R.E.S.P.E.C.T: A Century of Women in Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Broadway, Blues and Truth
#TitleArtistLength
1By the Light of the Silvery Moon
recording of:
By the Light of the Silvery Moon
lyricist:
Edward Madden (in 1909)
composer:
Gus Edwards (in 1909)
publisher:
Remick Music
part of:
Two Weeks With Love (1950 film)
Ada Jones2:20
2Some of These Days
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams
Sophie Tucker4:14
3Carry Me Back to Old VirginnyAlma Gluck4:45
4She’s Good Enough to be Your Baby’s Mother and She’s Good Enough to Vote With You
Anna Chandler3:24
5Crazy Blues
Mamie Smith and Her Jazz Hounds3:24
6I’m a Jazz Vampire
Marion Harris3:11
7My Man (Mon homme)
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Fanny Brice3:37
8Devilish Mary
Roba Stanley3:01
9Nobody Knows the Trouble I’ve Seen
recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional]
publisher:
C. Mose Music
Marian Anderson2:35
10See See Rider Blues
recording of:
See See Rider (Ma Rainey version) (on 1924-10-16)
additional composer:
Lena Arant
composer:
Ma Rainey
version of:
See See Rider Blues
Ma Rainey3:14
11Beale Street Blues
recording of:
Beale Street Blues
lyricist and composer:
William Christopher Handy
publisher:
Handy Bros. Music
Alberta Hunter3:16
12Single Girl, Married Girl
recorded in:
Bristol, Tennessee, United States (on 1927-08-02)
producer:
Ralph Peer (on 1927-08-02)
autoharp:
Sara Carter (on 1927-08-02)
guitar:
Mother Maybelle Carter (on 1927-08-02)
vocals:
Sara Carter (on 1927-08-02)
recorded at:
Bristol Sessions Recordings in United States (on 1927-08-02)
recording of:
Single Girl, Married Girl (on 1927-08-02)
lyricist and composer:
A.P. Carter
publisher:
APRS and Peer International Corporation
The Carter Family2:46
13I Wanna Be Loved by YouHelen Kane2:53
14Gotta Feelin’ for You
recording of:
Gotta Feelin’ for You (The Hollywood Revue of 1929, 1929 film)
Joan Crawford with MGM Studio Chorus2:41
15Love Me or Leave MeRuth Etting3:21
16Nobody Knows You When You’re Down and Out
recorded in:
New York, New York, United States (on 1929-05-15)
alto saxophone:
Garvin Bushell (on 1929-05-15)
cornet:
Ed Allen (on 1929-05-15)
piano:
Clarence Williams (on 1929-05-15)
tenor saxophone:
Greely Walton (on 1929-05-15)
tuba:
Cyrus St. Clair (on 1929-05-15)
vocals:
Bessie Smith (on 1929-05-15)
recording of:
Nobody Knows You When You’re Down and Out (on 1929-05-15)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd., EMI Music Ltd., Help, I’m a Publisher and MCA Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Bessie Smith3:02
17Am I Blue?Ethel Waters3:19
18Calamity Jane (From the West)
Adelyne Hood & Vernon Dalhart3:16
19Kentucky Miner’s Wife (Ragged Hungry Blues), Parts 1 & 2
Aunt Molly Jackson5:33
20Bucking Broncho (My Love Is a Rider)
The Girls of the Golden West2:33
21When the Moon Comes Over the MountainKate Smith4:19
22I Like a Guy What Takes His Time
recorded in:
New York, New York, United States
vocals:
Mae West (on 1933-02-07)
orchestra:
Victor Young and His Orchestra (on 1933-02-07)
recording of:
A Guy What Takes His Time (on 1933-02-07)
lyricist and composer:
Ralph Rainger (in 1933)
Mae West2:47
23You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (in 1934)
part of:
Anything Goes
Ethel Merman2:54
2CD: Torch, Twang & Swing
#TitleArtistLength
1I Wanna Be a Cowboy’s Sweetheart
recorded in:
New York, New York, United States (on 1935-08-16)
bass:
Jack Taylor (on 1935-08-16)
guitar:
Salty Holmes (on 1935-08-16)
mandola:
Chick Hurt (on 1935-08-16)
violin:
Shelby David "Tex" Atchison (on 1935-08-16)
vocals:
Rubye Blevins (on 1935-08-16)
orchestra:
The Prairie Ramblers (on 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (on 1935-08-16)
lyricist and composer:
Patsy Montana
Patsy Montana & The Prairie Ramblers3:09
2Pretty Polly
recording of:
Pretty Polly
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 15)
The Coon Creek Girls2:50
3Over the Rainbow
vocals:
Judy Garland (on 1938-10-07)
orchestra:
MGM Orchestra (on 1938-10-07)
conductor:
Georgie Stoll (on 1938-10-07) and Herbert Stothart (on 1938-10-07)
arranger:
Herbert Stothart
orchestrator:
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (on 1938-10-07)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:48
4A‐Tisket, A‐TasketElla Fitzgerald with Chick Webb3:17
5Strange FruitBillie Holiday3:13
6Me and My Chauffeur Blues
recorded in:
Chicago, Illinois, United States (on 1941-05-21)
bass:
[unknown]
guitar:
Little Son Joe (on 1941-05-21) and Memphis Minnie (on 1941-05-21)
vocals:
Memphis Minnie (on 1941-05-21)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
recording of:
Me and My Chauffeur Blues
writer:
Memphis Minnie
publisher:
Arc Music Corp.
Memphis Minnie2:46
7Boogie Woogie Bugle BoyThe Andrews Sisters with Vic Schoen and His Orchestra3:06
8Let Me Off Uptown
recording of:
Let Me Off Uptown
lyricist:
Redd Evans
composer:
Earl Bostic
Gene Krupa and His Orchestra with Anita O’Day & Roy Eldridge3:03
9Stormy WeatherLena Horne with Lou Bring & His Orchestra3:23
10Sentimental JourneyDoris Day with Les Brown and His Orchestra3:44
11Move on Up a Little Higher
recording of:
Move On Up a Little Higher
lyricist and composer:
William Herbert Brewster
writer:
Rev. W.H. Brewster
arranger:
M. Jackson
Mahalia Jackson3:00
12Cuanto le gusta
Carmen Miranda2:09
13Buttons and Bows
accordion:
[unknown] (on 1947-11-30)
vocals:
Dinah Shore (on 1947-11-30)
recording of:
Buttons and Bows (1947 song) (on 1947-11-30)
lyricist:
Ray Evans
composer:
Jay Livingston
publisher:
Famous Music Corporation (on 1948-02-25)
part of:
The 21st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1948 winner)
Dinah Shore & Her Happy Valley Boys2:04
14Philadelphia Lawyer
recording of:
Philadelphia Lawyer
lyricist and composer:
Woody Guthrie
The Maddox Brothers & Rose3:12
15Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc.
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan3:18
16Satisfied
Martha Carson2:37
17The Tennessee WaltzPatti Page with Jack Rael & Orchestra3:25
18Come on‐a My HouseRosemary Clooney2:00
19It Wasn’t God Who Made Honky Tonk Angels
recorded in:
Nashville, Tennessee, United States (on 1952-05-03)
bass:
Johnnie Wright (on 1952-05-03)
fiddle:
Paul Warren (on 1952-05-03)
guitar:
Jack Anglin (on 1952-05-03)
steel guitar:
Harold "Shot" Jackson (on 1952-05-03)
vocals:
Kitty Wells (on 1952-05-03)
recording of:
It Wasn’t God Who Made Honky Tonk Angels (on 1952-05-03)
lyricist and composer:
J.D. Miller
publisher:
Peer International Corporation
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1979)
lyricist and composer:
J.D. Miller
publisher:
Peer International Corporation
Kitty Wells2:32
20(Mama) He Treats Your Daughter Mean
recorded in:
New York, New York, United States (on 1952-12-19)
producer:
Ahmet Ertegun and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-12-19)
guitar:
Mickey Baker (on 1952-12-19)
tambourine:
Hal Jackson (on 1952-12-19)
tenor saxophone:
Willis Jackson (on 1952-12-19)
trumpet:
Taft Jordan (on 1952-12-19)
vocals:
Ruth Brown (on 1952-12-19)
recording of:
(Mama) He Treats Your Daughter Mean (on 1952-12-19)
writer:
Herb Lance (in 1952), Charlie Singleton (in 1952) and John Wallace (in 1952)
Ruth Brown2:58
21Ricochet (Rick‐O‐Shay)
vocals:
Teresa Brewer
recording of:
Ricochet (aka “Ricochet Romance”) (on 1953-07-10)
lyricist:
Joe Darion and Norman Gimbel
composer:
Larry Coleman
Teresa Brewer2:42
22TammyDebbie Reynolds3:08
23Big Long Slidin’ ThingDinah Washington2:58
24Tweedlee Dee
recording of:
Tweedlee Dee
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. and Unichappell Music
LaVern Baker3:10
25The Wallflower
recording of:
The Wallflower (Dance With Me, Henry) (on 1954-11-25)
writer and composer:
Hank Ballard, Etta James and Johnny Otis
version of:
Work With Me, Annie
Etta James & The Peaches2:59
26My Boy ElvisJanis Martin2:08
27Walkin’ After MidnightPatsy Cline2:34
3CD: Shoop‐Shoop, Motown, Get Down, Sister
#TitleArtistLength
1Maybe
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 195)
recording of:
Maybe (on 1957-10-16)
lyricist and composer:
Richard Barrett
publisher:
Tunecore Digital Music and チューンコアジャパン株式会社
The Chantels2:54
2FeverPeggy Lee with Jack Marshall's Music3:45
3Funnel of LoveWanda Jackson2:08
4Will You Love Me Tomorrow?The Shirelles2:43
5Sweet Nothin’s
recording of:
Sweet Nothin’s
lyricist and composer:
Ronnie Self
publisher:
Leeds Music Ltd.
Brenda Lee3:16
6(Love Is Like a) Heat WaveMartha and the Vandellas2:47
7Hello Stranger
recorded in:
Chicago, Illinois, United States (on 1963-01-16)
producer:
Ollie McLaughlin
bass, drums (drum set), guitar, organ and piano:
[unknown] (on 1963-01-16)
vocals:
The Dells (on 1963-01-16) and Barbara Lewis (on 1963-01-16)
conductor:
Riley Hampton (on 1963-01-16)
arranger:
Riley Hampton
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 27)
recording of:
Hello Stranger (on 1963-01-16)
lyricist and composer:
Barbara Lewis
Barbara Lewis2:42
8You Don’t Own Me
producer:
Qunicy Jones
arranger:
Claus Ogerman
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 28)
recording of:
You Don’t Own Me (in 1963)
writer:
John Madara (in 1963) and David White (in 1963)
publisher:
Merjoda Music Inc. and Unichappell Music, Inc. (in 1963)
Lesley Gore2:31
9The Universal SoldierBuffy Sainte‐Marie2:18
10My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (in 1964)
guitar:
Robert White (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (in 1964) and Herbert Williams (in 1964)
vibraphone:
Dave Hamilton (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (in 1964)
recorded at:
Hitsville in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:50
11Remember (Walkin’ in the Sand)The Shangri‐Las2:20
12Too Many Fish in the SeaThe Marvelettes2:29
13Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:24
14Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Songs LLC
Dusty Springfield2:31
15Love Child
producer:
The Clan
background vocals:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
writer:
Deke Richards, Pam Sawyer, R. Dean Taylor and Frank Wilson
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
Diana Ross & The Supremes3:03
16Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control, Irving Music, Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Tunes LLC, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc.
Jefferson Airplane2:59
17Stoned Soul PicnicLaura Nyro4:19
18Both Sides NowJudy Collins3:16
19To Be Young, Gifted and Black
phonographic copyright (℗) by:
BMG Music (in 1969)
recording of:
To Be Young, Gifted and Black (in 1969-08)
lyricist:
Weldon Irvine
composer:
Nina Simone
Nina Simone2:50
20Bold Soul Sister
recording of:
Bold Soul Sister
lyricist and composer:
Ike Turner
Ike & Tina Turner2:39
21Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright2:47
22Pillow TalkSylvia4:55
23I’ll Take You ThereThe Staple Singers3:17
24You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (from 1972-09 until 1972-10)
percussion:
Richard Perry (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd., Universal Music Corporation and Universal Music Publishing Group
Carly Simon4:20
25So Far Away
recording of:
So Far Away
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc.
Carole King4:35
26I Will Always Love You
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (on 1973-06-13) and Buck Trent (on 1973-06-13)
bass:
Bobby Dyson (on 1973-06-13)
drums (drum set):
Ralph Gallant (on 1973-06-13)
fiddle:
Johnny Gimble (on 1973-06-13) and Mack Magaha (on 1973-06-13)
guitar:
Jimmy Colvard (on 1973-06-13), Dave Kirby (on 1973-06-13) and Dolly Parton (on 1973-06-13)
piano:
Hargus "Pig" Robbins (on 1973-06-13)
steel guitar:
Stu Basore (on 1973-06-13)
background vocals:
Joe Babcock (on 1973-06-13), Dolores Edgin (on 1973-06-13), June Page (on 1973-06-13) and Hurshel Wiginton (on 1973-06-13)
vocals:
Dolly Parton (on 1973-06-13)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1974)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (on 1973-06-13)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 34)
recording of:
I Will Always Love You (on 1973-06-13)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd, Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton2:54
4CD: Rock to Electric Shock
#TitleArtistLength
1Move OverJanis Joplin3:41
2You’re No Good
recording engineer:
Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
engineer:
Val Garay
producer:
Peter Asher, Jay Faires and Tricia Holloway
bass:
Kenny Edwards (from 1974-06 until 1974-09)
drums (drum set), electric piano and percussion:
Andrew Gold (from 1974-06 until 1974-09)
electric guitar:
Ed Black (from 1974-06 until 1974-09)
solo electric guitar:
Andrew Gold (from 1974-04 until 1974-09)
background vocals:
Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (from 1974-06 until 1974-09)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1974, in 2006) and Capitol Records, LLC (in 1974, in 2013)
recorded at:
Sound Factory in Los Angeles, California, United States (from 1974-06 until 1974-09)
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control and Edwin H. Morris & Co.
Linda Ronstadt3:42
3I’ve Got to Use My ImaginationGladys Knight & the Pips3:48
4The Pill
producer:
Owen Bradley
acoustic guitar:
Ray Edenton (on 1972-12-12)
double bass [bass]:
Bob Moore (on 1972-12-12)
drums (drum set) [drums]:
Murrey Harman, Jr. (on 1972-12-12)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1972-12-12)
electric guitar:
Thomas Grady Martin (on 1972-12-12)
piano:
Jerry Smith (on 1972-12-12)
steel guitar:
Harald Rugg (on 1972-12-12)
vocals:
The Jordanaires (on 1972-12-12) and Loretta Lynn (on 1972-12-12)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1972-12-12)
recording of:
The Pill (on 1972-12-12)
writer:
Lorene Allen, T.D. Bayless, Loretta Lynn and Don McHan
Loretta Lynn2:37
5Boulder to Birmingham (live)
live recording of:
Boulder to Birmingham
writer:
Bill Danoff and Emmylou Harris
Emmylou Harris3:27
6Diamonds & Rust
recording of:
Diamonds & Rust
lyricist and composer:
Joan Baez
dedicated to:
Bob Dylan
publisher:
Carlin Music Corporation and Chandos Music Company
Joan Baez5:15
7Crazy on YouHeart4:17
8I Love Playin’ With FireThe Runaways3:44
9X Offender
recording engineer:
Rob Freeman (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman and Craig Leon
producer:
Richard Gottehrer and Craig Leon
bass guitar:
Chris Stein (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Gary Valentine (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon
phonographic copyright (℗) by:
Chrysalis Records (in 1976), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
X Offender (from 1976-08 until 1976-09)
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), EMI Music, Jiru Music, Inc. and Norfolk Square Music
Blondie3:12
10You Make Loving FunFleetwood Mac3:35
11Got to Be RealCheryl Lynn3:44
12She Works Hard for the Money
recording of:
She Works Hard for the Money
writer:
Michael Omartian and Donna Summer
publisher:
Warner Chappell, See This House Music (from 1983 to present) and Sweet Summer Night Music (from 1983 to present)
Donna Summer4:12
13We Belong Together
Rickie Lee Jones5:03
14Show Some EmotionJoan Armatrading3:32
15Typical Girls
recording of:
Typical Girls
writer:
The Slits
The Slits3:44
16It Tango
assistant engineer and assistant mixer:
Jon Smith
engineer:
Leanne Ungar
assistant producer:
Perry Hoberman
producer:
Laurie Anderson and Roma Baran
analog synthesizer [OBXa], farfisa and marimba:
Laurie Anderson
handclaps [claps]:
Anderson, Baran and Hoberman
rototom [RotoToms]:
David Van Tieghem
vocals:
Laurie Anderson
recorded at:
The Lobby in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
It Tango
lyricist and composer:
Laurie Anderson
Laurie Anderson3:00
17Walking on Thin Ice
recording of:
Walking on Thin Ice
writer:
Yoko Ono
publisher:
Downtown DMP Songs
Yoko Ono6:00
18Our Lips Are SealedThe Go‐Go’s2:46
19Identity
assistant engineer:
Andy Pearce
engineer:
John Mackenzie Burns
producer:
Falcon Stuart
recording of:
Identity
lyricist and composer:
Poly Styrene
X‐Ray Spex2:23
20PreciousThe Pretenders3:36
5CD: Hip‐Hop, Pop, and Passion