Eight Classic Albums

~ Release by Lee Morgan (see all versions of this release, 1 available)

Tracklist

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1CD: Introducing Lee Morgan (1-7), Lee Morgan Sextet (8-13)
#TitleLength
1Hanks Shout
recording engineer:
Rudy van Gelder (on 1956-11-05)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass and double bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (on 1956-11-05)
tenor saxophone:
Hank Mobley (on 1956-11-05)
trumpet:
Lee Morgan (on 1956-11-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-05)
recording of:
Hank's Shout (on 1956-11-05)
composer:
Hank Mobley
7:00
2Bet
8:49
3PS, I Love You
7:52
4That's All
2:29
5Nostalgia
4:22
6Softly, as in a Morning Sunrise
2:49
7Easy Living
engineer:
Rudy van Gelder (on 1956-11-05)
bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (on 1956-11-05)
tenor saxophone:
Hank Mobley (on 1956-11-05)
trumpet:
Lee Morgan (on 1956-11-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-05)
instrumental recording of:
Easy Living (on 1956-11-05)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
2:42
8Whisper Not
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (from 1956-02-02 until 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Whisper Not (original instrumental composition) (on 1956-12-02)
composer:
Benny Golson (in 1956)
instrumental recording of:
Whisper Not (original instrumental composition)
composer:
Benny Golson (in 1956)
7:15
9Latin Hangover
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Latin Hangover (on 1956-12-02)
composer:
Benny Golson
6:40
10His Sister
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
His Sister (on 1956-12-02)
composer:
Marshall
6:29
11Slightly Hep
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Slightly Hep (on 1956-12-02)
composer:
Golson
6:24
12Where I Am
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
Where Am I (on 1956-12-02)
composer:
Golson
5:45
13D's Funk
recording engineer:
Rudy van Gelder (on 1956-12-02)
producer:
Alfred Lion (on 1956-12-02)
alto saxophone:
Kenny Rodgers (on 1956-12-02)
bass:
Paul Chambers (on 1956-12-02)
drums (drum set):
Charlie Persip (on 1956-12-02)
piano:
Horace Silver (on 1956-12-02)
tenor saxophone:
Hank Mobley (on 1956-12-02)
trumpet:
Lee Morgan (on 1956-12-02)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-12-02)
recording of:
D's Fink (on 1956-12-02)
composer:
Marshall
7:39
2CD: Lee Morgan Volume 3 (1-5), Standards (6-11)
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1Hasaan's Dream
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (on 1957-03-24)
drums (drum set):
Charlie Persip (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (on 1957-03-24)
trumpet:
Lee Morgan (on 1957-03-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Hasaan's Dream (on 1957-03-24)
composer:
Golson
8:38
2Domingo
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (on 1957-03-24)
drums (drum set):
Charlie Persip (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (on 1957-03-24)
trumpet:
Lee Morgan (on 1957-03-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Domingo (on 1957-03-24)
composer:
Benny Golson
9:16
3I Remember Clifford
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (on 1957-03-24)
drums (drum set):
Charlie Persip (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (on 1957-03-24)
trumpet:
Lee Morgan (on 1957-03-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
I Remember Clifford (on 1957-03-24)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
I Remember Clifford (instrumental original)
7:03
4Mesabi Chant
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (on 1957-03-24)
drums (drum set):
Charlie Persip (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (on 1957-03-24)
trumpet:
Lee Morgan (on 1957-03-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
Mesabi Chant (on 1957-03-24)
composer:
Golson
6:05
5Tip Toeing
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
bass:
Paul Chambers (on 1957-05-24)
double bass [bass]:
Paul Chambers (on 1957-03-24)
drums (drum set):
Charlie Persip (on 1957-03-24, on 1957-05-24)
piano:
Wynton Kelly (on 1957-03-24, on 1957-05-24)
tenor saxophone:
Benny Golson (on 1957-03-24, on 1957-05-24)
trumpet:
Lee Morgan (on 1957-03-24, on 1957-05-24)
woodwind:
Gigi Gryce (on 1957-05-24)
arranger:
Benny Golson
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-03-24, on 1957-05-24)
recording of:
Tip Toeing (on 1957-03-24)
composer:
Golson
recording of:
Tip Toeing (on 1957-05-24)
composer:
Golson
6:36
6This Is the Life
alto saxophone and flute:
James Spaulding (on 1967-01-13)
baritone saxophone:
Pepper Adams (on 1967-01-13)
bass:
Ron Carter (on 1967-01-13)
drums (drum set):
Mickey Roker (on 1967-01-13)
piano:
Herbie Hancock (on 1967-01-13)
tenor saxophone:
Wayne Shorter (on 1967-01-13)
trumpet:
Lee Morgan (on 1967-01-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1967-01-13)
instrumental recording of:
This Is the Life (from "Golden Boy") (on 1967-01-13)
lyricist:
Lee Adams
composer:
Charles Strouse
librettist:
William Gibson and Clifford Odets
part of:
Golden Boy (The Musical)
5:00
7God Bless the Child
alto saxophone and flute:
James Spaulding (on 1967-01-13)
baritone saxophone:
Pepper Adams (on 1967-01-13)
bass:
Ron Carter (on 1967-01-13)
drums (drum set):
Mickey Roker (on 1967-01-13)
piano:
Herbie Hancock (on 1967-01-13)
tenor saxophone:
Wayne Shorter (on 1967-01-13)
trumpet:
Lee Morgan (on 1967-01-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1967-01-13)
instrumental recording of:
God Bless the Child (on 1967-01-13)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
7:17
8Blue Gardenia
alto saxophone and flute:
James Spaulding (on 1967-01-13)
baritone saxophone:
Pepper Adams (on 1967-01-13)
bass:
Ron Carter (on 1967-01-13)
drums (drum set):
Mickey Roker (on 1967-01-13)
piano:
Herbie Hancock (on 1967-01-13)
tenor saxophone:
Wayne Shorter (on 1967-01-13)
trumpet:
Lee Morgan (on 1967-01-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1967-01-13)
instrumental recording of:
Blue Gardenia (on 1967-01-13)
writer:
Lester Lee and Bob Russell
publisher:
Harrison Music Corp., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
5:50
9A Lot of Livin' to Do
alto saxophone and flute:
James Spaulding (on 1967-01-13)
baritone saxophone:
Pepper Adams (on 1967-01-13)
bass:
Ron Carter (on 1967-01-13)
drums (drum set):
Mickey Roker (on 1967-01-13)
piano:
Herbie Hancock (on 1967-01-13)
tenor saxophone:
Wayne Shorter (on 1967-01-13)
trumpet:
Lee Morgan (on 1967-01-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1967-01-13)
cover recording of:
A Lot of Livin’ to Do (from “Bye Bye Birdie”) (on 1967-01-13)
lyricist:
Lee Adams
composer:
Charles Strouse
part of:
Bye Bye Birdie
6:00
10Somewhere5:49
11If I Were a Carpenter
alto saxophone and flute:
James Spaulding (on 1967-01-13)
baritone saxophone:
Pepper Adams (on 1967-01-13)
bass:
Ron Carter (on 1967-01-13)
drums (drum set):
Mickey Roker (on 1967-01-13)
piano:
Herbie Hancock (on 1967-01-13)
tenor saxophone:
Wayne Shorter (on 1967-01-13)
trumpet:
Lee Morgan (on 1967-01-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1967-01-13)
instrumental recording of:
If I Were a Carpenter (on 1967-01-13)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control and Faithful Virtue Music
6:06
3CD: Here's Lee Morgan (1-6), the Young Lions (with Wayne Shorter) (7-11)
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1Terrible T
double bass and double bass [bass]:
Paul Chambers (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Terrible “T” (on 1960-02-08)
composer:
Morgan
5:19
2Mogie
double bass:
Paul Chambers (on 1960-02-08)
double bass [bass]:
Paul Chambers (in 1960-02)
drums (drum set):
Art Blakey (in 1960-02, on 1960-02-08)
piano:
Wynton Kelly (in 1960-02, on 1960-02-08)
tenor saxophone:
Clifford Jordan (in 1960-02) and Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (in 1960-02)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Mogie (on 1960-02-08)
composer:
Morgan
recording of:
Mogie (in 1960-02)
composer:
Morgan
7:46
3I'm a Fool to Want You
double bass and double bass [bass]:
Paul Chambers (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
instrumental recording of:
I’m a Fool to Want You (on 1960-02-08)
writer:
Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
recording of:
I’m a Fool to Want You (on 1960-02-08)
writer:
Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
5:40
4Running Brook
double bass:
Paul Chambers (in 1960-02, on 1960-02-08)
drums (drum set):
Art Blakey (in 1960-02, on 1960-02-08)
piano:
Wynton Kelly (in 1960-02, on 1960-02-08)
saxophone:
Clifford Jordan (in 1960-02)
tenor saxophone:
Clifford Jordan (in 1960-02) and Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (in 1960-02)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Running Brook (in 1960-02)
composer:
Wayne Shorter
6:05
5Off Spring
double bass and double bass [bass]:
Paul Chambers (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
saxophone:
Clifford Jordan (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Off Spring (on 1960-02-08)
composer:
Milt Jackson
6:15
6Bess
double bass and double bass [bass]:
Paul Chambers (on 1960-02-08)
drums (drum set):
Art Blakey (on 1960-02-08)
piano:
Wynton Kelly (on 1960-02-08)
tenor saxophone:
Cliff Jordan (on 1960-02-08)
trumpet:
Lee Morgan (on 1960-02-08)
phonographic copyright (℗) by:
Craft Recordings (in 2025)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-02-08)
recording of:
Bess (on 1960-02-08)
composer:
Morgan
6:25
7Seeds of Sin
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Louis Hayes (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (on 1960-04-25)
trumpet:
Lee Morgan (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Seeds of Sin (on 1960-04-25)
composer:
Shorter
5:40
8Scourin'
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass:
Bob Cranshaw (on 1960-04-25)
double bass:
Bob Cranshaw
drums (drum set):
Louis Hayes (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (on 1960-04-25)
trumpet:
Lee Morgan (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Scourn' (on 1960-04-25)
composer:
Shorter
5:54
9Fat Lady
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (on 1960-04-25)
trumpet:
Lee Morgan (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Fat Lady (on 1960-04-25)
composer:
Timmons
4:59
10Peaches and Cream
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (on 1960-04-25)
trumpet:
Lee Morgan (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
Peaches and Cream (on 1960-04-25)
composer:
Shorter
6:49
11That's Right
producer:
Sid McCoy
alto saxophone:
Frank Strozier (on 1960-04-25)
bass and double bass:
Bob Cranshaw (on 1960-04-25)
drums (drum set):
Albert “Tootie” Heath (on 1960-04-25)
piano:
Bobby Timmons (on 1960-04-25)
tenor saxophone:
Wayne Shorter (on 1960-04-25)
trumpet:
Lee Morgan (on 1960-04-25)
recorded at:
Bell Sound Studio B in New York, New York, United States (on 1960-04-25)
recording of:
That's Right (on 1960-04-25)
composer:
Morgan
11:33
4CD: Expoobident (with Wayne Shorter) (1-7), Lee-Way (8-11)
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1Expoobident
double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Expoobident (on 1960-10-14)
composer:
Higgins
5:00
2Easy Living
bass, double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
instrumental recording of:
Easy Living (on 1960-10-14)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
5:56
3Triple Track
bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Clifford Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Triple Track (on 1960-10-14)
composer:
Lee Morgan
4:59
4Fire
bass, double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Fire (on 1960-10-14)
composer:
Shorter
4:50
5Just in Time
bass, double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Just in Time (Bells Are Ringing) (on 1960-10-14)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music, Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
instrumental recording of:
Just in Time (Bells Are Ringing) (on 1960-10-14)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music, Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
3:31
6The Hearing
double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Clifford Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
The Hearing (on 1960-10-14)
composer:
Jordan
3:35
7Lost and Found
bass, double bass and double bass [bass]:
Art Davis (on 1960-10-14)
drums (drum set):
Art Blakey (on 1960-10-14)
piano:
Eddie Higgins (on 1960-10-14)
tenor saxophone:
Cliff Jordan (on 1960-10-14)
trumpet:
Lee Morgan (on 1960-10-14)
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1960-10-14)
recording of:
Lost and Found (on 1960-10-14)
composer:
Clifford Jordan
3:32
8These Are Soulful Days
producer:
Alfred Lion (on 1960-04-25)
alto saxophone:
Jackie McLean (on 1960-04-25, on 1960-04-28)
double bass:
Paul Chambers (on 1960-04-25, on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-25, on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-25, on 1960-04-28)
trumpet:
Lee Morgan (on 1960-04-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
These Are Soulful Days (on 1960-04-25)
composer:
Massey
9:21
9The Lion and the Wolff
producer:
Alfred Lion (on 1960-04-28)
alto saxophone:
Jackie McLean (on 1960-04-28)
double bass:
Paul Chambers (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (on 1960-04-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
The Lion and the Wolff (on 1960-04-28)
composer:
Morgan
9:39
10Midtown Blues
producer:
Alfred Lion
alto saxophone:
Jackie McLean (on 1960-04-28)
double bass:
Paul Chambers (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (on 1960-04-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
Midtown Blues (on 1960-04-28)
composer:
McLean
12:07
11Nakatini Suite
producer:
Alfred Lion (on 1960-04-28)
alto saxophone:
Jackie McLean (on 1960-04-28)
double bass:
Paul Chambers (on 1960-04-28)
drums (drum set):
Art Blakey (on 1960-04-28)
piano:
Bobby Timmons (on 1960-04-28)
trumpet:
Lee Morgan (on 1960-04-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-04-28)
recording of:
Nakatini Serenade (on 1960-04-28)
composer:
Cal Massey
8:08