Solo Cantatas / Vocal Works

~ Release by Johann Sebastian Bach, George Frideric Handel; Janet Baker, Sir Neville Marriner, Yehudi Menuhin (see all versions of this release, 2 available)

Annotation

Copyright: © 2001 EMI Records Ltd.
℗ 2001 This compilation ℗ 2001 EMI Records Ltd.

Tracklist

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1▼Digital Media
#	Title	Artist	Length
1	Ich habe genug, BWV 82: No. 1, Aria. "Ich habe genug" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" composer: Johann Sebastian Bach librettist: [anonymous] part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	6:52
2	Ich habe genug, BWV 82: No. 2, Rezitativ. "Ich habe genug" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" composer: Johann Sebastian Bach librettist: [anonymous] part of: Notebook for Anna Magdalena Bach (number: 34) part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	1:21
3	Ich habe genug, BWV 82: No. 3, Aria. "Schlummert ein, ihr matten Augen" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07) composer: Johann Sebastian Bach librettist: [anonymous] part of: Notebook for Anna Magdalena Bach (number: 34) part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	9:47
4	Ich habe genug, BWV 82: No. 4, Rezitativ. "Mein Gott! Wenn kömmt das schöne: Nun!" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!" composer: Johann Sebastian Bach librettist: [anonymous] part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	1:01
5	Ich habe genug, BWV 82: No. 5, Aria. "Ich freue mich auf meinen Tod" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod" composer: Johann Sebastian Bach librettist: [anonymous] part of: Kantate, BWV 82a “Ich habe genug” (for soprano)	Johann Sebastian Bach	4:01
6	Gott soll allein mein Herze haben, BWV 169: No. 1, Sinfonia mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	8:17
7	Gott soll allein mein Herze haben, BWV 169: No. 2, Ariaso und Rezitativ. "Gott soll allein mein Herze haben" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	2:49
8	Gott soll allein mein Herze haben, BWV 169: No. 3, Aria. "Gott soll allein mein Herze haben" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	5:30
9	Gott soll allein mein Herze haben, BWV 169: No. 4, Rezitativ. "Was ist die Liebe Gottes" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	0:58
10	Gott soll allein mein Herze haben, BWV 169: No. 5, Aria. "Stirb in mir" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	4:16
11	Gott soll allein mein Herze haben, BWV 169: No. 6, Rezitativ. "Doch meint es auch dabei" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	0:36
12	Gott soll allein mein Herze haben, BWV 169: No. 7, Choral. "Du süße Liebe, schenk' uns deine Gunst" mezzo-soprano vocals: Dame Janet Baker orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: Martin Luther (in 1524) part of: Breitkopf 389 Choralgesänge (number: 256) part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	1:20
13	Weihnachtsoratorium, BWV 248: Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio") recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach	5:08
14	Singet dem Herrn ein neues Lied, BWV 190: No. 3, Aria. "Lobe, Zion, deinen Gott" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-01) composed in: Leipzig, Sachsen, Germany (in 1724) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 190 "Singet dem Herrn ein neues Lied" recording of: Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17) premiered in: Leipzig, Sachsen, Germany (on 1724-01-01) composed in: Leipzig, Sachsen, Germany (in 1724) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 190 "Singet dem Herrn ein neues Lied"	Johann Sebastian Bach	3:25
15	Gelobet sei der Herr, mein Gott, BWV 129: No. 4, Aria. "Gelobet sei der Herr, mein Gott, der ewig lebet" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach (in 1726) librettist: Johann Olearius (in 1665) part of: Kantate, BWV 129 "Gelobet sei der Herr" recording of: Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17) composer: Johann Sebastian Bach (in 1726) librettist: Johann Olearius (in 1665) part of: Kantate, BWV 129 "Gelobet sei der Herr"	Johann Sebastian Bach	5:58
16	O ewiges Feuer, o Ursprung der Liebe, BWV 34: No. 3, Aria. "Wohl euch, ihr auserwählten Seelen" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34) recording of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)	Johann Sebastian Bach	6:33
17	Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243 recording of: Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	2:30
18	Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 4, Aria. "Ach, bleibe doch, mein liebstes Leben“ mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11 recording of: Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17) composer: Johann Sebastian Bach (in 1735) part of: Himmelfahrts-Oratorium, BWV 11	Johann Sebastian Bach	7:20

2▼Digital Media
#	Title	Artist	Length
1	Bist du bei mir (formerly attributed to Johann Sebastian Bach as BWV 508) (arr. Connah for voice and orchestra) mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09) lyricist: [unknown] composer: Gottfried Heinrich Stölzel previously attributed to: Johann Sebastian Bach part of: Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17) lyricist: [unknown] composer: Gottfried Heinrich Stölzel previously attributed to: Johann Sebastian Bach part of: Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)	Johann Sebastian Bach	2:58
2	Johannes-Passion, BWV 245: Pt. 2: No. 30, Aria. "Es ist vollbracht" viola da gamba: Jane Ryan (from 1975-10-07 until 1975-10-09, on 1975-10-17) mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245) recording of: Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17) composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	Johann Sebastian Bach	5:38
3	Bleib bei uns, denn es will Abend werden, BWV 6: No. 2, Aria. "Hochgelobter Gottessohn" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09) premiered in: Leipzig, Sachsen, Germany (on 1725-04-02) composed in: Leipzig, Sachsen, Germany (in 1725) composer: Johann Sebastian Bach (in 1725) librettist: [anonymous] part of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden" recording of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17) premiered in: Leipzig, Sachsen, Germany (on 1725-04-02) composed in: Leipzig, Sachsen, Germany (in 1725) composer: Johann Sebastian Bach (in 1725) librettist: [anonymous] part of: Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"	Johann Sebastian Bach	3:43
4	Komm, du süsse Todesstunde, BWV 161: No. 1, Aria. "Komm, du süße Todesstunde" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde" recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	6:26
5	Easter Oratorio, BWV 249: No. 9, Aria. "Saget, saget mir geschwinde" mezzo-soprano vocals: Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17) orchestra: Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17) conductor: Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17) recording of: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249) recording of: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17) composer: Johann Sebastian Bach part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach	6:49
6	Ah, crudel! nel pianto mio, HWV 78: Sonata mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! crudel, nel pianto mio, HWV 78 composer: George Frideric Handel (in 1708-08) part of: Händel-Werke-Verzeichnis (number: HWV 78)	George Frideric Handel	8:41
7	Ah, crudel! nel pianto mio, HWV 78: Aria. "Ah! crudel, mel pianto mio" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	George Frideric Handel	6:29
8	Ah, crudel! nel pianto mio, HWV 78: Recitativo. "Non sdegnerai d'amar" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: III. Recitativo: Non sdegnerai d'amar composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	George Frideric Handel	1:08
9	Ah, crudel! nel pianto mio, HWV 78: Aria. "Di quel bel che il ciel ti diede" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	George Frideric Handel	4:33
10	Ah, crudel! nel pianto mio, HWV 78: Accompagnato. "Balena il cielo" - Recitativo. "Cosi, del tuo spierato genio" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: V. Accompagnato e recitativo: Balena il cielo composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	George Frideric Handel	2:20
11	Ah, crudel! nel pianto mio, HWV 78: Aria. "Per trofei di mia costanza" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza composer: George Frideric Handel part of: Ah! crudel, nel pianto mio, HWV 78	George Frideric Handel	7:45
12	Armida abbandonata, HWV 105: Recitativo. "Dietro l'orme fugaci" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: I. Accompagnato: Dietro l'orme fugaci composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	1:51
13	Armida abbandonata, HWV 105: Aria. "Ah crudele! E pur ten' vai" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	6:56
14	Armida abbandonata, HWV 105: Recitativo. "Per te mi struggo" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: III. Recitativo: Per te mi struggo, infido composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	2:05
15	Armida abbandonata, HWV 105: Aria. "Venti, fermate" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: V. Aria: Venti fermate si composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	3:39
16	Armida abbandonata, HWV 105: Recitativo. "Ma che parlo, che dico?" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: VI. Recitativo: Ma che parlo, che dico? composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	1:23
17	Armida abbandonata, HWV 105: Siciliana. "In tanti affanni miei" mezzo-soprano vocals: Dame Janet Baker orchestra: English Chamber Orchestra conductor: Raymond Leppard recording of: Armida Abbandonata, HWV 105: VII. Aria: In tanti affanni miei composer: George Frideric Handel part of: Armida abbandonata, HWV 105	George Frideric Handel	5:00

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