The Fairy Queen

~ Release by Purcell; William Christie, Nikolaus Harnoncourt (see all versions of this release, 2 available)

Annotation

Dido and Aeneas was recorded November 1994 at Théâtre-Opéra de Massy in Essonne, France. King Arthur February 1995 at Salle Berthier, Paris. Faerie Queen December 1994.
All recordings were copyrighted and released under separate covers during 1995.

Tracklist

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1▼CD
#	Title	Artist	Length
1	Dido and Aeneas, Act I, Overture orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Overture composer: Henry Purcell (in 1689) publisher: Public Domain part of: Dido and Aeneas, Z. 626	Henry Purcell	1:57
2	Dido and Aeneas, Act I, Shake the cloud off from your brow choir vocals: Les Arts Florissants soprano vocals: Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	1:03
3	Dido and Aeneas, Act I, Ah Belinda, I am prest with torment not to be confest soprano vocals: Véronique Gens orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	3:38
4	Dido and Aeneas, Act I, Grief increases by concealing ... When monarchs unite choir vocals: Les Arts Florissants soprano vocals: Véronique Gens and Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I recording of: Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	0:42
5	Dido and Aeneas, Act I, Whence could so much virtue spring? soprano vocals: Véronique Gens and Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	1:55
6	Dido and Aeneas, Act I, Fear no danger to ensue choir vocals: Les Arts Florissants soprano vocals: Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	1:34
7	Dido and Aeneas, Act I, See, your royal guest appears ... Cupid only throws the dart bass-baritone vocals: Nathan Berg choir vocals: Les Arts Florissants soprano vocals: Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I recording of: Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	1:10
8	Dido and Aeneas, Act I, If not for mine, for Empire's sake ... Pursue thy conquest bass-baritone vocals: Nathan Berg choir vocals: Les Arts Florissants soprano vocals: Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I recording of: Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I recording of: Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	2:15
9	Dido and Aeneas, Act I, The Triumphing Dance orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance composer: Henry Purcell publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act I	Henry Purcell	1:14
10	Dido and Aeneas, Act II, Prelude for the witches. Wayward sisters choir vocals: Les Arts Florissants mezzo-soprano vocals: Claire Brua orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	2:15
11	Dido and Aeneas, Act II, The queen of Carthage ... Ho ho ho ho ho ho! choir vocals: Les Arts Florissants mezzo-soprano vocals: Claire Brua soprano vocals: Sophie Daneman and Gaëlle Méchaly orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	1:53
12	Dido and Aeneas, Act II, But ere we this perform, we'll conjure up a storm soprano vocals: Sophie Daneman and Gaëlle Méchaly orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	1:11
13	Dido and Aeneas, Act II, In our deep vaulted cell choir vocals: Les Arts Florissants orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	2:22
14	Dido and Aeneas, Act II, Ritornelle. Thanks to these lonesome vales choir vocals: Les Arts Florissants soprano vocals: Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle composer: Henry Purcell publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	3:36
15	Dido and Aeneas, Act II, Oft she visits this lov'd mountain soprano vocals: Sophie Daneman orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	1:56
16	Dido and Aeneas, Act II, Behold, upon my bending spear ... Haste, haste to town bass-baritone vocals: Nathan Berg choir vocals: Les Arts Florissants soprano vocals: Véronique Gens and Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	1:13
17	Dido and Aeneas, Act II, Stay, Prince, and hear great Jove's command bass-baritone vocals: Nathan Berg tenor vocals: Jean-Paul Fouchécourt orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	2:04
18	Dido and Aeneas, Act II, Then since our charms have sped. The Grove's Dance choir vocals: Les Arts Florissants orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act II	Henry Purcell	1:28
19	Dido and Aeneas, Act III, Come away, fellow sailors choir vocals: Les Arts Florissants tenor vocals: Jean-Paul Fouchécourt orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) composer: Henry Purcell (in 1689) librettist: Nahum Tate publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) composer: Henry Purcell (in 1689) librettist: Nahum Tate publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance composer: Henry Purcell publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance composer: Henry Purcell publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	2:21
20	Dido and Aeneas, Act III, See, see the flags and streamers mezzo-soprano vocals: Claire Brua soprano vocals: Sophie Daneman and Gaëlle Méchaly orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	1:41
21	Dido and Aeneas, Act III, Destruction's our delight, delight our greatest sorrow choir vocals: Les Arts Florissants orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	0:31
22	Dido and Aeneas, Act III, The Witches' Dance orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance composer: Henry Purcell publisher: Public Domain part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	1:35
23	Dido and Aeneas, Act III, Your counsel all is urg'd in vain bass-baritone vocals: Nathan Berg soprano vocals: Véronique Gens and Sophie Marin-Degor orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	3:35
24	Dido and Aeneas, Act III, Great minds against themselves conspire ... Thy hand, Belinda choir vocals: Les Arts Florissants soprano vocals: Véronique Gens orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	2:03
25	Dido and Aeneas, Act III, When I am laid in earth soprano vocals: Véronique Gens orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	3:47
26	Dido and Aeneas, Act III, With drooping wings choir vocals: Les Arts Florissants orchestra: Les Arts Florissants conductor: William Christie recording of: Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	2:58
27	King Arthur, Overture sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act I	Henry Purcell	1:53
28	King Arthur, Air sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act I	Henry Purcell	1:32
29	King Arthur, Act I, Woden, first to thee a milk-white steed sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals: Luthea Salom (in 1995-02) choir vocals [Chorus]: Les Arts Florissants (in 1995-02) tenor vocals: Mark Padmore (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	2:50
30	King Arthur, Act I, The white horse neigh'd ... To Woden, our defender sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals: Luthea Salom (in 1995-02) choir vocals [Chorus]: Les Arts Florissants (in 1995-02) tenor vocals: Mark Padmore (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	1:22
31	King Arthur, Act I, The lot is cast, and Tanfan pleas'd sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals: Véronique Gens (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	0:33
32	King Arthur, Act I, Brave souls, to be renown'd in story sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	2:46
33	King Arthur, Act I, I call you all to Woden's Hall sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) tenor vocals: Mark Padmore (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	2:08
34	King Arthur, Act I, "Come if you dare", our trumpets sound sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) tenor vocals: Iain Paton (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act I	Henry Purcell	4:13

2▼CD
#	Title	Artist	Length
1	King Arthur, Act II, Hither, this way sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Philidel]: Claron McFadden (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	2:06
2	King Arthur, Act II, Let not a moonborn elf mislead ye. Hither, this way sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Grimbald]: Jonathan Best (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II recording of: King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	1:53
3	King Arthur, Act II, Come, follow me sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Spirits]: François Bazola (in 1995-02), Richard Duguay (in 1995-02), Mhairi Lawson (in 1995-02), Violaine Lucas (in 1995-02), Jean-Marie Puissant (in 1995-02), Jean-Yves Ravoux (in 1995-02) and Carys Lloyd Roberts (in 1995-02) soprano vocals [Philidel]: Claron McFadden (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	2:23
4	King Arthur, Act II, How blest are shepherds, how happy their lasses sound engineer: Jean Chatauret producer: Nicholas Parker tenor vocals [Shepherd]: Iain Paton (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	5:19
5	King Arthur, Act II, Shepherd, shepherd, leave decoying sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Shepherdess]: Véronique Gens (in 1995-02) and Sandrine Piau (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	1:54
6	King Arthur, Act II, Come shepherds, lead up a lively measure. Hornpipe sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, Scene II, 16a. Hornpipe (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act II recording of: King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act II	Henry Purcell	1:38
7	King Arthur, Act II, Second Act Tune: Air sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act II	Henry Purcell	1:08
8	King Arthur, Act III, Prelude sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act III	Henry Purcell	0:25
9	King Arthur, Act III, What ho! thou genius of this isle, what ho! sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Cupid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	0:59
10	King Arthur, Act III, Prelude while Cold Genius rises. What power art thou sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Cold Genius]: Petteri Salomaa (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act III recording of: King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	4:08
11	King Arthur, Act III, Thou doting fool, forbear, forbear! sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Cupid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	0:38
12	King Arthur, Act III, Great Love, I know thee now sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Cold Genius]: Petteri Salomaa (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	0:56
13	King Arthur, Act III, No part of my dominion shall be waste sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Cupid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	0:56
14	King Arthur, Act III, Prelude sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1995-02) part of: King Arthur, Z. 628: Act III	Henry Purcell	0:45
15	King Arthur, Act III, See, see, we assemble thy revels to hold sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	1:28
16	King Arthur, Act III, 'Tis I, 'tis I that have warm'd ye ... 'Tis Love that has warm'd us sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) soprano vocals [Cupid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	1:59
17	King Arthur, Act III, Sound a parley ... 'Tis Love that has warm'd us sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Cold Genius]: Petteri Salomaa (in 1995-02) choir vocals [Chorus]: Les Arts Florissants (in 1995-02) soprano vocals [Cupid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act III	Henry Purcell	4:01
18	King Arthur, Act III, Third Act Tune: Hornpipe sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act III	Henry Purcell	0:48
19	King Arthur, Act IV, Two daughters of this aged stream are we sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Siren]: Claron McFadden (in 1995-02) and Sandrine Piau (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act IV	Henry Purcell	2:31
20	King Arthur, Act IV, How happy the lover ... For love ev'ry creature is form'd ... In vain are our graces sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) choir vocals [Men]: Richard Duguay (in 1995-02), David Le Monnier (in 1995-02) and Jean-Marie Puissant (in 1995-02) choir vocals [Nymphs]: Jonathan Best (in 1995-02), Véronique Gens (in 1995-02), Mhairi Lawson (in 1995-02), Violaine Lucas (in 1995-02) and Carys Lloyd Roberts (in 1995-02) choir vocals [Women]: Valérie Picard (in 1995-02), Anne Pichard (in 1995-02) and Sheena Wolstencroft (in 1995-02) tenor vocals: Mark Padmore (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act IV	Henry Purcell	7:13
21	King Arthur, Act IV, Fourth Act Tune: Air sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act IV	Henry Purcell	0:41
22	King Arthur, Act V, Trumpet Tune sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act V	Henry Purcell	0:47
23	King Arthur, Act V, Ye blust'ring brethern of the skies sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Aeolus]: Petteri Salomaa (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	3:23
24	King Arthur, Act V, Symphony sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act V	Henry Purcell	1:42
25	King Arthur, Act V, Round thy coast, fair nymph of Britain sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Pan]: Etienne Bazola (in 1995-02) choir vocals [Chorus]: Les Arts Florissants (in 1995-02) soprano vocals [Nereid]: Susannah Waters (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	3:20
26	King Arthur, Act V, For folded flocks, and fruitful plains sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals: Jonathan Best (in 1995-02) tenor vocals: Mark Padmore (in 1995-02) and Iain Paton (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	2:01
27	King Arthur, Act V, Your hay it is mow'd sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [Comus]: Petteri Salomaa (in 1995-02) choir vocals [Chorus of Basses (including gentlemen of the orchestra in the last verse)]: Les Arts Florissants (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	2:28
28	King Arthur, Act V, Fairest Isle, all isles excelling sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Venus]: Véronique Gens (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	4:43
29	King Arthur, Act V, You say, 'tis Love creates the pain sound engineer: Jean Chatauret producer: Nicholas Parker bass vocals [He]: Jonathan Best (in 1995-02) soprano vocals [She]: Sandrine Piau (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	5:27
30	King Arthur, Act V, Trumpet Tune (Warlike Consort) sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1995-02) composer: Henry Purcell librettist: John Dryden part of: King Arthur, Z. 628: Act V	Henry Purcell	0:36
31	King Arthur, Act V, Saint George the patron of our Isle sound engineer: Jean Chatauret producer: Nicholas Parker soprano vocals [Honour]: Claron McFadden (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) partial recording of: King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act V	Henry Purcell	2:06
32	King Arthur, Act V, Our natives not alone appear to court the martial prize sound engineer: Jean Chatauret producer: Nicholas Parker choir vocals [Chorus]: Les Arts Florissants (in 1995-02) orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) partial recording of: King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act V	Henry Purcell	1:06
33	King Arthur, Act V, Chaconne sound engineer: Jean Chatauret producer: Nicholas Parker orchestra: Les Arts Florissants (in 1995-02) conductor: William Christie (in 1995-02) phonographic copyright (℗) by: Erato Disques S.A. (from 1995 to present) recorded at: Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02) recording of: King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1995-02) composer: Henry Purcell part of: King Arthur, Z. 628: Act V	Henry Purcell	3:31

3▼CD
#	Title	Artist	Length
1	The Fairy Queen, Prelude - Hornpipe recording of: The Fairy Queen, Z. 629: First Musick, no. 1. Prelude composer: Henry Purcell part of: The Fairy Queen, Z. 629 recording of: The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:41
2	The Fairy Queen, Air - Rondeau recording of: The Fairy Queen, Z. 629: Second Musick, no. 3. Air composer: Henry Purcell part of: The Fairy Queen, Z. 629 recording of: The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:13
3	The Fairy Queen, Act I, Overture recording of: The Fairy Queen, Z. 629: Act I, no. 5. Overture composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:27
4	The Fairy Queen, Act I, Come, let us leave the town recording of: The Fairy Queen, Z. 629: Act I, no. 6. Duet: "Come Let Us Leave the Town" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:14
5	The Fairy Queen, Act I, Scene of the Drunken Poet recording of: The Fairy Queen, Z. 629: Act I, no. 7. Scene of the Drunken Poet: "Fill Up the Bowl" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	6:07
6	The Fairy Queen, Act I, First act tune: Jig recording of: The Fairy Queen, Z. 629: Act I, no. 8. First Act Tune: Jig composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:24
7	The Fairy Queen, Act II, Come all ye songsters of the sky recording of: The Fairy Queen, Z. 629: Act II, no. 9. Prelude and Song: "Come All Ye Songsters of the Sky" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:14
8	The Fairy Queen, Act II, May the God of wit inspire the sacred nine recording of: The Fairy Queen, Z. 629: Act II, no. 11. Trio: "May the God of Wit Inspire" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:48
9	The Fairy Queen, Act II, Now join your warbling voices all recording of: The Fairy Queen, Z. 629: Act II, no. 13a. Chorus: "Now Joyn Your Warbling Voices All" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	0:36
10	The Fairy Queen, Act II, Sing while we trip it. Dance of the fairies recording of: The Fairy Queen, Z. 629: Act II, no. 13b. Song and Chorus: "Sing While We Trip It on the Green" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	3:58
11	The Fairy Queen, Act II, See, even Night herself is here ... I am come to lock all fast ... One charming night ... Hush, no more recording of: The Fairy Queen, Z. 629: Act II, no. 14. Song: "See, Even Night Her Self Is Here" (Night) composer: Henry Purcell part of: The Fairy Queen, Z. 629 recording of: The Fairy Queen, Z. 629: Act II, no. 15. Song: "I Am Come to Lock All Fast (Mystery) composer: Henry Purcell part of: The Fairy Queen, Z. 629 recording of: The Fairy Queen, Z. 629: Act II, no. 16. Song: "One Charming Night" (Secresie) composer: Henry Purcell part of: The Fairy Queen, Z. 629 recording of: The Fairy Queen, Z. 629: Act II, no. 17. Song and Chorus: "Hush, No More, Be Silent All" (Sleep) composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	11:36
12	The Fairy Queen, Act II, Second act tune: Air recording of: The Fairy Queen, Z. 629: Act II, no. 19. Second Act Tune: Air composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:18
13	The Fairy Queen, Act III, If Love's a sweet passion, why does it torment? recording of: The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:55
14	The Fairy Queen, Act III, Symphony while the swans come forward recording of: The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	0:56
15	The Fairy Queen, Act III, Dance for the Fairies recording of: The Fairy Queen, Z. 629: Act III, no. 22. Dance for the Fairies composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:24
16	The Fairy Queen, Act III, Dance for the Green Men recording of: The Fairy Queen, Z. 629: Act III, no. 23. Dance for the Green Men composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:17
17	The Fairy Queen, Act III, Ye gentle spirits of the air, appear! recording of: The Fairy Queen, Z. 629: Act III, no. 24. Song: "Ye Gentle Spirits of the Air, Appear" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	4:47
18	The Fairy Queen, Act III, Dialogue between Coridon and Mopsa. Dance for the haymakers recording of: The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	4:39
19	The Fairy Queen, Act III, When I have often heard young maids complaining recording of: The Fairy Queen, Z. 629: Act III, no. 26. Song: "When I Have Often Heard" (A Nymph) composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:10
20	The Fairy Queen, Act III, A thousand, thousand ways we'll find to entertain the hours recording of: The Fairy Queen, Z. 629: Act III, no. 28. Song and Chorus: "A Thousand Thousand Ways We'll Find" composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	2:32
21	The Fairy Queen, Act III, Third Act Tune: Hornpipe recording of: The Fairy Queen, Z. 629: Act III, no. 29. Third Act Tune: Hornpipe (Hornpipe in d) composer: Henry Purcell part of: The Fairy Queen, Z. 629	Henry Purcell	1:02

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Discogs:	https://www.discogs.com/release/12301957 [info]
ASIN:	UK: B001TKUB40 [info]

Edition I: Dido and Aeneas / King Arthur / The Fairy Queen

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