Masters of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Vol. 1: W. A. Mozart

2▼CD: Vol. 2: J. S. Bach
#	Title	Artist	Length
1	Overture no. 4: Réjouissance bassoon: Gerd Schulze (from 1982 until 1984) cello: Burkhard Schmidt (from 1982 until 1984) double bass: Rainer Hucke (from 1982 until 1984) harpsichord: Walter Heinz Bernstein (from 1982 until 1984) oboe: Günter Heidrich (from 1982 until 1984), Uwe Kleinsorge (from 1982 until 1984) and Hans Ludwig Mörchen (from 1982 until 1984) timpani: Werner Legutke (from 1982 until 1984) trumpet: Ludwig Güttler (from 1982 until 1984), Roland Rudolph (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984) violin: Eberhard Palm (from 1982 until 1984) orchestra: New Bach Collegium Musicum (from 1982 until 1984) conductor: Max Pommer (from 1982 until 1984) phonographic copyright (℗) by: Delta Music GmbH (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984) recording of: Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984) composer: Johann Sebastian Bach part of: Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)	Johann Sebastian Bach	2:24
2	Overture no. 3: Air bassoon: Gerd Schulze (from 1982 until 1984) cello: Burkhard Schmidt (from 1982 until 1984) double bass: Rainer Hucke (from 1982 until 1984) harpsichord: Walter Heinz Bernstein (from 1982 until 1984) oboe: Günter Heidrich (from 1982 until 1984) and Uwe Kleinsorge (from 1982 until 1984) timpani: Werner Legutke (from 1982 until 1984) trumpet: Ludwig Güttler (from 1982 until 1984), Roland Rudolph (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984) violin: Eberhard Palm (from 1982 until 1984) orchestra: Neues Bachisches Collegium Musicum (from 1982 until 1984) conductor: Max Pommer (from 1982 until 1984) phonographic copyright (℗) by: Delta Music GmbH (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1982 until 1984) composer: Johann Sebastian Bach (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach	4:06
3	Overture no. 2: Badinerie bassoon: Gerd Schulze cello: Burkhard Schmidt double bass: Rainer Hucke flute: Karl-Heinz Passin harpsichord: Walter Heinz Bernstein orchestra: Neues Bachisches Collegium Musicum Leipzig conductor: Max Pommer recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) composer: Johann Sebastian Bach part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)	Johann Sebastian Bach	1:27
4	Oboe Concerto in D minor: Adagio oboe: Burkhard Glaetzner orchestra: Neues Bachisches Collegium Musicum conductor: Max Pommer recording of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio composer: Johann Sebastian Bach part of: Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R	Johann Sebastian Bach	3:07
5	Minuet in D minor, BWV Anh. 132 flute: Karl-Heinz Passin harpsichord: Walter Heinz Bernstein recording of: Menuett in d-Moll, BWV Anh. 132 (catch all for arrangements) composer: [unknown] arrangement of: Menuett in d-Moll, BWV Anh. 132	Johann Sebastian Bach	1:13
6	Minuet in G major, BWV Anh. 116 harpsichord and virginal: Walter Heinz Bernstein recording of: Minuet in G major, BWV Anh. 116 composer: [anonymous] previously attributed to: Johann Sebastian Bach part of: Notebook for Anna Magdalena Bach (number: 7), Bach-Werke-Verzeichnis (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (number: BWV Anh. 116)	Johann Sebastian Bach	2:11
7	Overture no. 1: Passepied bassoon: Gerd Schulze (from 1982 until 1984) cello: Burkhard Schmidt double bass: Rainer Hucke harpsichord: Walter Heinz Bernstein oboe: Günter Heidrich (from 1982 until 1984) and Uwe Kleinsorge (from 1982 until 1984) orchestra: New Bach Collegium Musicum conductor: Max Pommer phonographic copyright (℗) by: Delta Music GmbH (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1982 until 1984) composer: Johann Sebastian Bach part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)	Johann Sebastian Bach	3:10
8	Toccata and Fugue in D minor, BWV 565 producer: Horst Kunze organ: Hannes Kästner (in 1981) recorded at: Thomaskirche in Leipzig, Sachsen, Germany (in 1981) recording of: Toccata und Fuge d-Moll, BWV 565 (in 1981) composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 565) and Bach Compendium (number: BC J 37)	Johann Sebastian Bach	9:24
9	“Ich liebe den Höchsten von ganzem Gemüte”, Cantata, BWV 174: Sinfonia cello: Siegfried Hunger (in 1984), Burkhard Schmidt (in 1984) and Matthias Schreiber (in 1984) trumpet: Kurt Sandau (in 1984) viola: Eberhard Freiberger (in 1984), Wolfgang Gränitz (in 1984) and Olaf Hallmann (in 1984) violin: Gunar Kaltofen (in 1984), Roald Reinecke (in 1984) and Karl Suske (in 1984) orchestra: Neues Bachisches Collegium Musicum (in 1984) conductor: Max Pommer (in 1984) performer: Ludwig Güttler (in 1984) phonographic copyright (℗) by: Delta Music GmbH (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (in 1984) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) is based on: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	6:12
10	Brandenburg Concerto no. 2 in F major, BWV 1047: Andante orchestra: Neues Bachisches Collegium Musicum conductor: Max Pommer recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach	3:36
11	Easter Oratorio, BWV 249: Sinfonia orchestra: Neues Bachisches Collegium Musicum conductor: Max Pommer recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984) recording of: Oster-Oratorium, BWV 249: I. Sinfonia (in 1984) premiered in: Leipzig, Sachsen, Germany (on 1725-04-01) composed in: Leipzig, Sachsen, Germany (on 1725-04-01) composer: Johann Sebastian Bach version of: Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia part of: Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach	3:58
12	Violin Concerto in E major, BWV 1042: Adagio violin: Szenthelyi Miklós orchestra: Hungarian Chamber Orchestra conductor: Győriványi Ráth György recording of: Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) composer: Johann Sebastian Bach part of: Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)	Johann Sebastian Bach	6:10
13	“Wachet auf, ruft uns die Stimme”, Chorale, BWV 645 producer: Horst Kunze organ: Hannes Kästner (in 1981) recorded at: Thomaskirche in Leipzig, Sachsen, Germany (in 1981) recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1981) composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 645) is based on: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” part of: Sechs Choräle von verschiedener Art	Johann Sebastian Bach	5:01
14	Brandenburg Concerto no. 1 in F major, BWV 1046: Adagio oboe: Günter Heidrich (from 1982 until 1984) violino piccolo: Eberhard Palm (from 1982 until 1984) orchestra: Neues Bachisches Collegium Musicum (from 1982 until 1984) conductor: Max Pommer (from 1982 until 1984) phonographic copyright (℗) by: Delta Music GmbH (in 1985) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984) recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1982 until 1984) composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)	Johann Sebastian Bach	4:06
15	“Kommst du nun, Jesu, vom Himmel herunter”, Chorale, BWV 650 co-recording engineer: Hugo Gneipelt recording engineer: Bernd Runge organ: Friedrich Kircheis (in 1981-08) trumpet: Ludwig Güttler (in 1981-08) recorded at: Predigerkirche Erfurt in Erfurt, Thüringen, Germany (in 1981-08) recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements) (in 1981-08) composer: Johann Sebastian Bach arrangement of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650	Johann Sebastian Bach	3:46

3▶CD: Vol. 3: L. v. Beethoven

4▶CD: Vol. 4: Johann Strauss

5▶CD: Vol. 5: Richard Wagner

6▶CD: Vol. 6: Peter Tchaikovsky

7▶CD: Vol. 7: Antonio Vivaldi

8▶CD: Vol. 8: Frederic Chopin

9▶CD: Vol. 9: Franz Schubert

10▶CD: Vol. 10: Giuseppe Verdi

Credits

Release

ASIN:	DE: B000001VU5 [info]

Release group

Discogs:	https://www.discogs.com/master/1796050 [info]

DE: B000001VU5

Discogs