| # | Title | Artist | Length |
|---|
| 1 | A Midsummer Night's Dream: Act II. "Flower of this purple dye"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- baritone vocals [Demetrius]:
- Thomas Hemsley (in 1966)
- countertenor vocals [Oberon]:
- Alfred Deller (in 1966)
- mezzo-soprano vocals [Hermia]:
- Josephine Veasey (in 1966)
- soprano vocals [Helena]:
- Heather Harper (in 1966)
- spoken vocals [Puck]:
- Stephen Terry (in 1966)
- tenor vocals [Lysander]:
- Peter Pears (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London, England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act II
| Benjamin Britten | 6:32 |
| 2 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | Benjamin Britten | 3:05 |
| 3 | A Midsummer Night's Dream: Act II. "This is thy negligence..." | Benjamin Britten | 2:09 |
| 4 | A Midsummer Night's Dream: Act II. "Up & Down"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- baritone vocals [Demetrius]:
- Thomas Hemsley (in 1966)
- mezzo-soprano vocals [Hermia]:
- Josephine Veasey (in 1966)
- soprano vocals [Helena]:
- Heather Harper (in 1966)
- spoken vocals [Puck]:
- Stephen Terry (in 1966)
- tenor vocals [Lysander]:
- Peter Pears (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London, England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act II
| Benjamin Britten | 6:02 |
| 5 | A Midsummer Night's Dream: Act II. "On the ground, sleep sound" | Benjamin Britten | 3:11 |
| 6 | A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin" | Benjamin Britten | 7:12 |
| 7 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | Benjamin Britten | 4:46 |
| 8 | A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Benjamin Britten | 3:37 |
| 9 | A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Benjamin Britten | 3:09 |
| 10 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- baritone vocals [Demetrius]:
- Thomas Hemsley (in 1966)
- contralto vocals [Hippolyta]:
- Helen Watts (in 1966)
- mezzo-soprano vocals [Hermia]:
- Josephine Veasey (in 1966)
- soprano vocals [Helena]:
- Heather Harper (in 1966)
- tenor vocals [Lysander]:
- Peter Pears (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London, England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act III
| Benjamin Britten | 7:24 |
| 11 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Benjamin Britten | 1:20 |
| 12 | A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show" | Benjamin Britten | 1:16 |
| 13 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | Benjamin Britten | 1:10 |
| 14 | A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Benjamin Britten | 1:51 |
| 15 | A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Benjamin Britten | 2:30 |
| 16 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | Benjamin Britten | 0:46 |
| 17 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | Benjamin Britten | 1:50 |
| 18 | A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Benjamin Britten | 1:52 |
| 19 | A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Benjamin Britten | 2:32 |
| 20 | A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask" | Benjamin Britten | 2:46 |
| 21 | A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars"- recording engineer:
- James Brown (in 1966), James Lock (in 1966) and Gordon Parry (in 1966)
- assistant producer:
- John Mordler
- producer:
- John Culshaw
- countertenor vocals [Oberon]:
- Alfred Deller (in 1966)
- soprano vocals [Tytania]:
- Elizabeth Harwood (in 1966)
- spoken vocals [Puck]:
- Stephen Terry (in 1966)
- treble vocals [Fairy]:
- Gordon Clark (in 1966), Richard Dakin (in 1966), John Pryor (in 1966) and Ian Wodehouse (in 1966)
- orchestra:
- London Symphony Orchestra (in 1966)
- conductor:
- Benjamin Britten (in 1966)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1967)
- recorded at:
- Walthamstow Assembly Hall in London, England, United Kingdom (in 1966)
- recording of:
- A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania) (in 1966)
- composer:
- Benjamin Britten (in 1960)
- part of:
- A Midsummer Night's Dream, op. 64: Act III
| Benjamin Britten | 5:03 |
