Tracklist

1CD
2CD
#TitleArtistLength
1L’elisir d’amore: Act I, Scene 10. "Adina credimi"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:24
2L’elisir d’amore: Act II, Scene 1. "Cantiamo, cantiam, cantiam"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:34
3L’elisir d’amore: Act II, Scene 1. "Barcaruola a due voci"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:27
4L’elisir d’amore: Act II, Scene 1. "Silenzio! È qua il notaro"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:35
5L’elisir d’amore: Act II, Scene 3. "La donna è un animale"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:44
6L’elisir d’amore: Act II, Scene 3. "Ai perigli della guerra"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:17
7L’elisir d’amore: Act II, Scene 4. "Saria possibile?"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:21
8L’elisir d’amore: Act II, Scene 5. "Dell 'elisir mirabile"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:28
9L’elisir d’amore: Act II, Scene 6. "Io già m'immagino"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:26
10L’elisir d’amore: Act II, Scene 6. "Quanto amore! Ed io spietata!"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:54
11L’elisir d’amore: Act II, Scene 7. "Una furtiva lagrima"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti6:40
12L’elisir d’amore: Act II, Scene 8. "Prendi; per me sei libero"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti11:17
13L’elisir d’amore: Act II, Scene 9. "Alto! Fronte!"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:39
14L’elisir d’amore: Act II, Scene 9. "Ei corregge ogni difetto"
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:30