La Divina 2

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1Alceste: Act I. "Divinités du Styx"
soprano vocals:
Maria Callas
Christoph Willibald Gluck4:26
2Carmen: Act II. "Les tringles des sistres tintaient (Chanson bohème)"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:24
3Ernani: Act I. "Surta è la Notte Ernani! Ernani, involami"
soprano vocals:
Maria Callas
Giuseppe Verdi6:16
4Manon Lescaut: Act II. "In quelle trine morbide"
soprano vocals:
Maria Callas
Giacomo Puccini2:54
5Aida: Act I. "Ritorna Vincitor"Giuseppe Verdi7:05
6Orphée et Eurydice: Act IV. "J'ai perdu mon Eurydice"
producer:
Walter Legge
editor:
Jennifer Howells
soprano vocals:
Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Orphée]:
Maria Callas
orchestra:
Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt
phonographic copyright (℗) by:
EMI Records Ltd.
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-04-04 until 1961-04-05)
composer:
Christoph Willibald Gluck
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
7I vespiri siciliani: Act V. "Bolero: Mercè, Dilette Amiche"
soprano vocals:
Maria Callas
Giuseppe Verdi4:01
8Louise: Act III. "Depuis le jour"
soprano vocals:
Maria Callas
Gustave Charpentier4:48
9La Bohème: Act III. "Donde lieta uscì"
soprano vocals:
Maria Callas
Giacomo Puccini3:22
10Mignon: Act II. "Ah, pour ce soir … je suis Titania (Polonaise)"
soprano vocals:
Maria Callas
Ambroise Thomas5:12
11La traviata: Act III. "Teneste la Promessa … Addio, del Passato"Giuseppe Verdi5:19
12Don Carlo: Act III. "O don fatale"Giuseppe Verdi4:46
13Samson et Dalila: Act I. "Printemps qui commence"
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:17
14La sonnambula: Act I. "Compagne, teneri amici … Come per me sereno"
soprano vocals:
Maria Callas
Vincenzo Bellini5:49
15Adriana Lecouvreur: Act I. "Ecco: respiro appena … Io son l'umile ancella"
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18)
composer:
Francesco Cilea
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS
part of:
Adriana Lecouvreur: Atto I
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21)
composer:
Francesco Cilea
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:47
16Lucia di Lammermoor: Act III. "Spargi d'amaro pianto"Gaetano Donizetti4:07