indigo
banjo:
Fred Guy (on 1930-12-10)
double bass:
Wellman Braud (on 1930-12-10)
drums (drum set):
Sonny Greer (on 1930-12-10)
piano:
Duke Ellington (on 1930-12-10)
reeds:
Barney Bigard (on 1930-12-10), Harry Carney (on 1930-12-10) and Johnny Hodges (on 1930-12-10)
trombone:
Joe "Tricky Sam" Nanton (on 1930-12-10)
trumpet:
Freddy Jenkins (on 1930-12-10), Arthur Whetsel (on 1930-12-10) and Cootie Williams (on 1930-12-10)
valve trombone:
Juan Tizol (on 1930-12-10)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1930-12-10)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
A6Rockin’ in Rythm
recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington and Irving Mills
is based on:
Kinda Dukish
?:??
B1Caravan
alto saxophone:
Otto Hardwick (on 1945-05-11) and Johnny Hodges (on 1945-05-11)
double bass:
Junior Raglin (on 1945-05-11)
drums (drum set):
Sonny Greer (on 1945-05-11)
guitar:
Fred Guy (on 1945-05-11)
piano:
Duke Ellington (on 1945-05-11)
reeds:
Harry Carney (on 1945-05-11) and Jimmy Hamilton (on 1945-05-11)
tenor saxophone:
Al Sears (on 1945-05-11)
trombone:
Lawrence Brown (on 1945-05-11), Claude Jones (on 1945-05-11) and Joe "Tricky Sam" Nanton (on 1945-05-11)
trumpet:
William “Cat” Anderson (on 1945-05-11), Shelton "Scad" Hemphill (on 1945-05-11), Taft Jordan (on 1945-05-11), Ray Nance (on 1945-05-11) and Rex Stewart (on 1945-05-11)
recording of:
Caravan (on 1945-05-11)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
?:??
B2Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
?:??
B3It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Johnny Hodges (on 1932-02-02)
banjo:
Fred Guy (on 1932-02-02)
double bass [bass]:
Wellman Braud (on 1932-02-02)
drums (drum set):
Sonny Greer (on 1932-02-02)
piano:
Duke Ellington (on 1932-02-02)
reeds:
Barney Bigard (on 1932-02-02) and Harry Carney (on 1932-02-02)
trombone:
Joe "Tricky Sam" Nanton (on 1932-02-02)
trumpet:
Freddy Jenkins (on 1932-02-02), Arthur Whetsel (on 1932-02-02) and Cootie Williams (on 1932-02-02)
valve trombone:
Juan Tizol (on 1932-02-02)
vocals:
Ivie Anderson (on 1932-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1932-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1932-02-02)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1932-02-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
B4I Let a Song Go Out of My Heart
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
I Let a Song Go Out of My Heart (on 1956-01-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
B5Do Nothing Till You Hear From Me
producer:
Gene Norman
alto saxophone:
Rick Henderson (on 1953-03-30)
bass:
Wendell Marshall (on 1953-03-30)
drums (drum set):
Butch Ballard (on 1953-03-30)
piano:
Duke Ellington (on 1953-03-30)
reeds:
Harry Carney (on 1953-03-30), Jimmy Hamilton (on 1953-03-30) and Russell Procope (on 1953-03-30)
tenor saxophone:
Paul Gonsalves (on 1953-03-30)
trombone:
Quentin Jackson (on 1953-03-30) and Britt Woodman (on 1953-03-30)
trumpet:
Cat Anderson (on 1953-03-30), Willie Cook (on 1953-03-30), Ray Nance (on 1953-03-30) and Clark Terry (on 1953-03-30)
phonographic copyright (℗) by:
Vogue France
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1953-03-30)
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
?:??
B6Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
?:??
2▼12" Vinyl
#TitleLength
C1Perdido
recording of:
Perdido (original instrumental version) (on 1942-01-21)
composer:
Juan Tizol
?:??
C2Prelude to a Kiss
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
?:??
C3C Jam Blues
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (in 1942)
?:??
C4In a Mellow Tone
alto saxophone:
Johnny Hodges (on 1959-12-03)
alto saxophone and clarinet:
Russell Procope (on 1959-12-03)
baritone saxophone:
Harry Carney (on 1959-12-03)
bass:
Jimmy Woode (on 1959-12-03)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1959-12-03)
drums (drum set) and membranophone:
Jimmy Johnson (on 1959-12-03)
piano:
Duke Ellington (on 1959-12-03)
tenor saxophone:
Paul Gonsalves (on 1959-12-03)
trombone:
Matthew Gee (on 1959-12-03), Booty Wood (on 1959-12-03) and Britt Woodman (on 1959-12-03)
trumpet:
Ray Nance (on 1959-12-03)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-12-03)
instrumental recording of:
In a Mellow Tone (on 1959-12-03)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (in 1939)
publisher:
EMI Robbins and Robbins Music
?:??
D1Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
?:??
D2Sophisticated Lady
piano:
Duke Ellington (on 1933-02-15)
recording of:
Sophisticated Lady (on 1933-02-15)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
D3Things Ain’t What They Used to Be
alto saxophone:
Johnny Hodges (on 1941-07-03)
baritone saxophone:
Harry Carney (on 1941-07-03)
double bass:
Jimmy Blanton (on 1941-07-03)
drums (drum set):
Sonny Greer (on 1941-07-03)
guitar:
Fred Guy (on 1941-07-03)
piano:
Duke Ellington (on 1941-07-03)
reeds:
Barney Bigard (on 1941-07-03)
trombone:
Lawrence Brown (on 1941-07-03)
trumpet:
Ray Nance (on 1941-07-03)
recording of:
Things Ain’t What They Used to Be (on 1941-07-03)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
?:??
D4I Got It Bad and That Ain’t Good
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
D5Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
?:??