Is There Anybody out There? The Wall Live: 1980–1981 (limited edition – SWINDON)

~ Release by Pink Floyd (see all versions of this release, 10 available)

Annotation

The deluxe limited edition includes a 64 page hard cover book and slipcase

This is a SWINDON pressing, from Technicolor USA masters.
(The UDEN edition is pretty well identical due to booklet printed in Italy)

Swindon has colons in the matrix, Uden has dashes and NL-

Barcode sticker on front
UK: 5235622
F: PM568

Matrix CD1: C1.1 157410-03 5240762 :5:3:1
Mastering SID CD1: IFPI L891
Mould SID CD1: IFPI 1425
UK discID CD1: _Mavwi.FZPKFe_4uXnvKfyITMFU-

Matrix CD2: C1.1 157411-03 5240772 :5:2:1
Mastering SID CD2: IFPI L891
Mould SID CD2: IFPI 1421
UK discID CD2: cpdbJSr0R6RnPNpf1uuOkmyAQ60-

Tracklist

| |
1▼CD
#TitleLength
1MC:Atmos
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
1:14
2In the Flesh?
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
In the Flesh? (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
3:00
3The Thin Ice
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
The Thin Ice (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
2:50
4Another Brick in the Wall, Part 1
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 1 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
part of:
Another Brick in the Wall
4:13
5The Happiest Days of Our Lives
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
The Happiest Days of Our Lives (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
1:40
6Another Brick in the Wall, Part 2
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 2 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp., Warner/Chappell Music Publishing Ltd. and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
6:19
7Mother
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Mother (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
7:54
8Goodbye Blue Sky
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Goodbye Blue Sky (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
3:15
9Empty Spaces
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Empty Spaces (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
2:15
10What Shall We Do Now?
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
What Shall We Do Now? (from 1980 until 1981)
lyricist and composer:
Roger Waters
is based on:
Backs to the Wall
1:41
11Young Lust
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Young Lust (from 1980 until 1981)
lyricist:
Roger Waters
composer:
David Gilmour and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers, Pink Floyd Music Publishers Inc., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
5:17
12One of My Turns
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
One of My Turns (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
3:41
13Don’t Leave Me Now
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Don’t Leave Me Now (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Penjane Music (Australia) Pty. Limited, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
4:08
14Another Brick in the Wall, Part 3
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 3 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
part of:
Another Brick in the Wall
1:15
15The Last Few Bricks
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
recording of:
The Last Few Bricks (from 1980 until 1981)
composer:
David Gilmour and Roger Waters
3:26
16Goodbye Cruel World
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Goodbye Cruel World (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
1:41
2▼CD
#TitleLength
1Hey You
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Hey You (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
4:55
2Is There Anybody out There?
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Is There Anybody Out There? (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
3:09
3Nobody Home
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Nobody Home (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp., Warner/Chappell Music Publishing Ltd. and Pink Floyd Music Publishers Inc. (in 1979)
3:15
4Vera
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Vera (from 1980 until 1981)
lyricist and composer:
Roger Waters
dedicated to:
Vera Lynn
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
1:27
5Bring the Boys Back Home
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Bring the Boys Back Home (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Unichappell Music, Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
1:20
6Comfortably Numb
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Comfortably Numb (from 1980 until 1981)
lyricist:
Roger Waters
composer:
David Gilmour and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner Chappell Music Ltd., Warner–Tamerlane Publishing Corp., Warner/Chappell Music Publishing Ltd. and Pink Floyd Music Publishers Inc. (in 1979)
revision of:
The Doctor (Comfortably Numb)
7:26
7The Show Must Go On
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
The Show Must Go On (Pink Floyd song) (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
2:35
8MC:Atmos
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
0:37
9In the Flesh
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
In the Flesh (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
4:22
10Run Like Hell
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Run Like Hell (from 1980 until 1981)
lyricist:
Roger Waters
composer:
David Gilmour and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum, BMG Platinum Songs US, Concord Copyrights Ltd., Penjane Music (Australia) Pty. Limited, Pink Floyd Music Publishers, Pink Floyd Music Publishers Inc., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
7:05
11Waiting for the Worms
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Waiting for the Worms (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
4:14
12Stop
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Stop (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
0:33
13The Trial
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
The Trial (from 1980 until 1981)
lyricist:
Roger Waters
composer:
Bob Ezrin and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
6:01
14Outside the Wall
recording engineer:
Doug Hopkins and James Guthrie
assistant engineer:
Joel Plante
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London, England, United Kingdom (from 1980 until 1981)
live recording of:
Outside the Wall (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Publishing Ltd.
4:28