The Art of Segovia

~ Release by Andrés Segovia (see all versions of this release, 4 available)

Tracklist

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1▼CD
#	Title	Artist	Length
1	Recuerdos de la Alhambra classical guitar: Andrés Segovia recording of: Recuerdos de la Alhambra (Memories of the Alhambra) composer: Francisco Tárrega	Francisco Tárrega	5:16
2	Capricho árabe acoustic guitar and classical guitar: Andrés Segovia recording of: Capricho árabe composer: Francisco Tárrega (in 1892)	Francisco Tárrega	5:27
3	¡Marieta!, mazurka classical guitar: Andrés Segovia recording of: Marieta (mazurka) composer: Francisco Tárrega	Francisco Tárrega	2:30
4	Romanza de los pinos classical guitar: Andrés Segovia recording of: Castillos de España: III. Montemayor (a.k.a. "Romance de los pinos") composer: Federico Moreno Torroba part of: Castillos de España	Federico Moreno Torroba	1:46
5	Madroños solo classical guitar: Andrés Segovia miscellaneous support: Decca Records, Inc. (task: Original Recording in America by) recording of: Madroños composer: Federico Moreno Torroba	Federico Moreno Torroba	2:57
6	Serenata burlesca classical guitar: Andrés Segovia recording of: Serenata burlesca composer: Federico Moreno Torroba	Federico Moreno Torroba	2:55
7	Introduction, Theme & Variations on a Theme From Mozart's "The Magic Flute", op. 9 classical guitar: Andrés Segovia recording of: Introduction and Variations on a Theme by Mozart, op. 9 composer: Fernando Sor publisher: B. Schott's Söhne part of: Works of Fernando Sor by opus number (number: op. 9) is based on: Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)	Fernando Sor	7:10
8	Homenaje pour "Le tombeau de Claude Debussy", G. 56 classical guitar: Andrés Segovia recording of: Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar) composer: Manuel de Falla (in 1920-08) dedicated to: Claude Debussy is based on: Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera	Manuel de Falla	2:39
9	Thème, varié et finale classical guitar and guitar: Andrés Segovia recording of: Thème varié et finale composer: Manuel María Ponce (in 1926)	Manuel María Ponce	7:58
10	Canción mexicana, No. X classical guitar: Andrés Segovia recording of: Canción mexicana, No. X composer: Manuel María Ponce	Manuel María Ponce	1:33
11	Sevillana, fantasía, op. 29 classical guitar: Andrés Segovia recording of: Sevillana (Fantasía), op. 29 composer: Joaquín Turina (from 1923-06-14 until 1923-11-15)	Joaquín Turina	6:00
12	Zarabanda lejana ("Homenaje a Luis de Milán") classical guitar: Andrés Segovia recording of: Zarabanda lejana (for guitar) composer: Joaquín Rodrigo (in 1926) dedicated to: Luis Milán publisher: Ediciones Joaquín Rodrigo	Joaquín Rodrigo	5:05
13	Capriccio diabolico, op. 85 "Omaggio a Paganini" classical guitar: Andrés Segovia recording of: Capriccio diabolico, op. 85 "Omaggio a Paganini" composer: Mario Castelnuovo‐Tedesco	Mario Castelnuovo‐Tedesco	9:15
14	Tonadilla on the Name of Andrés Segovia acoustic guitar and classical guitar: Andrés Segovia recording of: Tonadilla sur le nom de Andrés Segovia, op. 170 no. 5 composer: Mario Castelnuovo‐Tedesco (in 1954) part of: Greeting Cards, op. 170	Mario Castelnuovo‐Tedesco	5:10
15	Prelúdio no. 1 in E minor, A. 419/1 classical guitar: Andrés Segovia recording of: Cinco prelúdios, W419, nº 1: Andante espressivo composer: Heitor Villa‐Lobos (in 1940) part of: Cinco prelúdios, W419 (Five Preludes, W419, for guitar)	Heitor Villa‐Lobos	4:27
16	Prelúdio no. 3 in A minor, A. 419/3 classical guitar: Andrés Segovia recording of: Cinco prelúdios, W419, nº 3: Andante composer: Heitor Villa‐Lobos (in 1940) part of: Cinco prelúdios, W419 (Five Preludes, W419, for guitar)	Heitor Villa‐Lobos	5:15
17	Guitarreo classical guitar: Andrés Segovia recording of: Guitarreo composer: Felipe Pedrell	Felipe Pedrell	1:28
18	Ségovia, op. 29 classical guitar: Andrés Segovia recording of: Ségovia, op. 29 (for guitar) composer: Albert Roussel (in 1925) dedicated to: Andrés Segovia part of: Works of Albert Roussel by opus number (number: op. 29)	Albert Roussel	3:01

2▼CD
#	Title	Artist	Length
1	If My Complaints classical guitar: Andrés Segovia recording of: The First Booke of Songs or Ayres, No. 4: "If My Complaints Could Passions Move" composer: John Dowland (in 1597) part of: The First Booke of Songs or Ayres	John Dowland	2:07
2	The Frog Gallard (Now Oh Now I Need Must Part) classical guitar: Andrés Segovia recording of: The Frog Galliard, P. 23a composer: John Dowland part of: John Dowland's lute works (number: P. 23a)	John Dowland	0:50
3	Suite no. 4 in D minor, HWV 437: Sarabande classical guitar: Andrés Segovia recording of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande composer: George Frideric Handel is based on: Folia part of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437	Georg Friedrich Händel	3:59
4	Suite no. 1 in G major, BWV 1007: I. Prélude (transposed to D major) classical guitar: Andrés Segovia recording of: Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) part of: Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)	Johann Sebastian Bach	2:20
5	Partita no. 1 in B minor, BWV 1002: IV. Tempo di bourrée recorded in: Madrid, Comunidad de Madrid, Spain (in 1967-03) and New York, New York, United States (in 1967-03) producer: Israel Horowitz classical guitar: Andrés Segovia (in 1967-03) guitar: Andrés Segovia arranger: Andrés Segovia recording of: Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea (catch-all for arrangements) (in 1967-03) composer: Johann Sebastian Bach arrangement of: Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea part of: Violin Partita no. 1 in B minor, BWV 1002 (catch-all for arrangements)	Johann Sebastian Bach	3:37
6	Suite no. 3 in C major, BWV 1009: III. Courante classical guitar: Andrés Segovia recording of: Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante) composer: Johann Sebastian Bach part of: Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)	Johann Sebastian Bach	2:59
7	Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau classical guitar: Andrés Segovia recording of: Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau part of: Violin Partita no. 3 in E major, BWV 1006 (catch-all for arrangements)	Johann Sebastian Bach	3:02
8	Aria e corrente classical guitar: Andrés Segovia recording of: Il secondo libro di toccate: Aria detta la Frescobalda, F 3.32 (for guitar, Segovia) composer: Girolamo Frescobaldi (in 1627) classical guitar arranger: Andrés Segovia arranger: Andrés Segovia arrangement of: Il secondo libro di toccate: Aria detta la Frescobalda, F 3.32	Girolamo Frescobaldi	6:41
9	Sonata in C minor, K. 11 (L. 352) classical guitar: Andrés Segovia recording of: Sonata in C minor, K 11, L 352: Allegro composer: Domenico Scarlatti part of: Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 11) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 352) part of: Essercizi per gravicembalo	Domenico Scarlatti	3:17
10	Nouvelles suites de pièces de clavecin: Menuet in G major classical guitar: Andrés Segovia recording of: Nouvelles Suites de Pièces de Clavecin: Menuet I — Menuet II composer: Jean‐Philippe Rameau part of: Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor	Jean‐Philippe Rameau	3:39
11	Andantino variato (after Paganini) classical guitar and classical guitar [Spanish guitar]: Andrés Segovia arranger: Manuel María Ponce and Andrés Segovia recording of: Andantino variato, after Paganini composer: Manuel María Ponce previously attributed to: Niccolò Paganini	Manuel María Ponce	7:40
12	Prelude no. 7 in A major, op. 28/7, CT 172 classical guitar: Andrés Segovia recording of: Prélude no. 7 in A major, op. 28: Andantino composer: Fryderyk Chopin (in 1836) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin	1:00
13	String Quartet no. 1 in E flat major, op. 12: II. Canzonetta. Allegretto più mosso classical guitar: Andrés Segovia recording of: String Quartet no. 1 in E-flat major, op. 12: II. Canzonetta. Allegretto più mosso composer: Felix Mendelssohn (in 1829) part of: String Quartet no. 1 in E-flat major, op. 12	Felix Mendelssohn	4:35
14	L'organiste, Volume 1, M. 41: II. Quasi lento - Preludio classical guitar: Andrés Segovia recording of: L'organiste, Volume 1 (for Organ or harmonium), M. 41: II. Quasi lento - Preludio composer: César Franck	César Franck	1:08
15	L'organiste, Volume 1, M. 41: I. Andantino poco allegretto - Allegretto classical guitar: Andrés Segovia recording of: L'organiste, Volume 1 (for Organ or harmonium), M. 41: I. Andantino poco allegretto - Allegretto composer: César Franck	César Franck	3:05
16	Pictures at an Exhibition: II. Il vecchio castello. Andante molto cantabile e con dolore classical guitar: Andrés Segovia recording of: Pictures at an Exhibition: Il vecchio castello. Andante molto cantabile e con dolore (for guitar, Segovia) composer: Модест Петрович Мусоргский classical guitar arranger: Andrés Segovia arrangement of: Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)	Modest Mussorgsky	4:53
17	Melody, Lyric Piece, op. 47/3 classical guitar: Andrés Segovia recording of: Lyriske stykker, hefte IV, op. 47: No. 3: Melodi (for guitar, Segovia) composer: Edvard Grieg arranger: Andrés Segovia arrangement of: Lyriske stykker, hefte IV, op. 47: No. 3: Melodi	Edvard Grieg	3:32
18	La fille aux cheveux de lin (Prelude), L. 117/8 classical guitar: Andrés Segovia recording of: Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:55
19	Prelude in E flat minor, op. 16/4 classical guitar: Andrés Segovia recording of: 5 Preludes, op. 16: No. 4 in E‐flat minor. Lento composer: Александр Николаевич Скрябин part of: 5 Preludes, op. 16	Alexander Scriabin	1:14
20	Suite española no. 1, op. 47, B. 7: No. 5. Asturias. Leyenda: Preludio - Allegro ma non troppo classical guitar: Andrés Segovia recording of: Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) composer: Isaac Albéniz arranger: Andrés Segovia arrangement of: Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)	Isaac Albéniz	6:27
21	Piezas características, op. 92, B. 29: No. 7. Zambra granadina classical guitar: Andrés Segovia recording of: 12 piezas características, op. 92, no. 7: Zambra composer: Isaac Albéniz (in 1888) part of: 12 piezas características, op. 92	Isaac Albéniz	4:46
22	Etude for Guitar ("Estudio sin luz") classical guitar: Andrés Segovia recording of: Estudio sin luz composer: Andrés Segovia	Andrés Segovia	2:49
23	Fantasía para un gentilhombre: III. Danza de las hachas. Allegro con brio recorded in: New York, New York, United States (in 1958-05) producer: Israel Horowitz classical guitar: Andrés Segovia (in 1958-05) orchestra: Symphony of the Air (in 1958-05) conductor: Enrique Jordá (in 1958-05) recording of: Fantasía para un gentilhombre: III. Danza de las hachas (in 1958-05) composer: Joaquín Rodrigo (in 1954) part of: Fantasía para un gentilhombre	Joaquín Rodrigo	2:16

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Discogs:	https://www.discogs.com/release/2926508 [info]

The Art of Segovia

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