Sketches of Spain / Round About Midnight

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleLength
1Concierto de Aranjuez (adagio)
bass clarinet:
Danny Bank (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (on 1959-11-15)
flugelhorn:
Al Block and Miles Davis (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (on 1959-11-15, on 1959-11-20) and Eddie Caine (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-15, on 1959-11-20) and Frank Rehak (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez by Miles Davis
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (in 1939)
16:23
2Will o' the Wisp
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla
part of:
El amor brujo (for symphony orchestra)
3:49
3The Pan Piper
bass clarinet:
Danny Bank (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (on 1960-03-10)
double bass [bass]:
Paul Chambers (on 1960-03-10)
drums (drum set):
Jimmy Cobb (on 1960-03-10)
flute:
Albert Block (on 1960-03-10) and Harold Feldman (on 1960-03-10)
French horn:
Jim Buffington (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putnam (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
3:55
4Saeta
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
5:08
5Solea
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
12:21
6Song of Our Country
bass clarinet:
Danny Bank (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:28
7Concierto de Aranjuez, Part One12:06
8Concierto de Aranjuez, Part Two: Ending3:33
2CD
#TitleLength
1’Round Midnight5:57
2Ah‐Leu‐Cha
engineer:
Ray Moore (on 1955-10-26)
producer:
George Avakian
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Ah-Leu-Cha (on 1955-10-26)
composer:
Charlie Parker
5:52
3All of You
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
arranger:
Gil Evans and Teo Macero
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical) (on 1956-09-10)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
7:02
4Bye Bye Blackbird
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
7:55
5Tadd’s Delight
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
4:28
6Dear Old Stockholm
recording engineer:
Ray Moore (on 1956-06-05)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
cover recording of:
Dear Old Stockholm (on 1956-06-05)
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
7:50
7Two Bass Hit
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Two Bass Hit (on 1955-10-26)
composer:
Dizzy Gillespie and John Lewis
3:43
8Little Melonae
recorded in:
New York, New York, United States (on 1955-10-27)
producer:
George Avakian
bass:
Paul Chambers (on 1955-10-27)
drums (drum set):
Philly Joe Jones (on 1955-10-27)
piano:
Red Garland (on 1955-10-27)
tenor saxophone:
John Coltrane (on 1955-10-27)
trumpet:
Miles Davis (on 1955-10-27)
remaster of:
Little Melonae by Miles Davis
recording of:
Little Melonae (on 1955-10-27)
composer:
Jackie McLean
7:21
9Budo
producer:
George Avakian
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
remaster of:
Budo by Miles Davis
recording of:
Budo (on 1955-10-26)
composer:
Miles Davis and Bud Powell
is based on:
Hallucinations
4:15
10Sweet Sue, Just You
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
recording of:
Sweet Sue, Just You (on 1956-09-10)
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
instrumental cover recording of:
Sweet Sue, Just You (in 1956)
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
3:38

Credits

Release group

includes:’Round About Midnight
Sketches of Spain
part of:x2 (order: 20)