Jazz Masterpieces Volume Two

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

I have managed to (with my burgeoning knowledge of jazz music) identify where *most* of these tracks originated from and have put in the necessary edits to merge them together with their originals.

The following tracks I am having difficulty with:
Track 4 "My Funny Valentine" by Wynton Marsalis doesn't seem to match up to anything, and is likely an edit of some kind. The only matches via fingerprint that have been found are to more cheap/budget Jazz compilations. It is however a live performance, much like the other tracks on this compilation.
Track 7 "Take Five" by Dave Brubeck seemingly matches up in duration to the Carnegie Hall performance but when listened to back-to-back sound very different.
Track 9 "Apple Core" by Gerry Mulligan, I can't find anything useful with this one either - but have found its appearance on a good selection of other "budget" compilations.
Tracks 11+12 need me to review as they've currently got two fingerprints assigned.

Due to the relative "cheapness" of Pulse releases, there aren't any useful bits of infomation in the booklet to help identify these recordings, however it does state that all recordings are produced by RTV Communications Group.

Tracklist

1CD
#TitleArtistLength
1Lullaby of Birdland
congas:
Candido (on 1977-11-11)
double bass:
George Duvivier (on 1977-11-11)
drums (drum set):
Oliver Jackson (on 1977-11-11)
guitar:
Bucky Pizzarelli (on 1977-11-11)
piano:
Hank Jones (on 1977-11-11)
saxophone and tenor saxophone:
Dexter Gordon (on 1977-11-11)
vibraphone:
Lionel Hampton (on 1977-11-11)
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1977-11-11)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
Dexter Gordon4:22
2Take the "A" Train
recorded in:
New York, New York, United States (on 1977-10-19)
producer:
Lionel Hampton
congas:
Candido Camero (on 1977-10-19)
double bass:
Tom Warrington (on 1977-10-19)
drums (drum set):
Buddy Rich (on 1977-10-19)
piano:
Barry Kiener (on 1977-10-19)
saxophone:
Gary Pribeck (on 1977-10-19)
tenor saxophone:
Steve Marcus (on 1977-10-19) and Paul Moen (on 1977-10-19)
vibraphone:
Lionel Hampton (on 1977-10-19)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1977-10-19)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
Lionel Hampton6:15
3Nature BoyStan Getz3:49
4My Funny Valentine
Wynton Marsalis8:13
5Work Song
producer:
Ron Moss
bass:
Mark Michel (on 1980-01-23)
drums (drum set):
Umberto Pagnini (on 1980-01-23)
flute:
Paul Horn (on 1980-01-23)
recorded at:
The Palm Beach Casino in Cannes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1980-01-23)
live recording of:
Work Song (original instrumental) (on 1980-01-23)
writer:
Oscar Brown Jr.
composer:
Nat Adderley
Paul Horn6:27
6Softly as in a Morning Sunrise
recorded in:
New York, New York, United States (in 1991)
recording engineer:
Joachim Schmid (in 1991)
producer:
Michał Urbaniak
bass:
Ron Carter (in 1991)
drums (drum set):
Lenny White (in 1991)
piano:
Mike Gerber (in 1991)
violin:
Michał Urbaniak (in 1991)
live instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1991)
lyricist:
Oscar Hammerstein II (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
part of:
The New Moon: Act I
Michał Urbaniak7:33
7Take Five
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1963-02-21)
double bass:
Eugene Wright (on 1963-02-21)
drums (drum set):
Joe Morello (on 1963-02-21)
piano:
Dave Brubeck (on 1963-02-21)
phonographic copyright (℗) by:
Columbia Records (in 1963)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-02-21)
live recording of:
Take Five (original instrumental version) (on 1963-02-21)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck7:16
8African Flower
bass:
Pierre Michelot (on 1981-01-26)
drums (drum set):
Daniel Humair (on 1981-01-26)
piano:
René Urtreger (on 1981-01-26)
vibraphone:
Gary Burton (on 1981-01-26)
live instrumental recording of:
Fleurette africaine ("African Flower") (on 1981-01-26)
composer:
Duke Ellington
publisher:
Sony/ATV Harmony and Tempo Music, Inc.
Gary Burton5:19
9Apple Core
recording of:
Apple Core
composer:
Gerry Mulligan
Gerry Mulligan6:22
10Have You Met Miss Jones
alto saxophone:
Phil Woods (on 1987-09-23)
bass:
John Burr (on 1987-09-23)
drums (drum set):
Louie Bellson (on 1987-09-23)
guitar:
Marc Fosset (on 1987-09-23)
violin:
Stéphane Grappelli (on 1987-09-23)
phonographic copyright (℗) by:
Mandarim Records, Ltd.
recorded at:
Discovery Digital Studios in Dublin, Ohio, United States (on 1987-09-23)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1987-09-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
Stéphane Grappelli & Phil Woods4:07
11Sonny's Blues
Sonny Stitt4:54
12Off Minor
recording of:
Off Minor
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Thelonious Monk5:12

Credits

Release

manufactured in:England, United Kingdom
copyrighted (©) by:Castle Music Ltd. (in 2000)
phonographic copyright (℗) by:Castle Music Ltd. (in 1996)