At the Blue Note: The Complete Recordings

~ Release by Keith Jarrett (see all versions of this release, 6 available)

Tracklist

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1▼CD: Friday, June 3rd, 1994 (1st Set)
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1In Your Own Sweet Way
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
In Your Own Sweet Way (original instrumental composition) (on 1994-06-03)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
17:59
2How Long Has This Been Going On?
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1994-06-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
9:09
3While We’re Young
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
While We’re Young (on 1994-06-03)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder
publisher:
Ludlow Music, Inc., Regent Music and ロックンロール ミュージック
11:02
4Partners
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Partners (on 1994-06-03)
composer:
Keith Jarrett and Charlie Parker
8:29
5No Lonely Nights
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
No Lonely Nights (on 1994-06-03)
composer:
Keith Jarrett
7:17
6Now’s the Time
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Now’s the Time (on 1994-06-03)
composer:
Charlie Parker
publisher:
Atlantic Music Corp.
8:31
7Lament
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Lament (on 1994-06-03)
composer:
J.J. Johnson
publisher:
Screen Gems–EMI Music, Inc.
7:09
2▼CD: Friday, June 3rd, 1994 (2nd Set)
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1I’m Old Fashioned
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1994-06-03)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
10:37
2Everything Happens to Me
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Everything Happens to Me (on 1994-06-03)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
11:49
3If I Were a Bell
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1994-06-03)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
11:26
4In the Wee Small Hours of the Morning
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
In the Wee Small Hours of the Morning (on 1994-06-03)
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
8:46
5Oleo
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Oleo (on 1994-06-03)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
8:03
6Alone Together
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Alone Together (on 1994-06-03)
lyricist:
Howard Dietz
writer:
Schwartz & Dietz
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
11:20
7Skylark
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Skylark (on 1994-06-03)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd., The Johnny Mercer Foundation, Warner Bros. Music, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
6:36
8Things Ain’t What They Used to Be
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-03)
drums (drum set):
Jack DeJohnette (on 1994-06-03)
piano:
Keith Jarrett (on 1994-06-03)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-03)
live instrumental recording of:
Things Ain’t What They Used to Be (on 1994-06-03)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
7:53
3▼CD: Saturday, June 4th, 1994 (1st Set)
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1Autumn Leaves
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1994-06-04)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
26:43
2Days of Wine and Roses
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Days of Wine and Roses (on 1994-06-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd. and WB Music Corp.
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
11:30
3Bop‐Be
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Bop-Be (on 1994-06-04)
composer:
Keith Jarrett
6:18
4You Don’t Know What Love Is / Muezzin
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Muezzin (on 1994-06-04)
composer:
Keith Jarrett
live instrumental recording of:
You Don’t Know What Love Is (on 1994-06-04)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing, Universal Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
20:31
5When I Fall in Love
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental cover recording of:
When I Fall in Love (on 1994-06-04)
lyricist:
Edward Heyman
composer:
Victor Young
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Intersong U.S.A., Northern Music, Victor Young Publishing, Inc. and Warner/Chappell North America Limited
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:42
4▼CD: Saturday, June 4th, 1994 (2nd Set)
#TitleLength
1How Deep Is the Ocean?
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
How Deep Is the Ocean? (on 1994-06-04)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
11:25
2Close Your Eyes
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Close Your Eyes (on 1994-06-04)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
9:28
3Imagination
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Imagination (on 1994-06-04)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Dorsey Brothers Music and Music Sales Corporation
8:44
4I’ll Close My Eyes
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
I’ll Close My Eyes (on 1994-06-04)
lyricist:
Buddy Kaye
composer:
Billy Reid
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
10:11
5I Fall in Love Too Easily / The Fire Within
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
I Fall in Love Too Easily (on 1994-06-04)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 2)
live instrumental recording of:
The Fire Within (on 1994-06-04)
composer:
Keith Jarrett
27:08
6Things Ain’t What They Used to Be
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-04)
drums (drum set):
Jack DeJohnette (on 1994-06-04)
piano:
Keith Jarrett (on 1994-06-04)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-04)
live instrumental recording of:
Things Ain’t What They Used to Be (on 1994-06-04)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
8:59
5▼CD: Sunday, June 5th, 1994 (1st Set)
#TitleLength
1On Green Dolphin Street / Joy Ride
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Joy Ride (on 1994-06-05)
composer:
Keith Jarrett
live instrumental recording of:
On Green Dolphin Street (on 1994-06-05)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
21:07
2My Romance
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
My Romance (on 1994-06-05)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (in 1935)
publisher:
Chappell & Co., Inc., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell Music Ltd., Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Jumbo
9:40
3Don’t Ever Leave Me
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Don’t Ever Leave Me (from “Sweet Adeline”) (on 1994-06-05)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc.
5:09
4You’d Be So Nice to Come Home To
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
You’d Be So Nice to Come Home To (on 1994-06-05)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
6:59
5La Valse Bleue
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
La Valse Bleue (on 1994-06-05)
writer:
Robert Wilber
7:03
6No Lonely Nights
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
No Lonely Nights (on 1994-06-05)
composer:
Keith Jarrett
6:21
7Straight, No Chaser
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Straight, No Chaser (on 1994-06-05)
composer:
Thelonious Monk
publisher:
Thelonious Music
6:13
6▼CD: Sunday, June 5th, 1994 (2nd Set)
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1Time After Time
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental cover recording of:
Time After Time (on 1994-06-05)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
12:30
2For Heaven’s Sake
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
For Heaven’s Sake (on 1994-06-05)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc.
11:05
3Partners
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Partners (on 1994-06-05)
composer:
Keith Jarrett and Charlie Parker
8:58
4Desert Sun
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
Desert Sun (on 1994-06-05)
composer:
Keith Jarrett
28:34
5How About You?
engineer:
Jan Erik Kongshaug
producer:
Manfred Eicher
double bass [bass]:
Gary Peacock (on 1994-06-05)
drums (drum set):
Jack DeJohnette (on 1994-06-05)
piano:
Keith Jarrett (on 1994-06-05)
phonographic copyright (℗) by:
ECM Records (in 1995)
recorded at:
Blue Note Jazz Club in New York, New York, United States (on 1994-06-05)
live instrumental recording of:
How About You? (on 1994-06-05)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The 15th Academy Award for Best Original Song (number: 2)
7:11

Credits

Release

photography:Allan Titmuss
liner notes:Keith Jarrett
graphic design:Barbara Wojirsch
double bass:Gary Peacock
membranophone:Jack DeJohnette
manufactured by:PMDC
copyrighted (©) by:ECM Records (in 1995)
Discogs:https://www.discogs.com/release/794287 [info]