Kantaten, BWV 1-3

~ Release by Bach; Nikolaus Harnoncourt (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistLength
1Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 1. [Coro] "Wie schön leuchtet der Morgenstern"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach9:36
2Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 2. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:55
3Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 3. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen"
choir vocals:
Soloists of the Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach5:09
4Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 4. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:57
5Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 5. Aria (Tenore) "Unser Mund und Ton der Saiten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach7:21
6Cantata, BWV 1 "Wie schön leuchtet der Morgenstern": 6. Choral (Coro) "Wie bin ich doch so herzlich froh"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach1:40
7Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 1. [Coro] "Ach Gott, vom Himmel sieh darein"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach3:52
8Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 2. Recitativo (Tenore) "Sie lehren eitel falsche List"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:02
9Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 3. Aria (Alto) "Tilg, o Gott, die Lehren"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:01
10Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 4. Recitativo (Basso) "Die Armen sind verstört"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:40
11Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 5. Aria (Tenore) "Durchs Feuer wird das Silber rein"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach7:13
12Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": 6. Choral (Coro) "Das wollst du, Gott, bewahren rein"
choir vocals:
Chorus Viennensis (on 1970-12-01, from 1970-12 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (on 1970-12-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:14
13Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 1. [Coro] "Ach Gott, wie manches Herzeleid"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach4:54
14Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 2. [Choral] Recitativo (Soprano, Alto, Tenore, Basso, Coro)) "Wie schwerlich lässt sich Fleisch und Blut"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach2:27
15Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 3. Aria (Basso) "Empfind ich Höllenangst und Pein"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:50
16Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 4. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach1:13
17Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 5. Aria (Duetto) "Wenn Sorgen auf mich dringen"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous] (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach8:33
18Cantata, BWV 3 "Ach Gott, wie manches Herzeleid": 6. Choral (Coro) "Erhalt mein Herz im Glauben rein"
recording engineer:
Teije van Geest
producer:
Richard Hauck (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (in 1587)
composer:
Johann Sebastian Bach (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach0:42