The Hawk Returns

~ Release by Coleman Hawkins (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleLength
A1Goin' Down Home
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
A2I'll Follow My Secret Heart
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (in 1953)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc.
part of:
Conversation Piece: Act One
?:??
A3On My Way
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
A4I'll Tell You Later
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
A5What a Difference a Day Makes
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
What a Diff’rence a Day Made (in 1953)
lyricist:
Stanley Adams
composer:
María Grever
publisher:
EMI Music Publishing, Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
?:??
A6Last Stop
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
B1Should I
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Should I (in 1953)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown
publisher:
Robbins Music Corp.
?:??
B2Flight Eleven
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
B3Modern Fantasy
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
?:??
B4Confessin'
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
I’m Confessin’ (That I Love You) (in 1953)
lyricist:
Al J. Neiburg (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
?:??
B5September Song
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Knickerbocker Holiday: September Song (in 1953)
lyricist:
Maxwell Anderson
composer:
Kurt Weill
publisher:
Hampshire House Publishing Corp., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
?:??
B6You Can't Take That Away From Me
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1953)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
?:??

Credits

Release group

Wikidata:Q17008795 [info]