Dreaming Adagios

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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2▼CD
#TitleArtistLength
1Concerto for Lute, 2 Violins and Continuo in D, RV. 93: II. Largo
producer:
Paul Myers
classical guitar:
Eduardo Fernández
guitar:
Eduardo Fernández (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (in 1986-12)
balance engineer:
John Dunkerley (in 1986-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi
arranger:
Gian Francesco Malipiero
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi5:10
2Thaïs: Acte Deux: Meditation
producer:
James Mallinson
violin:
Nigel Kennedy (in 1983-12)
orchestra:
The National Philharmonic Orchestra (in 1983-12)
conductor:
Richard Bonynge (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1984) and The Decca Record Company Limited (in 1992)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (in 1894)
part of:
Classic 100: Music of France (number: 14)
part of:
Thaïs: Acte II
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:41
3Romeo and Juliet, op. 64: Act III: Dance of the girls with lilies
producer:
Ray Minshull
orchestra:
Orchestre symphonique de Montréal (from 1989-10-04 until 1989-10-05)
conductor:
Charles Dutoit (from 1989-10-04 until 1989-10-05)
balance engineer:
John Dunkerley (from 1989-10-04 until 1989-10-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1989-10-04 until 1989-10-05)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies (from 1989-10-04 until 1989-10-05)
composer:
Сергей Сергеевич Прокофьев
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:28
4Prélude à l'après-midi d'un faune, L. 86
producer:
Volker Straus
orchestra:
Concertgebouw Orchestra, Amsterdam (in 1976-12)
conductor:
Bernard Haitink (in 1976-12)
phonographic copyright (℗) by:
Philips Classics Productions (in 1977)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands and Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1976-12)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1976-12)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur
premiered at:
[concert]
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)
Claude Debussy11:09
5Sospiri, op. 70
producer:
Michael Bremner
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1968)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Sir Edward Elgar4:51
6Serenade in B flat, K.361 "Gran partita": III. Adagio
recorded in:
London, England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner and Martha de Francisco
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (from 1984-07-25 until 1984-07-27) and Richard West (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (from 1984-07-25 until 1984-07-27), Timothy Brown (from 1984-07-25 until 1984-07-27), Nicholas Hill (from 1984-07-25 until 1984-07-27) and Colin Horton (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (from 1984-07-25 until 1984-07-27) and Celia Nicklin (from 1984-07-25 until 1984-07-27)
wind instruments:
Academy of St Martin in the Fields Wind Ensemble (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (from 1984-07-25 until 1984-07-27)
balance engineer:
Onno Scholtze
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:39
7La Vièrge: Dernier sommeil de la Vierge
producer:
Michael Williamson
orchestra:
New Symphony Orchestra of London (in 1958-05)
conductor:
Raymond Agoult (in 1958-05)
balance engineer:
Kenneth Wilkinson (in 1958-05)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1958-05)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge (in 1958-05)
composer:
Jules Massenet
part of:
La Vierge
Jules Massenet5:00
8Pavane, op. 50
producer:
Paul Myers
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (in 1987-10)
conductor:
Charles Dutoit (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1987-10)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1987-10)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:39
9Deux Arabesques L. 66: I. Andante con moto
producer:
Wilhelm Hellweg and Onno Scholtze
piano:
Zoltán Kocsis (in 1988-10)
balance engineer:
Onno Scholtze (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1988-10)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:54
10Clarinet Concerto in A, K.622: II. Adagio
clarinet:
Jack Brymer (in 1964-05)
orchestra:
London Symphony Orchestra (in 1964-05)
conductor:
Sir Colin Davis (in 1964-05)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1964-05)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1964-05)
composer:
Wolfgang Amadeus Mozart (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:17
11Piano Concerto no. 2 In F, op. 102: II. Andante
producer:
Paul Myers
piano:
Cristina Ortiz (in 1989-01)
orchestra:
Royal Philharmonic Orchestra (in 1989-01)
conductor:
Vladimir Ashkenazy (in 1989-01)
balance engineer:
John Dunkerley (in 1989-01)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1989-01)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1989-01)
composer:
Дмитрий Дмитриевич Шостакович (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich7:31
12Pavane pour une infante défunte, M.19
producer:
Ray Minshull
piano:
Jean‐Yves Thibaudet (from 1991-03-10 until 1991-03-14)
recorded at:
Wang Auditorium in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1991-03-10 until 1991-03-14)
recording of:
Pavane pour une infante défunte (original version for solo piano) (from 1991-03-10 until 1991-03-14)
premiered in:
Paris, Île-de-France, France (on 1902-04-05)
composer:
Maurice Ravel (in 1899)
part of:
Classic 100: Music of France (number: 13), Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19) and Classic 100: Piano (number: 59)
Maurice Ravel6:10
133 Gymnopédies: I. Lent et douloureux
sound engineer:
Simon Eadon (in 1983-05)
producer:
Michael Haas
piano:
Pascal Rogé (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1984)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Erik Satie3:09
14Hänsel und Gretel: Act 2: "Abends will ich schlafen gehn"
producer:
Richard Beswick and Christopher Raeburn
contralto vocals:
Brigitte Fassbaender (in 1978-06)
soprano vocals:
Lucia Popp (in 1978-06)
orchestra:
Wiener Philharmoniker (in 1978-06)
conductor:
Sir Georg Solti (in 1978-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1978-06)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir) (in 1978-06)
composer:
Engelbert Humperdinck (from 1891 until 1892)
librettist:
Adelheid Wette
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:51