Blue Note: ’Round Midnight (A Story of Jazz)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#	Title	Artist	Length
1	’Round Midnight recording engineer: Doug Hawkins producer: Alfred Lion alto saxophone: Edmond Gregory (on 1947-11-21) double bass: Robert Paige (on 1947-11-21) drums (drum set): Art Blakey (on 1947-11-21) piano: Thelonious Monk (on 1947-11-21) trumpet: George Taitt (on 1947-11-21) recorded at: WOR Studios in New York, New York, United States (on 1947-11-21) instrumental recording of: ’Round Midnight (on 1947-11-21) lyricist: Bernie Hanighen composer: Thelonious Monk and Cootie Williams publisher: Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited is based on: I Need You So	Thelonious Monk	3:12
2	Love for Sale engineer: Rudy van Gelder producer: Alfred Lion alto saxophone: Julian “Cannonball” Adderley (on 1958-03-09) double bass: Sam Jones (on 1958-03-09) drums (drum set): Art Blakey (on 1958-03-09) piano: Hank Jones (on 1958-03-09) trumpet: Miles Davis (on 1958-03-09) phonographic copyright (℗) by: Blue Note Records (in 1999, in 2012) and Capitol Records, Inc. (in 1999) recorded at: Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-03-09) instrumental recording of: Love for Sale (on 1958-03-09) lyricist and composer: Cole Porter (in 1930) publisher: Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.	Cannonball Adderley	7:04
3	Maiden Voyage recording engineer: Rudy van Gelder (on 1965-03-17) producer: Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by) bass: Ron Carter (on 1965-03-17) drums (drum set): Tony Williams (on 1965-03-17) piano: Herbie Hancock (on 1965-03-17) tenor saxophone: George Coleman (on 1965-03-17) trumpet: Freddie Hubbard (on 1965-03-17) recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-03-17) recording of: Maiden Voyage (on 1965-03-17) composer: Herbert J. Hancock publisher: Hancock Music Co.	Herbie Hancock	7:55
4	You Don’t Know What Love Is producer: Richard Bock double bass: Carson Smith (on 1955-03-07) drums (drum set): Bob Neel (on 1955-03-07) piano: Russ Freeman (on 1955-03-07) trumpet: Chet Baker (on 1955-03-07) vocals: Chet Baker (on 1955-03-07) recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-03-07) recording of: You Don’t Know What Love Is (on 1955-03-07) lyricist and composer: Gene de Paul and Don Raye publisher: MCA Music Publishing, Universal Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部	Chet Baker	4:53
5	Brazilian Suite #3 engineer: Tom Swift producer: Eric Kressmann and Michel Petrucciani mixer: David Merrill bass: Anthony Jackson drums (drum set): Omar Hakim percussion: Steve Thornton piano and synthesizer: Michel Petrucciani arranger: Michel Petrucciani recording of: Brazilian Suite 3 composer: Michel Petrucciani publisher: Eden Joy Music	Michel Petrucciani	2:35
6	I’m Old Fashioned recording engineer: Rudy van Gelder (on 1957-09-15) producer: Alfred Lion double bass: Paul Chambers (on 1957-09-15) drums (drum set): Philly Joe Jones (on 1957-09-15) piano: Kenny Drew (on 1957-09-15) tenor saxophone: John Coltrane (on 1957-09-15) trombone: Curtis Fuller (on 1957-09-15) trumpet: Lee Morgan (on 1957-09-15) recorded at: Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-09-15) instrumental cover recording of: I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15) lyricist: Johnny Mercer (in 1942) composer: Jerome Kern (in 1942) publisher: T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. sub-publisher: シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部	John Coltrane	7:59
7	These Foolish Things (live)	Gerry Mulligan Quartet	3:31
8	Don’t Explain recording engineer: Rudy van Gelder (on 1962-08-29) producer: Alfred Lion (in 1962) bass: Butch Warren (on 1962-08-29) drums (drum set): Billy Higgins (on 1962-08-29) piano: Sonny Clark (on 1962-08-29) tenor saxophone: Dexter Gordon (on 1962-08-29) recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29) instrumental cover recording of: Don’t Explain (on 1962-08-29) writer: Arthur Herzog, Jr. and Billie Holiday publisher: Duchess Music Corporation and Universal Music Publishing	Dexter Gordon	6:07
9	Along Came Betty	Art Blakey	6:11
10	My Funny Valentine engineer: Bill Schwartau producer: Alan Douglas guitar: Jim Hall (from 1962-04-24 until 1962-05-14, on 1962-05-14) piano: Bill Evans (from 1962-04-24 until 1962-05-14, on 1962-05-14) remixer: Malcolm Addey phonographic copyright (℗) by: Blue Note Records (in 2002) and Capitol Records, Inc. (in 2002) recorded at: Sound Makers in New York, New York, United States (from 1962-04-24 until 1962-05-14, on 1962-05-14) cover recording of: My Funny Valentine (from “Babes in Arms”) (from 1962-04-24 until 1962-05-14) lyricist: Lorenz Hart (in 1937) composer: Richard Rodgers (in 1937) publisher: Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company sub-publisher: Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部 part of: Babes in Arms (full musical) part of: The Real Book (compilation of jazz standards, Volume I) part of: Waiting to Exhale (1995 film) instrumental recording of: My Funny Valentine (from “Babes in Arms”) (on 1962-05-14) lyricist: Lorenz Hart (in 1937) composer: Richard Rodgers (in 1937) publisher: Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company sub-publisher: Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部 part of: Babes in Arms (full musical) part of: The Real Book (compilation of jazz standards, Volume I) part of: Waiting to Exhale (1995 film)	Bill Evans & Jim Hall	5:23
11	Infant Eyes recording engineer: Rudy van Gelder (on 1964-12-24) producer: Michael Cuscuna (task: 1999 reissue) and Alfred Lion double bass: Ron Carter (on 1964-12-24) drums (drum set): Elvin Jones (on 1964-12-24) piano: Herbie Hancock (on 1964-12-24) tenor saxophone: Wayne Shorter (on 1964-12-24) trumpet: Freddie Hubbard (on 1964-12-24) phonographic copyright (℗) by: Blue Note Records (in 1999) recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1964-12-24) recording of: Infant Eyes (on 1964-12-24) composer: Wayne Shorter	Wayne Shorter	6:53
12	Cheek to Cheek	Paolo Fresu	7:19
13	Poor Butterfly recording engineer: Rudy van Gelder producer: Alfred Lion double bass [bass]: Paul Chambers (on 1957-04-14) drums (drum set): Art Blakey (on 1957-04-14) piano: Horace Silver (on 1957-04-14) tenor saxophone: Sonny Rollins (on 1957-04-14) trombone: J.J. Johnson (on 1957-04-14) recorded at: Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-04-14) instrumental recording of: Poor Butterfly (on 1957-04-14) lyricist: John L. Golden (in 1916) composer: John Raymond Hubbell (in 1916) publisher: Harms, Inc.	Sonny Rollins	6:06

2▼CD
#	Title	Artist	Length
1	Don’t Get Around Much Anymore recording engineer: Ray Hall producer: Bob Thiele clarinet: Barney Bigard (on 1961-04-03) double bass: Mort Herbert (on 1961-04-03) drums (drum set): Danny Barcelona (on 1961-04-03) piano: Duke Ellington (on 1961-04-03) trombone: Trummy Young (on 1961-04-03) trumpet: Louis Armstrong (on 1961-04-03) vocals: Louis Armstrong (on 1961-04-03) recorded at: RCA Studios in New York, New York, United States (on 1961-04-03) recording of: Don’t Get Around Much Anymore (on 1961-04-03) lyricist: Bob Russell (in 1942) composer: Duke Ellington (in 1940) publisher: EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony sub-publisher: フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス version of: Never No Lament	Louis Armstrong & Duke Ellington	3:33
2	Night in Tunisia recording engineer: Tristan Devaux (from 2004-04-10 until 2004-04-12) and Massimo Simonetti (from 2004-04-10 until 2004-04-12) producer: Yves Chamberland mixer: Tristan Devaux bass: Rosario Bonaccorso (from 2004-04-10 until 2004-04-12) drums (drum set): Herlin Riley (from 2004-04-10 until 2004-04-12) piano: Kenny Barron (from 2004-04-10 until 2004-04-12) saxophone: Stefano Di Battista (from 2004-04-10 until 2004-04-12) trumpet: Flavio Boltro (from 2004-04-10 until 2004-04-12) recorded at: Officine Meccaniche in Milano, Milano, Lombardia, Italy (from 2004-04-10 until 2004-04-12) cover recording of: Night in Tunisia (instrumental) (from 2004-04-10 until 2004-04-12) composer: Dizzy Gillespie and Frank Paparelli publisher: Universal‐MCA Music Publishing	Stefano Di Battista	4:59
3	What’s New cover recording of: What’s New? lyricist: Johnny Burke composer: Bob Haggart publisher: B. Feldman & Co. Ltd. and Warner Bros., Inc.	Dinah Washington	3:43
4	Que reste‐t’il de nos amours? assistant engineer: Renaud Van Welden engineer: Philippe Gaillot producer: Christophe Deghelt and Jacky Terrasson piano: Jacky Terrasson	Jacky Terrasson	4:20
5	Wives and Lovers cover recording of: Wives and Lovers lyricist: Hal David composer: Burt Bacharach publisher: 10 Music Ltd., Famous Chappell, Famous Music Corporation, MCA Music Publishing and Virgin Music (Publishers) Ltd.	Nancy Wilson	2:02
6	What the World Needs Now Is Love	Stanley Turrentine	6:42
7	I’ve Just Seen a Face producer: Bob Belden bass: Ira Coleman (on 1996-04-09) drums (drum set): Billy Kilson (on 1996-04-09) guitar family: Kevin Breit (on 1996-04-09) and Fareed Haque (on 1996-04-09) piano: Aaron Davis (on 1996-04-09) vocals: Holly Cole (on 1996-04-09) recorded at: Power Station Studios in Hell's Kitchen, New York, New York, United States (on 1996-04-09) cover recording of: I’ve Just Seen a Face (on 1996-04-09) writer: John Lennon and Paul McCartney publisher: Maclen Music Ltd., Northern Songs Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部	Holly Cole	3:56
8	Autumn in New York	Joe Lovano	10:00
9	Norwegian Wood (live)	Patricia Barber	6:57
10	Oh, Dolce Mio Tesoro	Paolo Fresu	3:37
11	I Concentrate on You bass: Reuben Rogers guitar: Romero Lubambo membranophone: Gregory Hutchinson piano: Peter Martin vocals: Dianne Reeves arranger: Romero Lubambo recording of: I Concentrate on You lyricist and composer: Cole Porter (in 1939) publisher: Chappell & Co., Inc.	Dianne Reeves	5:22
12	Waltz for Debby	Earl Klugh	4:59
13	All the Things You Are	Jimmy Smith	5:36
14	You Go to My Head	Clifford Brown	4:18
15	Diminishing recorded in: Paris, Île-de-France, France (on 1947-11-14) double bass: Fred Ermelin (on 1947-11-14) guitar: Django Reinhardt (on 1947-11-14), Joseph Reinhardt (on 1947-11-14) and Eugène Vées (on 1947-11-14) violin: Stéphane Grappelli (on 1947-11-14) part of: Swing (number: 0SW 486-1) recording of: Diminushing (on 1947-11-14) composer: Django Reinhardt	Django Reinhardt	3:16

3▼CD
#	Title	Artist	Length
1	Sure Thing producer and mixer: Ludovic Navarre baritone saxophone [baryton]: Claudio (Cacao) De Queiroz flute and saxophone: Edouard Labor keyboard: Alexandre Destrez percussion: Edmundo Carneiro talking drum [talkin drum]: Idrissa Diop trumpet: Pascal Ohsé phonographic copyright (℗) by: Primary Society (in 2000) recorded at and mixed at: The Magic House Studio in Chatou, Yvelines, Île-de-France, France samples: Harry’s Philosophy by John Lee Hooker and Windy C by 100% Pure Poison music videos: Sure Thing by St. Germain recording of: Sure Thing composer: Ludovic Navarre publisher: Primary Society Publishing and Universal Music Publishing France	St. Germain	6:21
2	Tukka Yoot’s Riddim programming, producer and mixer: Mel Simpson and Geoff Wilkinson engineer: Mel Simpson keyboard [keyboards]: Mel Simpson sampler [samples] and turntable [scratches]: Geoff Wilkinson tenor saxophone: Ed Jones tenor saxophone [tenor sax]: Ed Jones other vocals [rap]: Tukka Yoot phonographic copyright (℗) by: Capitol Records, Inc. recorded at and mixed at: Flame Studios in London, England, United Kingdom samples: Sookie, Sookie by Grant Green recording of: Tukka Yoot’s Riddim writer: Don Covay, Steve Cropper, Robert Taylor, Mel Simpson, Robert Taylor and Geoff Wilkinson	Us3	5:41
3	Wanin’ Moon	Nicola Conte	4:55
4	The Beat Goes On (live) live recording of: The Beat Goes On (arr. Rogers - Buddy Rich version) writer: Sonny Bono arranger: Shorty Rogers arrangement of: The Beat Goes On	The Buddy Rich Big Band	4:54
5	The Girl From Ipanema (live)	Lou Rawls	3:49
6	Besame Mucho	Tania Maria	4:15
7	Dubophone (live 2006)	Erik Truffaz avec Nya	4:45
8	The Nearness of You assistant engineer: Dick Kondas engineer: Jay Newland producer: Arif Mardin mixer: Arif Mardin and Jay Newland piano and lead vocals: Norah Jones phonographic copyright (℗) by: Capitol Records, Inc. (in 2002) recorded at: Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States mixed at: Sear Sound in New York, New York, United States cover recording of: The Nearness of You lyricist: Ned Washington (in 1938) composer: Hoagy Carmichael (in 1938) publisher: Famous Chappell, Famous Music Corporation, Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC	Norah Jones	3:07
9	Spain (with Introduction) (live)	Bobby McFerrin	10:02
10	Time After Time recording engineer: Danny Kopelson (from 1998-05 until 1998-09) acoustic guitar: Marvin Sewell (from 1998-05 until 1998-09) bouzouki and electric guitar: Kevin Breit (from 1998-05 until 1998-09) double bass: Lonnie Plaxico (from 1998-05 until 1998-09) percussion: Jeffrey Haynes (from 1998-05 until 1998-09) vocals: Cassandra Wilson (from 1998-05 until 1998-09) recorded at: Bearsville Studios in Bearsville, New York, United States (from 1998-05 until 1998-09) cover recording of: Time After Time (from 1998-05 until 1998-09) writer: Rob Hyman and Cyndi Lauper publisher: Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control, Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing, Sony/ATV Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) sub-publisher: Sony Music Publishing (Japan), Inc., A Division, Warner Brothers Music Ltd., Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.	Cassandra Wilson	4:10
11	Nature Boy double bass: Rob Amster membranophone: Paul Wertico vocals: Kurt Elling cover recording of: Nature Boy lyricist and composer: eden ahbez (in 1947) publisher: Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World, Edwin H. Morris & Company and Warner Chappell Music Ltd. sub-publisher: ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部	Kurt Elling	6:07
12	Doin’ Something	Soulive feat. Black Thought of the Roots	4:36
13	’Round Midnight double bass: Al McKibbon (on 1963-05-29) drums (drum set): Milt Turner (on 1963-05-29) guitar: John Collins (on 1963-05-29) organ: Ernie Freeman (on 1963-05-29) tenor saxophone: Teddy Edwards (on 1963-05-29) trumpet: Carmell Jones (on 1963-05-29) vocals: Sarah Vaughan (on 1963-05-29) arranger: Gerald Wilson recorded at: United Recorders in Los Angeles, California, United States (on 1963-05-29) cover recording of: ’Round Midnight (on 1963-05-29) lyricist: Bernie Hanighen composer: Thelonious Monk and Cootie Williams publisher: Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited is based on: I Need You So	Sarah Vaughan	3:35