Ella and Louis Again

~ Release by Ella Fitzgerald & Louis Armstrong (see all versions of this release, 10 available)

Annotation

Mobile Fidelity Sound Lab. (1995)

Mobile Fidelity Sound Lab. (1995)

Tracklist

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1CD
#TitleLength
1Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
4:58
2Makin’ Whoopee3:59
3They All Laughed
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
They All Laughed (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:50
4Comes Love
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Comes Love (on 1957-07-23)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias
2:32
5Autumn in New York
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Autumn in New York (1934) (on 1957-07-23)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
5:59
6Let’s Do It (Let’s Fall in Love)
engineer:
Val Valentin (on 1957-10-14)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (on 1957-10-14)
piano:
Oscar Peterson (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1957-10-14)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
8:42
7Stompin’ at the Savoy5:16
8I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1957-08-13)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:47
9Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4:14
2CD
#TitleLength
1Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (in 1957, on 1957-07-23)
piano:
Oscar Peterson (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
4:16
2These Foolish Things
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
vocals:
Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
These Foolish Things (Remind Me of You) (on 1957-07-23)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co., Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc., Bourne Co., Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
7:40
3I’ve Got My Love to Keep Me Warm3:13
4Willow Weep for Me
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (in 1957)
piano:
Oscar Peterson (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
4:21
5I’m Puttin’ My Eggs in One Basket
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1936)
3:29
6A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:56
7Ill Wind
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
vocals:
Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Ill Wind (on 1957-07-23)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:45
8Love Is Here to Stay4:01
9I Get a Kick Out of You
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (in 1957)
piano:
Oscar Peterson (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:21
10Learnin’ the Blues
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Learnin’ the Blues (on 1957-07-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
7:11