Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Annotation

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Tracklist

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1CD: Plays Cole Porter; Plays Irving Berlin
#TitleLength
1What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-12)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
3:10
2Begin the Beguine3:12
3I've Got You Under My Skin
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
bass:
Ray Brown (in 1952-12)
double bass [bass]:
Ray Brown (in 1952)
guitar:
Barney Kessel (in 1952, in 1952-12)
piano:
Oscar Peterson (in 1952, in 1952-12)
instrumental recording of:
I’ve Got You Under My Skin (in 1952-12)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (in 1952)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:30
4Love for Sale
recorded in:
Los Angeles, California, United States (on 1951-11-25)
bass:
Ray Brown (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (on 1951-11-25)
instrumental recording of:
Love for Sale (in 1952-12)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
3:12
5Let's Do It
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1952-12)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
2:54
6I Love You
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
bass:
Ray Brown (in 1952-12)
double bass [bass]:
Ray Brown (in 1952)
guitar:
Barney Kessel (in 1952, in 1952-12)
piano:
Oscar Peterson (in 1952, in 1952-12)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952-12)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
3:06
7So Near and Yet So Far
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (in 1952-12)
lyricist and composer:
Cole Porter (in 1941)
3:21
8Just One of Those Things
recorded in:
Los Angeles, California, United States (on 1952-02-26)
double bass [bass]:
Ray Brown (on 1952-02-26)
drums (drum set):
Alvin Stoller (on 1952-02-26)
guitar:
Barney Kessel (on 1952-02-26)
piano:
Oscar Peterson (on 1952-02-26)
instrumental recording of:
Just One of Those Things (on 1952-02-26)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
In the Still of the Night (Cole Porter song) (in 1952-12)
lyricist and composer:
Cole Porter (in 1937)
publisher:
Chappell and Chappell & Co., Inc.
3:00
10Night and Day
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:38
11Ev'ry Time We Say Goodbye3:26
12Anything Goes
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
instrumental recording of:
Anything Goes (in 1952-12)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
part of:
Anything Goes
2:57
13I've Got My Love to Keep Me Warm2:49
14Isn't This a Lovely Day?
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:19
15Easter Parade
instrumental recording of:
Easter Parade (from “Easter Parade”)
lyricist and composer:
Irving Berlin (in 1933)
part of:
Easter Parade (full musical)
3:15
16How Deep Is the Ocean (How High Is the Sky)3:05
17Remember
instrumental recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:20
18The Song Is Ended3:20
19Blue Skies3:02
20If I Had You
instrumental recording of:
If I Had You (obscure Irving Berlin song)
lyricist and composer:
Irving Berlin
3:12
21Cheek to Cheek3:02
22Alexander's Ragtime Band
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:52
23Say It Isn't So
instrumental recording of:
Say It Isn’t So
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:09
24Always
instrumental recording of:
Always
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:50
2CD: Plays George Gershwin; Plays Duke Ellington
#TitleLength
1The Man I Love
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:31
2Fascinating Rhythm
instrumental recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (in 1924)
publisher:
WB Music Corp. (renewed) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:56
3It Ain't Necessarily So3:12
4Somebody Loves Me3:23
5Strike Up the Band
instrumental recording of:
Strike Up the Band (1927 Gershwin song)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:15
6I've Got a Crush on You
instrumental recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:52
7I Was Doing All Right
instrumental recording of:
I Was Doing All Right
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:41
8's Wonderful
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (in 1952)
instrumental recording of:
’S Wonderful (in 1952)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:38
9Oh Lady Be Good
instrumental recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:50
10I Got Rhythm
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:16
11A Foggy Day
instrumental recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:37
12Love Walked In
instrumental recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:07
13John Hardy's Wife
recording of:
John Hardy's Wife
composer:
Mercer Ellington
3:21
14Sophisticated Lady
instrumental recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58
15Things Ain't What They Used to Be
instrumental recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
3:12
16Just A-Sittin' and A–rockin’
instrumental recording of:
Just A‐Sittin’ and A‐Rockin’
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (in 1941) and Billy Strayhorn (in 1941)
3:41
17In a Mellow Tone
instrumental recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (in 1939)
publisher:
EMI Robbins and Robbins Music
3:07
18I Got It Bad (And That Ain't Good)
instrumental recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:11
19Prelude to a Kiss
instrumental recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:16
20Cotton Tail
instrumental recording of:
Cotton Tail
lyricist and composer:
Duke Ellington
3:49
21Don't Get Around Much Anymore3:57
22Take the "A" Train
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
3:15
23Rockin' in Rhythm
instrumental recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington and Irving Mills
is based on:
Kinda Dukish
2:53
24Do Nothin' Till You Hear From Me
instrumental recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
2:48
3CD: Plays Jerome Kern; Plays Richard Rodgers
#TitleLength
1The Way You Look Tonight2:28
2Pick Yourself Up
instrumental recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
3:23
3Yesterdays2:36
4I Won't Dance
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:06
5Long Ago and Far Away3:46
6Lovely to Look At
instrumental recording of:
Lovely to Look at
lyricist:
Dorothy Fields (in 1935)
additional composer:
Jimmy McHugh
composer:
Jerome Kern (in 1935)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
2:06
7A Fine Romance
instrumental recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:15
8Smoke Gets in Your Eyes2:51
9Ol Man River
instrumental recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
3:22
10Bill
instrumental recording of:
Bill (Show Boat)
lyricist:
Oscar Hammerstein II and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
2:31
11The Song Is You2:27
12Can't Help Loving That Man
instrumental recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
2:42
13This Can't Be Love
instrumental recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
3:03
14It Might as Well Be Spring3:11
15Bewitched, Bothered and Bewildered2:32
16Johnny One Note
instrumental recording of:
Johnny One Note
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
2:29
17The Surrey With the Fringe on Top
instrumental recording of:
The Surrey With the Fringe on Top
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd. and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:54
18The Lady Is a Tramp
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:55
19Blue Moon2:55
20Thou Swell
instrumental recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Marlin Enterprises and Warner Bros.
2:28
21Isn't It Romantic
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Music Corporation and Sony/ATV Harmony
3:51
22Manhattan3:43
23Lover
instrumental recording of:
Lover
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
7:14
4CD: Plays Vincent Youmans; Plays Harry Warren
#TitleLength
1Tea for Two6:08
2Time on My Hands
instrumental recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (in 1930, in 1956)
2:38
3I Know That You Know
instrumental recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
3:51
4Sometimes I'm Happy
instrumental recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:16
5Great Day
3:11
6More Than You Know
instrumental recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:01
7Hallelujah
instrumental recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:21
8Carioca
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
2:52
9Without a Song2:57
10I Want to Be Happy
instrumental recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
5:36
11Nagasaki
instrumental recording of:
Nagasaki
lyricist:
Mort Dixon
composer:
Harry Warren (in 1928)
3:04
12Serenade in Blue
instrumental recording of:
Serenade in Blue
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Bregman, Vocco & Conn, Inc.
3:12
13Lullabye of Broadway3:08
14I Found a Million Dollar Baby in a Five and Ten Cent Store4:01
15Would You Like to Take a Walk
instrumental recording of:
Would You Like to Take a Walk?
lyricist:
Mort Dixon and Billy Rose
composer:
Harry Warren
4:17
16I'll String Along With You
instrumental recording of:
I’ll String Along With You
lyricist:
Al Dubin (in 1934)
composer:
Harry Warren (in 1934)
publisher:
B. Feldman & Co. Ltd.
3:16
17I Only Have Eyes for You4:09
18You Must Have Been a Beautiful Baby
instrumental recording of:
You Must Have Been a Beautiful Baby
lyricist:
Johnny Mercer
composer:
Harry Warren
4:05
19You're Getting to Be a Habit With Me3:48
20Chattanooga Choo Choo2:37
21You're My Everything
instrumental recording of:
You’re My Everything
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
3:35
5CD: Plays Harold Arlen; Plays Jimmy McHugh

Credits

Release

ASIN:US: B075SVKWFC [info]