| # | Title | Artist | Length |
|---|
| 1 | Kommt, eilet und laufet (Osteroratorium), BWV 249: I. Sinfonia- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
- part of:
- Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | 4:04 |
| 2 | Kommt, eilet und laufet (Osteroratorium), BWV 249: II. Adagio- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | 4:18 |
| 3 | Kommt, eilet und laufet (Osteroratorium), BWV 249: III. Duetto e Coro (T,B,Chor) "Kommt, eilet und laufet" | Johann Sebastian Bach | 4:43 |
| 4 | Kommt, eilet und laufet (Osteroratorium), BWV 249: IV. Recitativo (S,A,T,B) "O kalter Männer Sinn!"- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo soprano vocals and soprano vocals:
- Arleen Augér
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
- composer:
- Johann Sebastian Bach (in 1738)
- part of:
- Kantate, BWV 30.2 "Freue dich, erlöste Schar"
| Johann Sebastian Bach | 1:07 |
| 5 | Kommt, eilet und laufet (Osteroratorium), BWV 249: V. Aria (S) "Seele, deine Spezereien"- solo soprano vocals and soprano vocals:
- Arleen Augér
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
| Johann Sebastian Bach | 8:21 |
| 6 | Kommt, eilet und laufet (Osteroratorium), BWV 249: VI. Recitativo (A,T,B) "Hier ist die Gruft"- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | 0:48 |
| 7 | Kommt, eilet und laufet (Osteroratorium), BWV 249: VII. Aria (T) "Sanfte soll mein Todeskummer" | Johann Sebastian Bach | 6:11 |
| 8 | Kommt, eilet und laufet (Osteroratorium), BWV 249: VIII. Recitativo (S,A) "Indessen seufzen wir" | Johann Sebastian Bach | 0:56 |
| 9 | Kommt, eilet und laufet (Osteroratorium), BWV 249: IX. Aria (A) "Saget, saget mir geschwinde"- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde"
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- arrangement of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
| Johann Sebastian Bach | 6:58 |
| 10 | Kommt, eilet und laufet (Osteroratorium), BWV 249: X. Recitativo (B) "Wir sind erfreut" | Johann Sebastian Bach | 0:43 |
| 11 | Kommt, eilet und laufet (Osteroratorium), BWV 249: XI. Coro "Preis und Dank" | Johann Sebastian Bach | 2:55 |
| 12 | Bleib bei uns, BWV 6: I. Coro "Bleib bei uns"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 5:41 |
| 13 | Bleib bei uns, BWV 6: II. Aria (A) "Hochgelobter Gottessohn"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- alto vocals and solo mezzo-soprano vocals [Alt]:
- Carolyn Watkinson
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 4:07 |
| 14 | Bleib bei uns, BWV 6: III. Choral (S) "Ach bleib bei uns, Herr Jesu Christ"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- solo soprano vocals and soprano vocals:
- Edith Wiens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 4:26 |
| 15 | Bleib bei uns, BWV 6: IV. Recitativo (B) "Es hat die Dunkelheit"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- bass vocals and solo bass vocals:
- Walter Heldwein
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 0:59 |
| 16 | Bleib bei uns, BWV 6: V. Aria (T) "Jesu, laß uns auf dich sehen"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 3:06 |
| 17 | Bleib bei uns, BWV 6: VI. Choral "Beweis dein Macht, Herr Jesu Christ"- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
- recording of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1980-12)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-02)
- composed in:
- Leipzig, Sachsen, Germany (in 1725)
- composer:
- Johann Sebastian Bach (in 1725)
- librettist:
- Martin Luther (in 1542)
- part of:
- Breitkopf 389 Choralgesänge (number: 79)
- part of:
- Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
| Johann Sebastian Bach | 0:47 |
