Back in Black (price code CA 835)

~ Release by AC/DC (see all versions of this release, 57 available)

Annotation

Manufactured in Germany by Record Service GmbH, Alsdorf.
The disc has no SID codes.
Tray inlay spines with blue text.
Matrice / Runout: 2 50735 SRC-01 (different from https://musicbrainz.org/release/a68d7ef8-5480-4c03-8f35-e84d491408d6)

Tracklist

1▼CD
#TitleLength
1Hells Bells
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
SWR1 Hitparade 2011 (number: 8), SWR1 Hitparade 2012 (number: 8), SWR1 Hitparade 2013 (number: 9) and SWR1 Hitparade 2010 (number: 10)
recording of:
Hells Bells (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:13
2Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:20
3What Do You Do for Money Honey
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
What Do You Do for Money Honey (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:36
4Given the Dog a Bone
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Given the Dog a Bone (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:32
5Let Me Put My Love Into You
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Let Me Put My Love Into You (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
part of:
“The Filthy Fifteen” (number: 6)
4:15
6Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:16
7You Shook Me All Night Long
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 10), The Downloader’s Music Source Book (number: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 287) and BILLIONS CLUB
recording of:
You Shook Me All Night Long (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:30
8Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:59
9Shake a Leg
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Shake a Leg (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:06
10Rock and Roll Ain’t Noise Pollution
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
The Downloader’s Music Source Book (number: 112)
recording of:
Rock and Roll Ain’t Noise Pollution (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:14

Credits

Release

manufactured in:Germany
art direction:Bob Defrin
photography:Robert Ellis
assistant engineer:Benji Armbrister (from 1980-04 until 1980-05)
Jack Newber (from 1980-04 until 1980-05)
manufactured by:Record Service GmbH
copyrighted (©) by:Atlantic Recording Corporation (in 1980)
phonographic copyright (℗) by:Leidseplein Presse B.V. (in 1980)
Discogs:https://www.discogs.com/release/10153615 [info]

Release group

associated singles/EPs:Back in Black
Hells Bells
Rock and Roll Ain’t Noise Pollution
You Shook Me All Night Long
covers:Back in Black (Redux) by Various Artists
Back in Black Redux: A Tribute to AC/DC by Various Artists
Graveyard Classics 2 by Six Feet Under
included in:AC/DC
Bonfire
Boom Box
Box Set
Sight & Sound Collection
The Collection
The Complete Collection
Vol. 2
part of:1,000 Recordings to Hear Before You Die (order: 2)
SPIN: The 40 Greatest Metal Albums of All Time (number: 5) (order: 5)
Fifteen Albums to Play the First Time You Have Sex With a Woman, Assuming You Know Nothing Except Her First Name (number: 9-Missy) (order: 9)
Q Magazine: 20 Loudest Albums of All Time (number: 19) (order: 20)
Rolling Stone: 100 Best Albums of the Eighties (number: 26) (order: 26)
Offizielle deutsche Charts – Album-Jahrescharts 2025 (number: 41) (order: 41)
David Keenan: The Best Albums Ever (number: 45) (order: 45)
Billboard Decade End Chart: Billboard 200 (number: 60) (order: 61)
Absolute Radio’s The 100 Collection (number: 68) (order: 68)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (number: 73) (order: 73)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (number: 77) (order: 77)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (number: 84) (order: 84)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (number: 84) (order: 84)
Apple Music: 100 Best Albums (number: 90) (order: 90)
Discothèque Idéale Qobuz / Qobuz Ideal Discography (order: 126)
1001 Albums You Must Hear Before You Die (number: 454) (order: 455)
supporting tours:Back in Black Tour
Discogs:https://www.discogs.com/master/8471 [info]
lyrics page:https://genius.com/albums/Ac-dc/Back-in-black [info]
reviews:https://pitchfork.com/reviews/albums/acdc-back-in-black/ [info] (from 2019-06-16 to present)
other databases:https://rateyourmusic.com/release/album/ac_dc/back-in-black/ [info]
https://www.musik-sammler.de/album/2243/ [info]
https://www.offiziellecharts.de/charts/album-details-4555 [info]
Allmusic:https://www.allmusic.com/album/mw0000188862 [info]
Wikidata:Q155715 [info]