More of the Monkees (deluxe edition)

~ Release by The Monkees (see all versions of this release, 15 available)

Tracklist

1Digital Media
#TitleLength
1She
producer:
Tommy Boyce and Bobby Hart
bass:
Larry Taylor (on 1966-08-15)
drums (drum set):
Billy Lewis (on 1966-08-15)
guitar:
Wayne Erwin (on 1966-08-15), Gerry McGee (on 1966-08-15) and Louie Shelton (on 1966-08-15)
organ:
Bobby Hart (on 1966-08-15)
percussion:
[unknown] (on 1966-08-15) and Norm Jefferies (on 1966-08-15)
background vocals:
Tommy Boyce (on 1966-08-15), Micky Dolenz (on 1966-08-15), Wayne Erwin (on 1966-08-15), Bobby Hart (on 1966-08-15), Ron Hicklin (on 1966-08-15), Davy Jones (on 1966-08-15) and Peter Tork (on 1966-08-15)
lead vocals:
Micky Dolenz (on 1966-08-15)
recorded at:
RCA Studio A in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
She (on 1966-08-15)
writer:
Tommy Boyce and Bobby Hart
2:38
2When Love Comes Knocking (at Your Door)
engineer:
Ernie Olerich
producer:
Carole Bayer Sager and Neil Sedaka
bass:
Russell Savakus (on 1966-11-23)
drums (drum set):
Herbert Lovell (on 1966-11-23)
guitar:
Al Gafa (on 1966-11-23), Willard Suyker (on 1966-11-23) and Donald Thomas (on 1966-11-23)
percussion:
[unknown] (on 1966-11-23)
piano:
Neil Sedaka (on 1966-11-23)
lead vocals [double-tracked lead vocals]:
Davy Jones (on 1966-11-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-11-23)
recording of:
When Love Comes Knockin’ (at Your Door) (on 1966-11-23)
writer:
Carole Bayer Sager and Neil Sedaka
1:48
3Mary, Mary
producer:
Michael Nesmith
bass:
Bob West (on 1966-07-25)
drums (drum set):
Hal Blaine (on 1966-07-25, from 1966-07-25 until 1966-10-18) and Jim Gordon (from 1966-07-25 until 1966-10-18)
guitar:
James Burton (on 1966-07-25), Glen Campbell (on 1966-07-25, from 1966-07-25 until 1966-10-18), Al Casey (on 1966-07-25), Michael Deasy (on 1966-07-25), Peter Tork (on 1966-07-25) and Mike Deasy (from 1966-07-25 until 1966-10-18)
keyboard:
Larry Knechtel (from 1966-07-25 until 1966-10-18)
percussion:
Gary Coleman (on 1966-07-25) and Jim Gordon (on 1966-07-25)
piano:
Michael Cohen (on 1966-07-25) and Larry Knechtel (on 1966-07-25)
background vocals:
Micky Dolenz (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25, from 1966-07-25 until 1966-10-18)
arranger:
Don Peake
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-07-25) and RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-18)
recording of:
Mary, Mary (on 1966-07-25)
lyricist and composer:
Michael Nesmith
recording of:
Mary, Mary (from 1966-07-25 until 1966-10-18)
lyricist and composer:
Michael Nesmith
2:17
4Hold On Girl
producer:
Jeff Barry and Jack Keller
background vocals:
Micky Dolenz (from 1966-09-10 until 1966-10-23)
lead vocals:
Davy Jones (from 1966-09-10 until 1966-10-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-09-10), RCA Victor Studios in Hollywood, Los Angeles, California, United States (on 1966-09-10) and American Studios in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Hold On Girl (from 1966-09-10 until 1966-10-23)
writer:
Billy Carr, Jack Keller and Ben Raleigh
2:28
5Your Auntie Grizelda
engineer:
Richard Podolor
producer:
Jeff Barry and Jack Keller
lead vocals:
Peter Tork (on 1966-10-23)
recorded at:
American Studio in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Your Auntie Grizelda (on 1966-10-23)
writer:
Diane Hildebrand and Jack Keller
2:30
6(I’m Not Your) Steppin’ Stone
producer:
Tommy Boyce and Bobby Hart
bass:
Larry Taylor (on 1966-07-26)
drums (drum set):
Billy Lewis (on 1966-07-26)
guitar:
Wayne Erwin (on 1966-07-26), Gerry McGee (on 1966-07-26) and Louie Shelton (on 1966-07-26)
organ:
Bobby Hart (on 1966-07-26)
percussion:
Henry Levy (on 1966-07-26)
background vocals:
Tommy Boyce (on 1966-07-26) and Bobby Hart (on 1966-07-26)
lead vocals:
Micky Dolenz (on 1966-07-26)
arranger:
Tommy Boyce and Bobby Hart
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (on 1966-07-26)
writer:
Tommy Boyce and Bobby Hart
2:26
7Look Out (Here Comes Tomorrow)
recorded in:
New York, New York, United States (on 1966-10-15, on 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
organ:
Maurgan Cheff (from 1966-10-15 until 1966-10-23)
percussion:
Kauren Seguer (from 1966-10-15 until 1966-10-23)
background vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23), Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
lead vocals:
Davy Jones (from 1966-10-15 until 1966-10-23)
recording of:
Look Out (Here Comes Tomorrow) (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond
2:16
8The Kind of Girl I Could Love
bass:
Larry Knechtel (on 1966-06-25) and Bob West (on 1966-06-25)
drums (drum set):
Hal Blaine (on 1966-06-25)
guitar:
James Burton (on 1966-06-25), Glen Campbell (on 1966-06-25), Al Casey (on 1966-06-25) and Michael Deasy (on 1966-06-25)
percussion:
Gary Coleman (on 1966-06-25) and Jim Gordon (on 1966-06-25)
steel guitar and lead vocals:
Michael Nesmith (on 1966-06-25)
background vocals:
Micky Dolenz (on 1966-06-25), Davy Jones (on 1966-06-25), Michael Nesmith (on 1966-06-25) and Peter Tork (on 1966-06-25)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-06-25)
recording of:
The Kind of Girl I Could Love (on 1966-06-25)
writer:
Roger Atkins and Michael Nesmith
1:52
9The Day We Fall in Love2:25
10Sometime in the Morning
recorded in:
New York, New York, United States (on 1966-10-13, on 1966-10-25)
producer:
Jeff Barry, Gerry Goffin and Carole King
background vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25) and Carole King (from 1966-10-13 until 1966-10-25)
lead vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25)
recording of:
Sometime in the Morning (from 1966-10-13 until 1966-10-25)
writer:
Gerry Goffin and Carole King
2:30
11Laugh
producer:
Jeff Barry
bass:
Ray Pohlman (on 1966-10-28)
drums (drum set):
Hal Blaine (on 1966-10-28)
guitar:
Al Casey (on 1966-10-28) and Carol Kaye (on 1966-10-28)
harpsichord and organ:
Don Randi (on 1966-10-28) and Michel Rubini (on 1966-10-28)
percussion:
Frank Capp (on 1966-10-28) and Julius Wechter (on 1966-10-28)
background vocals:
[unknown] (on 1966-10-28), Jeff Barry (on 1966-10-28) and Davy Jones (on 1966-10-28)
lead vocals:
Davy Jones (on 1966-10-28)
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28)
recording of:
Laugh (on 1966-10-28)
writer:
Mitch Margo, Hank Medress, Phil Margo and Jay Siegel
2:29
12I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control, EMI Music Publishing, Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
2:47
13Apples, Peaches, Bananas and Pears2:18
14Ladies Aid Society (original mono mix)
recording of:
Ladies Aid Society
writer:
Tommy Boyce and Bobby Hart
3:25
15I’ll Spend My Life With You (first recorded version)2:27
16I Don’t Think You Know Me (second recorded version)2:20
17Through the Looking Glass (first recorded version)2:31
18Don’t Listen to Linda (first recorded version)2:27
19Kicking Stones
recording of:
Kicking Stones
writer:
Lynn Castle and Wayne Erwin
2:26
20Look Out (Here Comes Tomorrow) (with Peter’s narration)
2:49
21I’m a Believer (alternate mix)2:50
22Mr. Webster (first recorded version)
recording of:
Mr. Webster
writer:
Tommy Boyce and Bobby Hart
2:47
23Valleri (first recorded version)2:14
24Words (first recorded version)
recording of:
Words
writer:
Tommy Boyce and Bobby Hart
2:51
25Look Out (Here Comes Tomorrow) (TV version)
recording of:
Look Out (Here Comes Tomorrow)
lyricist and composer:
Neil Diamond
2:50
26I’ll Be Back Up on My Feet (first recorded version)2:27
27Tear Drop City (alternate mix)2:18
28Of You (mono mix)
recording of:
Of You
writer:
Bill Chadwick and John Chadwick
1:57
29Hold On Girl (first recorded version)2:44
30(I Prithee) Do Not Ask for Love
recording of:
(I Prithee) Do Not Ask for Love
lyricist and composer:
Michael Martin Murphey
2:59