Atlantic Rhythm & Blues 1947–1974

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1CD: 1947–52
2CD: 1952–54
3CD: 1955–57
4CD: 1957–60
5CD: 1961–65
6CD: 1965–67
7CD: 1967–69
8CD: 1970–74
#TitleArtistLength
1Don’t Play That Song (You Lied)
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1970) and WEA International Inc. (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Aretha Franklin3:00
2Precious, Precious
recorded in:
Miami, Florida, United States (on 1970-04-23)
producer:
Dave Crawford
bass guitar [bass]:
Harold Cowart (on 1970-04-23)
drums (drum set) [drums]:
Ron Ziegler (on 1970-04-23)
guitar:
Cornell Dupree (on 1970-04-23) and Jimmy O’Rourke (on 1970-04-23)
organ:
Billy Carter (on 1970-04-23)
piano:
Dave Crawford (on 1970-04-23)
tenor saxophone:
Andrew Love (on 1970-04-23)
trumpet:
Wayne Jackson (on 1970-04-23)
vocals:
Jackie Moore (on 1970-04-23)
Jackie Moore3:29
3Groove Me
recorded in:
Jackson, Mississippi, United States (on 1970-05-04)
producer:
Wardell Quezergue and Elijah Walker
vocals:
King Floyd (on 1970-05-04)
arranger:
Wardell Quezergue
recording of:
Groove Me (on 1970-05-04)
lyricist and composer:
King Floyd
publisher:
Malaco Music Co. (in 1991)
King Floyd3:04
4Patches
recorded in:
Muscle Shoals, Alabama, United States (on 1970-08-03)
producer:
Rick Hall
baritone saxophone:
Ronald Eades (on 1970-08-03)
bass guitar [bass]:
Jerry Masters (on 1970-08-03) and Bob Wray (on 1970-08-03)
drums (drum set) [drums]:
Cornell McFaden (on 1970-08-03) and Fred Prouty (on 1970-08-03)
guitar:
Albert Lowe (on 1970-08-03), Clarence Carter (on 1970-08-03) and Travis Wammack (on 1970-08-03)
keyboard:
Clayton Ivey (on 1970-08-03)
strings:
[unknown] (on 1970-08-03)
tenor saxophone:
Harvey Thompson (on 1970-08-03) and Aaron Varnell (on 1970-08-03)
trumpet:
Harrison Calloway (on 1970-08-03) and Jack Peck (on 1970-08-03)
background vocals:
vocal group (on 1970-08-03)
vocals:
Clarence Carter (on 1970-08-03)
cover recording of:
Patches (on 1970-08-03)
writer:
Ronald Dunbar and Norman Johnson
Clarence Carter3:13
5Don’t Knock My Love, Part 1
recording engineer:
Jimmy Johnson
producer:
Dave Crawford and Brad Shapiro
drums (drum set):
Roger Hawkins (on 1971-01-27)
electric bass guitar [electric bass]:
David Hood (on 1971-01-27)
guitar:
Tippy Armstrong (on 1971-01-27) and Dennis Coffey (on 1971-01-27)
percussion:
Jack Ashford (on 1971-01-27)
tenor saxophone:
Andrew Love (on 1971-01-27)
trumpet:
Wayne Jackson (on 1971-01-27)
vocals:
Wilson Pickett (on 1971-01-27)
conductor:
Wade Marcus (on 1971-01-27)
arranger:
Wade Marcus
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1971-01-27)
recording of:
Don’t Knock My Love (on 1971-01-27)
composer:
Wilson Pickett and Brad Shapiro
Wilson Pickett2:25
6Funky Nassau, Parts 1 & 2
recorded in:
Miami, Florida, United States (in 1970-11)
producer:
[unknown]
bass guitar [bass]:
Fred Henfield (in 1970-11)
congas [conga] and drums (drum set) [drums]:
Frank Munnings (in 1970-11)
guitar:
Liroy Munnings (in 1970-11)
organ:
Raphael Munnings (in 1970-11)
tenor saxophone:
Kenneth Lake (in 1970-11) and Ralph Munnings (in 1970-11)
trumpet:
Nevill Sampson (in 1970-11)
vocals:
Raphael Munnings (in 1970-11)
recording of:
Funky Nassau (in 1970-11)
lyricist and composer:
Tyrone Patrick Fitzgerald and Ray Munnings
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
The Beginning of the End5:14
7Thin Line Between Love and Hate
recorded in:
New York, New York, United States (on 1971-01-27)
producer:
Richard Poindexter and Robert Poindexter
strings:
[unknown] (on 1971-01-27)
vocals:
The Persuaders (on 1971-01-27)
conductor:
Arif Mardin (on 1971-01-27)
arranger:
Arif Mardin
recording of:
Thin Line Between Love and Hate (on 1971-01-27)
writer:
Jackie Members, Richard Poindexter and Robert Poindexter
publisher:
Warner Bros. Music
The Persuaders3:27
8Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1971, in 1972) and WEA International Inc. (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Aretha Franklin3:14
9Day Dreaming
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
acoustic guitar:
Don Arnone (on 1971-02-16)
alto flute:
Hubert Laws (on 1971-02-16)
bass:
Chuck Rainey (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
electric piano:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (on 1971-02-16)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (in 1971) and Atlantic Recording Corporation (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation and Pundit Music, Inc
Aretha Franklin4:02
10You’ve Got a Friend
additional recording engineer:
Gene Paul
recording engineer:
Lew Hahn
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass and Arif Mardin
drums (drum set):
Billy Cobham (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (from 1971-03 until 1971-10)
electric piano:
Donny Hathaway (from 1971-03 until 1971-10)
flute:
Joe Gentle (from 1971-03 until 1971-10)
guitar:
David Spinozza (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vocals:
Roberta Flack (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
strings arranger:
Arif Mardin
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10) and Regent Sound Studios in New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
You’ve Got a Friend (from 1971-03 until 1971-10)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Roberta Flack & Donny Hathaway3:26
11Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright2:49
12Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd., Warner Chappell North America and Warner–Tamerlane Publishing Corp.
The Spinners4:13
13Killing Me Softly With His SongRoberta Flack4:49
14Where Is the Love?
recording engineer:
Jimmy Douglass
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (from 1971-03 until 1971-10)
electric piano and piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vibraphone [vibes]:
Jack Jennings (from 1971-03 until 1971-10)
vocals:
Roberta Flack (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
performer:
Donny Hathaway (from 1971-03 until 1971-10)
strings arranger and woodwind [woodwinds] arranger:
Arif Mardin
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Where Is the Love (from 1971-03 until 1971-10)
writer:
Ralph MacDonald and William Salter
publisher:
Antisia Music Inc. and BMG Ruby Songs
Roberta Flack & Donny Hathaway2:47
15I’ll Be Around
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp.
The Spinners3:12
16Feel Like Makin’ Love
recorded in:
New York, New York, United States (on 1973-06-13)
producer:
Eugene McDaniels and Roberta Flack
vocals:
Roberta Flack (on 1973-06-13)
arranger:
Roberta Flack and L. Leon Pendarvis
recording of:
Feel Like Makin’ Love (on 1973-06-13)
lyricist and composer:
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. and 日音 Synch事業部
Roberta Flack2:57
17One of a Kind (Love Affair)
recorded in:
Philadelphia, Pennsylvania, United States (in 1973-03)
producer:
Thom Bell
vocals:
The Spinners (in 1973-03)
conductor:
Thom Bell (in 1973-03)
arranger:
Thom Bell
The Spinners3:23
18Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray and Joe Tarsia
producer:
Norman Harris
background vocals:
[unknown] (in 1973)
vocals:
Blue Magic (in 1973)
conductor:
Don Renaldo (in 1973: brass [horns], strings)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Norman Harris
phonographic copyright (℗) by:
Atlantic Recording Corporation
recording of:
Sideshow (in 1973)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. and Zella Music
Blue Magic4:12
19Mighty LoveThe Spinners4:59
20Love Won’t Let Me WaitMajor Harris5:31

Credits

Release

art direction:Bob Defrin
liner notes:Peter Grendysa
Robert Pruter
executive producer:Ahmet Ertegun
producer:Aziz Goksel (task: compilation)
Bob Porter (task: compilation)
mastering:Zal Schreiber
Steve Innocenzi
artwork:Fred Otnes (task: cover art)
transferrer:Jimmy Douglass
Bobby Warner
Discogs:https://www.discogs.com/release/3773974 [info]
ASIN:US: B000002IRS [info]