| # | Title | Length |
|---|
| 1 | My Baby Just Cares for Me- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- edit of:
- My Baby Just Cares for Me (special extended version) by Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd., Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| 3:38 |
| 2 | Ain’t Got No, I Got Life | 4:40 |
| 3 | To Be Young, Gifted and Black | 6:20 |
| 4 | Don’t Let Me Be Misunderstood- lead vocals:
- Nina Simone
- recording of:
- Don’t Let Me Be Misunderstood
- writer:
- Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
- publisher:
- Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. and Unichappell Music, Inc. (in 1981)
- live recording of:
- Don’t Let Me Be Misunderstood
- writer:
- Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
- publisher:
- Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. and Unichappell Music, Inc. (in 1981)
| 3:51 |
| 5 | He’s Got the Whole World in His Hands | 3:10 |
| 6 | Mood Indigo- recorded in:
- New York, New York, United States (in 1957-12)
- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Phillips (in 1966)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- Mood Indigo (in 1957-12)
- lyricist:
- Irving Mills (in 1930)
- composer:
- Barney Bigard (in 1930) and Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The Real Book
| 4:02 |
| 7 | For All We Know- recorded in:
- New York, New York, United States (in 1957-12)
- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano:
- Nina Simone (in 1957-12)
- vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1959)
- cover recording of:
- For All We Know (in 1957-12)
- lyricist:
- Sam M. Lewis (in 1934)
- composer:
- J. Fred Coots (in 1934)
- publisher:
- Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
| 4:00 |
| 8 | Pirate Jenny | 4:47 |
| 9 | Touching and Caring | 5:28 |
| 10 | You Must Have Another Lover | 4:28 |
| 11 | Little Girl Blue- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- Little Girl Blue (in 1957-12)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| 4:18 |
| 12 | Plain Gold Ring | 3:46 |
