Eight Classic Albums

~ Release by Stan Getz (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Thou Swell
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live instrumental recording of:
Thou Swell (on 1951-10-28)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Marlin Enterprises and Warner Bros.
4:26
2The Song Is You
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live instrumental recording of:
The Song Is You (on 1951-10-28)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co.
7:11
3Mosquito Knees
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Mosquito Knees (on 1951-10-28)
composer:
Gigi Gryce
5:24
4Pennies from Heaven
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live instrumental recording of:
Pennies From Heaven (on 1951-10-28)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
5:09
5Move
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Move (on 1951-10-28)
composer:
Denzil Best
6:05
6Parker
6:09
7Hershey Bar
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Hershey Bar (on 1951-10-28)
composer:
Johnny Mandel
3:33
8Rubberneck
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Rubberneck (on 1951-10-28)
composer:
Frank Rosolino
4:28
9Signal
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Signal (on 1951-10-28)
composer:
Jimmy Raney
5:54
10Everything Happens to Me
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live instrumental recording of:
Everything Happens to Me (on 1951-10-28)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
3:23
11Yesterdays
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live instrumental recording of:
Yesterdays (on 1951-10-28)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
3:01
12Budo
double bass:
Teddy Kotick (on 1951-10-28)
drums (drum set):
Tiny Kahn (on 1951-10-28)
guitar:
Jimmy Raney (on 1951-10-28)
piano:
Al Haig (on 1951-10-28)
tenor saxophone:
Stan Getz (on 1951-10-28)
recorded at:
Storyville in Boston, Massachusetts, United States (on 1951-10-28)
live recording of:
Budo (on 1951-10-28)
composer:
Miles Davis and Bud Powell
is based on:
Hallucinations
5:11
2▼CD
#TitleLength
1Yvette
2:58
2Potters Luck
2:42
3Wild Wood
3:06
4Penny
2:51
5Autumn Leaves
3:01
6Lullaby of Birdland
2:26
7These Foolish Things
3:02
8Melody Express
2:48
9Bebop
alto saxophone:
Sonny Stitt (on 1956-10-16)
bass:
Ray Brown (on 1956-10-16)
drums (drum set):
Stan Levey (on 1956-10-16)
guitar:
Herb Ellis (on 1956-10-16)
piano:
John Lewis (on 1956-10-16)
tenor saxophone:
Stan Getz (on 1956-10-16)
trumpet:
Dizzy Gillespie (on 1956-10-16)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-10-16)
recording of:
Be-Bop
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP
12:48
10Dark Eyes
alto saxophone:
Sonny Stitt (on 1956-10-16)
bass:
Ray Brown (on 1956-10-16)
drums (drum set):
Stan Levey (on 1956-10-16)
guitar:
Herb Ellis (on 1956-10-16)
piano:
John Lewis (on 1956-10-16)
tenor saxophone:
Stan Getz (on 1956-10-16)
trumpet:
Dizzy Gillespie (on 1956-10-16)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-10-16)
recording of:
Dark Eyes (with English lyrics)
lyricist:
[unknown]
composer:
Florian Hermann
translated version of:
Очи чёрные (Dark Eyes, original version by Y. Hrebinka)
12:08
11Wee (Allen's Alley)
alto saxophone:
Sonny Stitt (on 1956-10-16)
bass:
Ray Brown (on 1956-10-16)
drums (drum set):
Stan Levey (on 1956-10-16)
guitar:
Herb Ellis (on 1956-10-16)
piano:
John Lewis (on 1956-10-16)
tenor saxophone:
Stan Getz (on 1956-10-16)
trumpet:
Dizzy Gillespie (on 1956-10-16)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-10-16)
recording of:
Wee (Allen's Alley)
composer:
Denzil Best
8:28
12Lover Come Back to Me
alto saxophone:
Sonny Stitt (on 1956-10-16)
bass:
Ray Brown (on 1956-10-16)
drums (drum set):
Stan Levey (on 1956-10-16)
guitar:
Herb Ellis (on 1956-10-16)
piano:
John Lewis (on 1956-10-16)
tenor saxophone:
Stan Getz (on 1956-10-16)
trumpet:
Dizzy Gillespie (on 1956-10-16)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-10-16)
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
9:30
3▼CD
#TitleLength
1I Want to Be Happy
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1957-10-10)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
7:34
2Pennies From Heaven
5:13
3Ballad Medley
10:09
4I'm Glad There Is You
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
medley including a instrumental recording of:
I’m Glad There Is You (on 1957-10-10)
writer:
Jimmy Dorsey and Paul Madeira
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
4:38
5Tour's End
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Tour's End (on 1957-10-10)
composer:
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
4:55
6I Was Doing All Right
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Was Doing All Right (on 1957-10-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
4:07
7Bronx Blues
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (on 1957-10-10)
guitar:
Herb Ellis (on 1957-10-10)
piano:
Oscar Peterson (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-10)
recording of:
Bronx Blues (on 1957-10-10)
composer:
Stan Getz
publisher:
JATAP Publishing Co.
sub-publisher:
French Fried Music
5:30
8Let's Fall in Love
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Let’s Fall in Love (on 1957-10-12)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. and Francis, Day & Hunter Ltd.
6:27
9Anything Goes
recorded in:
Los Angeles, California, United States (on 1957-10-12)
baritone saxophone and tenor saxophone:
Stan Getz and Gerry Mulligan
double bass:
Ray Brown
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Anything Goes (on 1957-10-12)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
part of:
Anything Goes
3:35
10Too Close for Comfort
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Too Close for Comfort (Mr. Wonderful) (on 1957-10-12)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
6:55
11That Old Feeling
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
That Old Feeling (on 1957-10-12)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
5:56
12This Can't Be Love
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
This Can’t Be Love (on 1957-10-12)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
8:45
13A Ballad
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
recording of:
A Ballad
composer:
Gerry Mulligan
publisher:
Criterion Music Corp.
5:42
4▼CD
#TitleLength
1Ginza Samba
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scott LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Fantasy, Inc.
11:00
2I've Grown Accustomed to Her Face
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scotty LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
saxophone and tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Concord Music Group, Inc. and Fantasy, Inc.
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1958-02-08)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
My Fair Lady (full musical)
3:59
3For All We Know
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scotty LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
saxophone and tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Concord Music Group, Inc. and Fantasy, Inc.
instrumental recording of:
For All We Know (1934 song) (on 1958-02-08)
lyricist:
Sam M. Lewis (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5:44
4Crow's Nest
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scotty LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
saxophone and tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Concord Music Group, Inc. and Fantasy, Inc.
8:21
5Liz -Anne
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scotty LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
saxophone and tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Concord Music Group, Inc. and Fantasy, Inc.
3:48
6Big Bear
recorded in:
San Francisco, California, United States (on 1958-02-08)
double bass:
Scotty LaFaro (on 1958-02-08)
drums (drum set):
Billy Higgins (on 1958-02-08)
guitar:
Eddie Duran (on 1958-02-08)
piano:
Vince Guaraldi (on 1958-02-08)
saxophone and tenor saxophone:
Stan Getz (on 1958-02-08)
vibraphone:
Cal Tjader (on 1958-02-08)
phonographic copyright (℗) by:
Concord Music Group, Inc. and Fantasy, Inc.
4:35
7The Thrill Is Gone
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (in 1960-03)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd.
5:02
8It Never Entered My Mind
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
It Never Entered My Mind (in 1960-03)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
4:05
9Early Autumn
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Early Autumn (in 1960-03)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
4:44
10When I Go, I Go All the Way
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
When I Go I Go All the Way (in 1960-03)
lyricist:
Bob Russell
composer:
Russell Garcia
3:59
11A New Town Is a Blue Town
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
recording of:
New Town is a Blue Town (in 1960-03)
composer:
Richard Adler and Jerry Ross
2:41
12'Round Midnight
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
’Round Midnight (in 1960-03)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
3:05
13Born to Be Blue
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Born to Be Blue (in 1960-03)
writer:
Mel Tormé and Robert Wells
publisher:
Arc Music Corp., Jewel Music Publishing Co. Ltd. and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (ended), Universal Music Publishing France and ロックンロール ミュージック
3:53
14Whisper Not
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Whisper Not (original instrumental composition) (in 1960-03)
composer:
Benny Golson (in 1956)
5:03
15Good-Bye
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
Goodbye (in 1960-03)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music, Peermusic (UK) Limited, Southern Music Publishing Co., Inc., Universal Music Corp. and WB Music Corp.
4:24
16Nature Boy
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Nature Boy (in 1960-03)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World, Edwin H. Morris & Company and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:58