Das Kantatenwerk, Volume 38

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," I. Duetto (tenor, bass). Ich lasse dich nicht, du segnest mich denn
bass vocals:
Max van Egmond (from 1985-01-02 until 1985-01-06)
tenor vocals:
Kurt Equiluz (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
4:14
2Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," II. Aria (tenor). Ich halte meinen Jesum feste
tenor vocals:
Kurt Equiluz (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:54
3Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," III. Recitativo (tenor). Mein lieber Jesu du
tenor vocals:
Kurt Equiluz (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:34
4Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," IV. Aria (bass). Ja, ja, ich halte Jesum feste
bass vocals:
Max van Egmond (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:06
5Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," V. Choral (coro). Meinen Jesum laß ich nicht
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (in 1727)
librettist:
Christian Keymann (in 1658) and Christian Friedrich Henrici (in 1727)
part of:
Breitkopf 389 Choralgesänge (number: 245)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
0:54
6Cantata, BWV 158 "Der Friede sei mit dir," I. Recitativo (bass). Der Friede sei mit dir
bass vocals:
Max van Egmond
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir"
composer:
Johann Sebastian Bach (from 1728 until 1731)
librettist:
[anonymous]
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:49
7Cantata, BWV 158 "Der Friede sei mit dir," II. Aria-Choral (bass, soprano). Welt ade! ich bin dein müde
bass vocals:
Max van Egmond
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde"
composer:
Johann Sebastian Bach (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
7:05
8Cantata, BWV 158 "Der Friede sei mit dir," III. Recitativo (bass). Nun Herr, regiere meinen Sinn
bass vocals:
Max van Egmond
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn"
composer:
Johann Sebastian Bach (from 1728 until 1731)
librettist:
[anonymous]
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:36
9Cantata, BWV 158 "Der Friede sei mit dir," IV. Choral (coro). Hier ist das rechte Osterlamm
choir vocals:
Tölzer Knabenchor
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
chorus master:
Philippe Herreweghe and Gerhard Schmidt‐Gaden
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm"
composer:
Johann Sebastian Bach (from 1728 until 1731)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:16
10Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," I. Arioso-Recitativo (bass, alto). Sehet! Komm, schaue doch, mein Sinn
alto vocals:
Paul Esswood
bass vocals:
Max van Egmond
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
2:59
11Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," II. Aria-Choral (alto, soprano). Ich folge dir nach
alto vocals:
Paul Esswood
treble vocals:
Tobias Eiwanger
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
Paul Gerhardt (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:15
12Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," III. Recitativo (tenor). Nun will ich mich, mein Jesu
tenor vocals:
Kurt Equiluz
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:05
13Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," IV. Aria (bass). Es ist vollbracht
bass vocals:
Max van Egmond
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:16
14Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," V. Choral (coro). Jesu, deine Passion
choir vocals:
Tölzer Knabenchor
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort
conductor:
Gustav Leonhardt
chorus master:
Philippe Herreweghe and Gerhard Schmidt‐Gaden
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:17
2▼CD
#TitleLength
1Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde
alto vocals:
Paul Esswood (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:43
2Cantata, BWV 161 "Komm, du süße Todesstunde," II. Recitativo (tenor). Welt, deine Lust ist Last
tenor vocals:
Kurt Equiluz (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:53
3Cantata, BWV 161 "Komm, du süße Todesstunde," III. Aria (tenor). Mein Verlangen
tenor vocals:
Kurt Equiluz (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:06
4Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht
alto vocals:
Paul Esswood (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:17
5Cantata, BWV 161 "Komm, du süße Todesstunde," V. Coro. Wenn es meines Gottes Wille
choir vocals:
Tölzer Knabenchor (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:07
6Cantata, BWV 161 "Komm, du süße Todesstunde," VI. Choral (coro). Der Leib zwar in der Erden
choir vocals:
Tölzer Knabenchor (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:12
7Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Robert Holl (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:44
8Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," II. Recitativo (tenor). O großes Hochzeitfest
tenor vocals:
Kurt Equiluz (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:24
9Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," III. Aria (soprano). Jesu, Brunnquell aller Gnaden
treble vocals:
Tobias Eiwanger (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:25
10Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht
alto vocals:
Paul Esswood (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:35
11Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut
alto vocals:
Paul Esswood (from 1983-01 until 1986-04)
tenor vocals:
Kurt Equiluz (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:22
12Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," VI. Choral (coro). Ach, ich habe schon erblicket
choir vocals:
Tölzer Knabenchor (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1986-04)
chorus master:
Gerhard Schmidt‐Gaden (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Johann Rosenmüller (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:06
13Cantata, BWV 163 "Nur jedem das Seine," I. Aria (tenor). Nur jedem das Seine
tenor vocals:
Kurt Equiluz (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:39
14Cantata, BWV 163 "Nur jedem das Seine," II. Recitativo (bass). Du bist, mein Gott
bass vocals:
Robert Holl (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
1:28
15Cantata, BWV 163 "Nur jedem das Seine," III. Aria (bass). Laß mein Herz die Münze sein
bass vocals:
Robert Holl (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1983-01 until 1985-11)
composer:
Johann Sebastian Bach (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:52
16Cantata, BWV 163 "Nur jedem das Seine," IV. Recitativo (soprano, alto). Ich wollte dir, o Gott
alto vocals:
Panito Iconomou (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:22
17Cantata, BWV 163 "Nur jedem das Seine," V. Aria (Duetto) (soprano, alto). Nimm mich mir und gib mich dir!
alto vocals:
Panito Iconomou (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:08
18Cantata, BWV 163 "Nur jedem das Seine," VI. Choral (coro). Führ auch mein Herz und Sinn
choir vocals:
Tölzer Knabenchor (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (from 1983-01 until 1985-11)
chorus master:
Gerhard Schmidt‐Gaden (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
0:58