Karajan Festival

~ Release by Herbert von Karajan (see all versions of this release, 2 available)

Annotation

Peer Gynt Suite No.1 was recorded in september 1971 at "Grosser Saal" of the "Berlin Philharmonie" in Germany
Finlandia, Op.26, No.7 was recorded in october 1964 at the "Jesus-Christus-Kirche" in Berlin, Germany
Valse triste, Op.44 was recorded in january 1967 at the "Jesus-Christus-Kirche" in Berlin, Germany
Tapiola, Op.112 was recorded in october 1964 at the "Jesus-Christus-Kirche" in Berlin, Germany

Tracklist

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1▼CD
#	Title	Artist	Length
1	Hungarian Dance no. 5: Allegro producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (on 1959-09-04) orchestrator: Albert Parlow composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: Hungarian Dances for orchestra (Parlow orchestration)	Johannes Brahms	2:35
2	Hungarian Dance no. 6: Vivace producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (on 1959-09-04) orchestrator: Albert Parlow composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace part of: Hungarian Dances for orchestra (Parlow orchestration)	Johannes Brahms	3:41
3	Hungarian Dance no. 17: Andantino producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace (orchestrated by Dvořák) (on 1959-09-04) orchestrator: Antonín Dvořák (from 1880-10 until 1880-11) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace part of: Hungarian Dances for orchestra (orchestrated by Dvořák)	Johannes Brahms	3:21
4	Hungarian Dance no. 3: Allegretto producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration) (on 1959-09-04) orchestrator: Johannes Brahms (in 1873) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Johannes Brahms	2:14
5	Hungarian Dance no. 1: Allegro molto producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (on 1959-09-04) orchestrator: Johannes Brahms (in 1873) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Johannes Brahms	2:52
6	Hungarian Dance no. 20: Poco allegretto producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 4, no. 20 in E minor: Poco allegretto - Vivace (orchestrated by Dvořák) (on 1959-09-04) orchestrator: Antonín Dvořák (from 1880-10 until 1880-11) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace part of: Hungarian Dances for orchestra (orchestrated by Dvořák)	Johannes Brahms	2:32
7	Hungarian Dance no. 19: Allegretto producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 4, no. 19 in B minor: Allegretto (orchestrated by Dvořák) (on 1959-09-04) orchestrator: Antonín Dvořák (from 1880-10 until 1880-11) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 19 in B minor: Allegretto part of: Hungarian Dances for orchestra (orchestrated by Dvořák)	Johannes Brahms	2:10
8	Hungarian Dance no. 18: Molto vivace producer: Werner Wolf orchestra: Berliner Philharmoniker (on 1959-09-04) conductor: Herbert von Karajan (on 1959-09-04) balance engineer: Günter Hermanns (on 1959-09-04) phonographic copyright (℗) by: Polydor International GmbH (in 1960) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 4, no. 18 in D major: Molto vivace (orchestrated by Dvořák) (on 1959-09-04) orchestrator: Antonín Dvořák (from 1880-10 until 1880-11) composer: Johannes Brahms orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace part of: Hungarian Dances for orchestra (orchestrated by Dvořák)	Johannes Brahms	1:18
9	Dance of the Polovtsian Maidens: Presto recording engineer: Günter Hermanns producer: Hans Hirsch and Hans Weber orchestra: Berliner Philharmoniker (from 1970-12-29 until 1971-01-08) conductor: Herbert von Karajan (from 1970-12-29 until 1971-01-08) balance engineer: Günter Hermanns (from 1970-12-29 until 1971-01-08) phonographic copyright (℗) by: Polydor International GmbH (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1970-12-29 until 1971-01-08) recording of: Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major (from 1970-12-29 until 1971-01-08) orchestrator: Александр Константинович Глазунов and Николай Андреевич Римский‐Корсаков composer: Александр Порфирьевич Бородин arrangement of: Prince Igor: Act II. Dance of the Polovtsian Maidens part of: Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) recording of: Prince Igor: Act II. Dance of the Polovtsian Maidens composer: Александр Порфирьевич Бородин part of: Prince Igor: Act II	Alexander Borodin	2:14
10	Polovtsian Dances: Introduzione. Andantino orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: I. Introduction: Andantino, 4/4, A major (no choir) (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	2:35
11	Polovtsian Dances: Allegro vivo orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: III. Wild Dance of the Men: Allegro vivo, 4/4, F major (no choir) (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	1:12
12	Polovtsian Dances: Allegro orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: IV. General Dance: Allegro, 3/4, D major (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	2:21
13	Polovtsian Dances: Presto orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: V. Dance of the Boys and 2nd Dance of the Men: Presto, 6/8, D minor (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	1:26
14	Polovtsian Dances: Moderato alla breve orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: VI. Gliding Dance of the Maidens (reprise, soon combined with the faster dancing of the boys): Moderato alla breve, 2/2, A major (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	1:25
15	Polovtsian Dances: Presto orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: VII. Dance of the Boys and 2nd Dance of the Men (reprise): Presto, 6/8, D minor (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	1:26
16	Polovtsian Dances: Allegro con spirito orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) phonographic copyright (℗) by: Polydor International GmbH (in 1972) edit of: Prince Igor: Polovtsian Dance by Berliner Philharmoniker, Herbert von Karajan recording of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: VIII. General Dance: Allegro con spirito, 4/4, A major (in 1971-01) composer: Александр Порфирьевич Бородин part of: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”	Alexander Borodin	1:32
17	Eugene Onegin: Polonaise producer: Hans Weber orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) balance engineer: Günter Hermanns phonographic copyright (℗) by: Polydor International GmbH recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-01) recording of: Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise) (in 1971-01) composer: Пётр Ильич Чайковский part of: Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)	Pjotr Tschaikowsky	5:04
18	Eugene Onegin: Valse producer: Hans Weber orchestra: Berliner Philharmoniker (in 1971-01) conductor: Herbert von Karajan (in 1971-01) balance engineer: Günter Hermanns phonographic copyright (℗) by: Polydor International GmbH recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-01) recording of: Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt) (in 1971-01) composer: Пётр Ильич Чайковский part of: Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")	Pjotr Tschaikowsky	6:39
19	The Bartered Bride: Polka producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-09-22 until 1971-09-24) conductor: Herbert von Karajan (from 1971-09-22 until 1971-09-24) balance engineer: Günter Hermanns (on 1971-09-22) phonographic copyright (℗) by: Polydor International GmbH (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-09-22 until 1971-09-24) recording of: Die verkaufte Braut: I. Polka (The Bartered Bride: I. Polka) (from 1971-09-22 until 1971-09-24) composer: Bedřich Smetana (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana	5:30
20	The Bartered Bride: Furiant producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-09-22 until 1971-09-24) conductor: Herbert von Karajan (from 1971-09-22 until 1971-09-24) balance engineer: Günter Hermanns (from 1971-09-22 until 1971-09-24) phonographic copyright (℗) by: Polydor International GmbH (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-09-22 until 1971-09-24) recording of: Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant) (from 1971-09-22 until 1971-09-24) composer: Bedřich Smetana (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana	2:31
21	The Bartered Bride: Dance of the Comedians producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-09-22 until 1971-09-24) conductor: Herbert von Karajan (from 1971-09-22 until 1971-09-24) balance engineer: Günter Hermanns (on 1971-09-22) phonographic copyright (℗) by: Polydor International GmbH (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-09-22 until 1971-09-24) recording of: Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (from 1971-09-22 until 1971-09-24) composer: Bedřich Smetana (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana	5:34

2▼CD
#	Title	Artist	Length
1	Peer Gynt Suite no. 1, op. 46: Morning Mood recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	3:59
2	Peer Gynt Suite no. 1, op. 46: The Death of Aase recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 3. akt: Åses død part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	4:49
3	Peer Gynt Suite no. 1, op. 46: Anitra's Dance recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	3:47
4	Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	2:12
5	Peer Gynt Suite no. 2, op. 55: The Abduction recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1891) version of: Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	4:56
6	Peer Gynt Suite no. 2, op. 55: Arabian Dance recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1891) version of: Peer Gynt, op. 23: 4. akt: Arabisk dans part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	4:42
7	Peer Gynt Suite no. 2, op. 55: Peer Gynt's Return recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1891) version of: Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	2:44
8	Peer Gynt Suite no. 2, op. 55: Solveig's Song recording engineer: Hans Weber producer: Hans Hirsch orchestra: Berliner Philharmoniker (in 1971-09) conductor: Herbert von Karajan (in 1971-09) balance engineer: Günter Hermanns (in 1971-09) phonographic copyright (℗) by: Polydor International GmbH, Hamburg (in 1972) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (in 1971-09) recording of: Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1971-09) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1891) version of: Peer Gynt, op. 23: 4. akt: Solveigs sang part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	6:24
9	Finlandia, op. 26 no. 7: Andante sostenuto - Allegro moderato - Allegro executive producer: Otto Gerdes producer: Hans Weber and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (on 1964-10-28) conductor: Herbert von Karajan (on 1964-10-28) balance engineer: Günter Hermanns (on 1964-10-28) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1964-10-28) recording of: Finlandia, op. 26 (for orchestra) (on 1964-10-28) premiered in: Helsinki, Uusimaa, Finland (on 1900-07-02) composer: Jean Sibelius (in 1899) revised by: Jean Sibelius (in 1900) premiered at: Konsertti publisher: Breitkopf & Härtel (in 1905) part of: Works of Jean Sibelius by opus number (number: op. 26) version of: Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes	Jean Sibelius	9:34
10	Valse triste, op. 44 producer: Otto Gerdes and Hans Weber orchestra: Berliner Philharmoniker (on 1967-01-30) conductor: Herbert von Karajan (in 1967, on 1967-01-30) balance engineer: Günter Hermanns (on 1967-01-30) phonographic copyright (℗) by: Polydor International GmbH (in 1967) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1967-01-30) recording of: Valse triste, op. 44 no. 1 (for orchestra) (on 1967-01-30) composer: Jean Sibelius (in 1903) revised by: Jean Sibelius (in 1904) premiered at: Konsertti premiered at: Svenska Teatern in Helsinki, Uusimaa, Finland (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)	Jean Sibelius	6:23
11	Tapiola, op. 112 executive producer: Otto Gerdes producer: Hans Weber and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (on 1964-10-30) conductor: Herbert von Karajan (on 1964-10-30) balance engineer: Günter Hermanns (on 1964-10-30) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1964-10-30) recording of: Tapiola, op. 112 (on 1964-10-30) composer: Jean Sibelius (until 1926-08) was commissioned by: Walter Damrosch premiered at: [concert] publisher: Breitkopf & Härtel (in 1926) part of: Works of Jean Sibelius by opus number (number: op. 112)	Jean Sibelius	20:12

3▼CD
#	Title	Artist	Length
1	Bolero producer: Otto Gerdes and Hans Weber orchestra: Berliner Philharmoniker (from 1966-03-14 until 1966-03-19) conductor: Herbert von Karajan (from 1966-03-14 until 1966-03-19) balance engineer: Günter Hermanns (from 1966-03-14 until 1966-03-19) phonographic copyright (℗) by: Polydor International GmbH (in 1966) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1966-03-14 until 1966-03-19) recording of: Boléro (from 1966-03-14 until 1966-03-19) composer: Maurice Ravel (in 1928) publisher: Ed. Durand & Cie and Soc. Arima premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel	16:17
2	La Mer: I. De l'aube à midi sur la mer. Très lent producer: Otto Gerdes and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1964-03-09 until 1964-03-10) conductor: Herbert von Karajan (from 1964-03-09 until 1964-03-10) balance engineer: Günter Hermanns (from 1964-03-09 until 1964-03-10) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	8:37
3	La Mer: II. Jeux de vagues. Allegro producer: Otto Gerdes and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1964-03-09 until 1964-03-10) conductor: Herbert von Karajan (from 1964-03-09 until 1964-03-10) balance engineer: Günter Hermanns (from 1964-03-09 until 1964-03-10) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1964-03-09 until 1964-03-10) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	6:13
4	La Mer: III. Dialogue du vent et de la mer. Animé et tumultueux producer: Otto Gerdes and Otto Ernst Wohlert orchestra: Berliner Philharmoniker (from 1964-03-09 until 1964-03-10) conductor: Herbert von Karajan (from 1964-03-09 until 1964-03-10) balance engineer: Günter Hermanns (from 1964-03-09 until 1964-03-10) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1964-03-09 until 1964-03-10) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	8:00
5	Daphnis et Chloé: Fragments symphoniques. 2eme série producer: Otto Gerdes orchestra: Berliner Philharmoniker (from 1964-03-10 until 1964-03-11) conductor: Herbert von Karajan (from 1964-03-10 until 1964-03-11) balance engineer: Günter Hermanns (from 1964-03-10 until 1964-03-11) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-10 until 1964-03-11) recording of: Daphnis et Chloé, Suite no. 2 (from 1964-03-10 until 1964-03-11) composer: Maurice Ravel (from 1909 until 1912) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57b) is based on: Daphnis et Chloé	Maurice Ravel	15:23
6	Prélude à l'après-midi d'une faune: Très modéré producer: Otto Gerdes flute: Karlheinz Zöller (on 1964-03-11) orchestra: Berliner Philharmoniker (on 1964-03-11) conductor: Herbert von Karajan (on 1964-03-11) balance engineer: Günter Hermanns (on 1964-03-11) phonographic copyright (℗) by: Polydor International GmbH (in 1965) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (on 1964-03-11) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1964-03-11) composer: Claude Debussy (from 1891 until 1894-09) dedicated to: Raymond Bonheur premiered at: [concert] publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)	Claude Debussy	9:52

4▼CD
#	Title	Artist	Length
1	Il barbiere di Siviglia: Overture producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-01-02 until 1971-01-06) conductor: Herbert von Karajan (from 1971-01-02 until 1971-01-06) balance engineer: Günter Hermanns (from 1971-01-02 until 1971-01-06) phonographic copyright (℗) by: Polydor International GmbH (in 1971) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-01-02 until 1971-01-06) recording of: Il barbiere di Siviglia: Sinfonia (from 1971-01-02 until 1971-01-06) composer: Gioachino Rossini librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini	7:27
2	L'italiana in Algeri: Overture producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-01-02 until 1971-01-06) conductor: Herbert von Karajan (from 1971-01-02 until 1971-01-06) balance engineer: Günter Hermanns (from 1971-01-02 until 1971-01-06) phonographic copyright (℗) by: Polydor International GmbH (in 1971) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-01-02 until 1971-01-06) recording of: L’italiana in Algeri: Sinfonia (from 1971-01-02 until 1971-01-06) composer: Gioachino Rossini librettist: Angelo Anelli part of: L’italiana in Algeri	Gioachino Rossini	8:33
3	La gazza ladra: Overture producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-01-02 until 1971-01-06) conductor: Herbert von Karajan (from 1971-01-02 until 1971-01-06) balance engineer: Günter Hermanns (from 1971-01-02 until 1971-01-06) phonographic copyright (℗) by: Polydor International GmbH (in 1971) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-01-02 until 1971-01-06) recording of: La gazza ladra: Ouverture (The Thieving Magpie: Overture) (from 1971-01-02 until 1971-01-06) composer: Gioachino Rossini (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Gioachino Rossini	9:58
4	La scala di seta: Overture producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-01-02 until 1971-01-06) conductor: Herbert von Karajan (from 1971-01-02 until 1971-01-06) balance engineer: Günter Hermanns (from 1971-01-02 until 1971-01-06) phonographic copyright (℗) by: Polydor International GmbH (in 1971) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-01-02 until 1971-01-06) recording of: La scala di seta: Sinfonia (from 1971-01-02 until 1971-01-06) composer: Gioachino Rossini librettist: Giuseppe Maria Foppa part of: La scala di seta	Gioachino Rossini	6:04
5	Nabucco: Overture producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: Nabucco: Sinfonia (Overture) (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi part of: Nabucco	Giuseppe Verdi	7:46
6	La traviata: Act I. Prelude producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: La traviata: Preludio (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: La traviata part of: La traviata (english lyrics) part of: La traviata (french lyrics) part of: La Traviata (aka Violetta, german lyrics) part of: Violetta (La traviata) (german lyrics)	Giuseppe Verdi	4:13
7	Les Vêpres siciliennes: Overture producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: I vespri siciliani: Sinfonia (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi part of: I vespri siciliani	Giuseppe Verdi	9:08
8	Un ballo in maschera: Act II. Prelude producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: Un ballo in maschera: Nº 1. Preludio (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi librettist: Antonio Somma part of: Un ballo in maschera	Giuseppe Verdi	4:40
9	La forza del destino: Overture producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: La forza del destino: Sinfonia (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi part of: La forza del destino	Giuseppe Verdi	7:55
10	Aida: Prelude producer: Dr. Hans Hirsch, Michel Glotz and Magdalene Padberg orchestra: Berliner Philharmoniker (from 1975-09-22 until 1975-10-21) conductor: Herbert von Karajan (from 1975-09-22 until 1975-10-21) balance engineer: Günter Hermanns (from 1975-09-22 until 1975-10-21) phonographic copyright (℗) by: Polydor International GmbH (in 1976) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21) recording of: Aida: Preludio (standard opening to the opera, ~4min) (from 1975-09-22 until 1975-10-21) composer: Giuseppe Verdi part of: Aida part of: Aida (German lyrics)	Giuseppe Verdi	4:39

5▼CD
#	Title	Artist	Length
1	Die Moldau producer: Hans Weber orchestra: Berliner Philharmoniker (from 1967-04-14 until 1967-04-17) conductor: Herbert von Karajan (from 1967-04-14 until 1967-04-17) balance engineer: Günter Hermanns (from 1967-04-14 until 1967-04-17) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1967-04-14 until 1967-04-17) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (from 1967-04-14 until 1967-04-17) composer: Bedřich Smetana (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana	12:28
2	Vysehrad producer: Hans Weber orchestra: Berliner Philharmoniker (from 1967-04-14 until 1967-04-17) conductor: Herbert von Karajan (from 1967-04-14 until 1967-04-17) balance engineer: Günter Hermanns (from 1967-04-14 until 1967-04-17) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1967-04-14 until 1967-04-17) recording of: Má vlast: I. Vyšehrad, JB 1:112/1 (from 1967-04-14 until 1967-04-17) composer: Bedřich Smetana (from 1872 until 1874-11-18) part of: B. number catalogue by František Bartoš (number: B. 110) part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana	15:53
3	Scherzo capriccioso, op. 66 producer: Hans Weber orchestra: Berliner Philharmoniker (from 1971-09-22 until 1971-09-24) conductor: Herbert von Karajan (from 1971-09-22 until 1971-09-24) balance engineer: Günter Hermanns (on 1971-09-22) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1971-09-22 until 1971-09-24) recording of: Scherzo capriccioso, op. 66, B. 131 (for orchestra) (from 1971-09-22 until 1971-09-24) composer: Antonín Dvořák (from 1883-04-04 until 1883-05-02) premiered at: [concert] publisher: Bote & Bock (in 1884) part of: Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (number: B. 131)	Antonín Dvořák	13:14
4	Les Préludes, symphonic poem no. 3 producer: Hans Weber orchestra: Berliner Philharmoniker (from 1967-04-14 until 1967-04-17) conductor: Herbert von Karajan (from 1967-04-14 until 1967-04-17) balance engineer: Günter Hermanns (from 1967-04-14 until 1967-04-17) phonographic copyright (℗) by: Polydor International GmbH (in 1968) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1967-04-14 until 1967-04-17) recording of: Les Préludes, S. 97 (from 1967-04-14 until 1967-04-17) composer: Franz Liszt (in 1848, from 1850 until 1855) part of: The Music of Liszt (number: S. 97)	Franz Liszt	17:12
5	Hungarian Rhapsody no. 4 producer: Hans Weber (in 1967-04) orchestra: Berliner Philharmoniker (from 1967-04-14 until 1967-04-17) conductor: Herbert von Karajan (from 1967-04-14 until 1967-04-17) balance engineer: Günter Hermanns (from 1967-04-14 until 1967-04-17) phonographic copyright (℗) by: Polydor International GmbH (in 1968) recorded at: Jesus‐Christus‐Kirche in Berlin, Germany (from 1967-04-14 until 1967-04-17) recording of: Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1967-04-14 until 1967-04-17) additional orchestrator: Franz Doppler orchestrator and composer: Franz Liszt orchestration of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version) part of: 6 Hungarian Rhapsodies for Orchestra, S. 359	Franz Liszt	11:17

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Discogs:	https://www.discogs.com/release/8410794 [info]
ASIN:	DE: B00000E4GJ [info]
purchase for mail-order:	http://www.deutschegrammophon.com/cat/4294362 [info]
other databases:	https://www.musik-sammler.de/media/876338/ [info]

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Allmusic:	https://www.allmusic.com/album/mw0001375546 [info]

Karajan Festival

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Genres: classical, orchestral

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