The First Four Albums

~ Release by Barney Kessel (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Easy Like
4:06
2Tenderly
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-11-14)
instrumental cover recording of:
Tenderly (on 1953-11-14)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:15
3Lullaby of Birdland
engineer and audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone, flute and woodwind:
Bud Shank (on 1953-12-19)
bass:
Red Mitchell
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Mel Lewis and Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Jimmy Rowles and Arnold Ross (on 1953-12-19)
tenor saxophone:
Harold Land
trumpet:
Pete Candoli
vibraphone:
Larry Bunker
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19) and Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-19)
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1953-12-19)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
3:10
4What Is There to Say
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-19)
instrumental cover recording of:
What Is There to Say? (on 1953-12-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:35
5Bernardo
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-11-14)
recording of:
Bernardo (on 1953-11-14)
composer:
Barney Kessel
2:36
6Vicky's Dream
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-11-14)
recording of:
Vicky's Dream (on 1953-11-14)
composer:
Barney Kessel
2:53
7Salute to Charlie Christian
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-19)
recording of:
Salute to Charlie Christian (on 1953-12-19)
composer:
Barney Kessel
3:18
8That's All
4:11
9I Let a Song Go Out of My Heart
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-19)
instrumental cover recording of:
I Let a Song Go Out of My Heart (on 1953-12-19)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:40
10Just Squeeze Me
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-11-14)
instrumental cover recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1953-11-14)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (in 1941)
3:00
11April in Paris
2:47
12North of the Border
2:46
13Speak Low
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (on 1954-06-04)
instrumental cover recording of:
Speak Low (from "One Touch of Venus") (Fox Trot Arrangement (Beguine Tempo)) (on 1954-06-04)
lyricist:
Ogden Nash
composer:
Kurt Weill
arranger:
Jack Mason
arrangement of:
Speak Low (One Touch of Venus)
2:45
14Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (on 1954-07-01)
instrumental cover recording of:
Love Is Here to Stay (on 1954-07-01)
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
Chappell & Co Ltd., Chappell & Co., Inc., Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
3:27
15On a Slow Boat to China
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (on 1954-06-04)
instrumental cover recording of:
On a Slow Boat to China (on 1954-06-04)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
3:18
16How Long Has This Been Going On
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (on 1954-07-01)
instrumental cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1954-07-01)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:20
17My Old Flame
double bass:
Red Mitchell
drums (drum set):
Chuck Thompson (on 1955-09-12)
guitar:
Barney Kessel (on 1955-09-12)
tenor saxophone:
Bob Cooper (on 1955-09-12)
instrumental recording of:
My Old Flame (on 1955-09-12)
lyricist:
Sam Coslow
composer:
Arthur Johnston
publisher:
Famous Music Corporation
3:39
18Jeepers Creepers
3:51
19Barney's Blues
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (on 1954-07-01)
recording of:
Barney's Blues (on 1954-07-01)
composer:
Barney Kessel
3:01
20Prelude to a Kiss
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (on 1954-06-04)
instrumental cover recording of:
Prelude to a Kiss (on 1954-06-04)
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:13
21A Foggy Day
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (on 1954-06-04)
instrumental cover recording of:
A Foggy Day (in London Town) (on 1954-06-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:11
22You Stepped Out of a Dream
double bass:
Red Mitchell (on 1955-09-12)
drums (drum set):
Chuck Thompson (on 1955-09-12)
guitar:
Barney Kessel (on 1955-09-12)
piano:
Hampton Hawes (on 1955-09-12)
tenor saxophone:
Bob Cooper (on 1955-09-12)
instrumental cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1955-09-12)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:52
23I Didn't Know What Time It Was
3:56
2464 Bars on Wilshire
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (on 1954-07-01)
recording of:
64 Bars on Wilshire (on 1954-07-01)
composer:
Barney Kessel
3:18
2▼CD
#TitleLength
1Begin the Blues
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Shelly Manne (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
recording of:
Begin the Blues (on 1955-07-26)
composer:
Barney Kessel
4:31
2Louisiana
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Red Mitchell
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Irv Cottler (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Georgie Auld (on 1955-07-26)
trumpet:
Harry Edison (on 1955-07-26)
recorded at:
Contemporary Records in Los Angeles, California, United States (on 1955-07-26)
cover recording of:
Louisiana (on 1955-07-26)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
instrumental recording of:
Louisiana (on 1955-07-26)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
3:58
3Happy Feeling
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-03-28)
drums (drum set):
Shelly Manne (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Bill Perkins (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Happy Feeling (on 1955-03-28)
composer:
Barney Kessel
4:00
4Embraceable You
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Shelly Manne (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental cover recording of:
Embraceable You (on 1955-07-26)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:25
5Wail Street
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-03-28)
drums (drum set):
Irv Cottler (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Georgie Auld (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Wail Street (on 1955-03-28)
composer:
Barney Kessel
4:28
6Indiana
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Shelly Manne (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Bill Perkins (on 1955-07-26)
trumpet:
Harry “Sweets” Edison (on 1955-07-26)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1955-07-26)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
3:13
7Moten Swing
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Irv Cottler (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Georgie Auld (on 1955-07-26)
trumpet:
Harry “Sweets” Edison (on 1955-07-26)
cover recording of:
Moten Swing (on 1955-07-26)
writer:
Bennie Moten
composer:
Bennie Moten, Ira E. "Buster" Moten, Count Basie (in 1930) and Eddie Durham (in 1930)
3:59
8Midnight Sun
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Shelly Manne (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental recording of:
Midnight Sun (on 1955-07-26)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (in 1947) and Lionel Hampton (in 1947)
3:10
9Contemporary Blues
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-03-28)
drums (drum set):
Shelly Manne (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Bill Perkins (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Contemporary Blues (on 1955-03-28)
composer:
Barney Kessel
4:10
10Don't Blame Me
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (on 1955-07-26)
drums (drum set):
Shelly Manne (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental recording of:
Don’t Blame Me (on 1955-07-26)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
EMI Robbins Catalog Inc. and Ireneadele Publishing
2:58
11Cheerful Little Earful
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
instrumental recording of:
Cheerful Little Earful (on 1956-10-15)
lyricist:
Ira Gershwin (in 1930) and Billy Rose (in 1930)
composer:
Harry Warren (in 1930)
3:28
12Makin' Whoopee
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (on 1956-08-06)
drums (drum set):
Shelly Manne (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (on 1956-08-06)
wind instruments:
Jules Jacob (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Makin’ Whoopee! (on 1956-08-06)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd., Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp.
3:21
13My Reverie
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
recording of:
My Reverie (Debussy’s “Reverie”) (arr. Greeley) (on 1956-10-15)
composer:
Claude Debussy (in 1890)
arranger:
Larry Clinton and George Greeley
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
2:33
14Blues for a Playboy
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
4:02
15Love Is for the Very Young
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
woodwind:
Ted Nash (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
recording of:
Love Is for the Very Young
writer:
David Raksin
2:30
16Carioca
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1956-10-15)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
4:34
17Mountain Greenery
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Claude Williamson (on 1956-12-04)
woodwind:
Ted Nash (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Mountain Greenery (on 1956-12-04)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
3:51
18Indian Summer
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
woodwind:
Ted Nash (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Indian Summer (on 1956-12-04)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (in 1919)
publisher:
Harms, Inc.
5:02
19Gone With the Wind
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (on 1956-08-06)
drums (drum set):
Shelly Manne (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (on 1956-08-06)
wind instruments:
Jules Jacob (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Gone With the Wind (on 1956-08-06)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co.
2:47
20Laura
engineer:
Roy DuNann
producer:
Lester Koenig
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Laura (1945 song) (on 1956-12-04)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc., EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:27
21I Love You
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (on 1956-08-06)
drums (drum set):
Shelly Manne (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (on 1956-08-06)
wind instruments:
Jules Jacob (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1956-08-06)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
3:32
22Fascinating Rhythm
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (on 1956-08-06)
drums (drum set):
Shelly Manne (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (on 1956-08-06)
wind instruments:
Jules Jacob (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Fascinatin’ Rhythm (on 1956-08-06)
lyricist:
Ira Gershwin
composer:
George Gershwin (in 1924)
publisher:
WB Music Corp. (renewed) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:31

Credits

Release

ASIN:UK: B0012SWVKG [info]