The Complete Cole Porter Songbooks

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The three CDs comprising the box set seem to be also available for purchase as individual releases.

Tracklist

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1▼CD: The Cole Porter Songbook: Night and Day (vocals)
#TitleArtistLength
1I’ve Got You Under My Skin
vocals:
Dinah Washington (in 1954)
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Dinah Washington5:30
2Love for Sale
Shirley Horn3:53
3Let’s Do It (Let’s Fall in Love)
engineer:
Val Valentin (on 1957-10-14)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (on 1957-10-14)
piano:
Oscar Peterson (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1957-10-14)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Louis Armstrong8:44
4Anything Goes
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (on 1956-02-08)
cello:
Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (on 1956-02-08)
tenor saxophone:
Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Anything Goes (on 1956-02-08)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
part of:
Anything Goes
Ella Fitzgerald3:23
5What Is This Thing Called Love
Mel Tormé2:58
6You’d Be So Nice to Come Home To
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (on 1954-12-22)
trumpet:
Clifford Brown (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:20
7At Long Last Love
engineer:
Val Valentin
producer:
Jim Davis
recording of:
At Long Last Love (in 1963-02)
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell & Co., Inc.
part of:
You Never Know
Bill Henderson2:31
8I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
Anita O’Day2:00
9Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Louis Armstrong4:04
10It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Sarah Vaughan2:45
11Always True to You in My Fashion
Blossom Dearie2:52
12I Concentrate on You
producer:
Norman Granz
double bass:
Ray Brown (in 1952-12)
drums (drum set):
Alvin Stoller (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
trumpet:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
I Concentrate on You (in 1952-12)
lyricist and composer:
Cole Porter (in 1939)
publisher:
Chappell & Co., Inc.
Fred Astaire2:46
13I Get a Kick Out of You
baritone saxophone:
Cecil Payne (on 1955-03-15)
bass:
Keter Betts (on 1955-03-15)
drums (drum set):
Jimmy Cobb (on 1955-03-15)
guitar:
Barry Galbraith (on 1955-03-15)
piano:
Wynton Kelly (on 1955-03-15)
tenor saxophone:
Paul Quinichette (on 1955-03-15)
trombone:
Jimmy Cleveland (on 1955-03-15)
trumpet:
Clark Terry (on 1955-03-15)
lead vocals:
Dinah Washington (on 1955-03-15)
vocals:
Dinah Washington (in 1955)
arranger:
Quincy Jones (on 1955-03-15)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-03-15)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Dinah Washington6:20
14In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song) (in 1961)
lyricist and composer:
Cole Porter (in 1937)
publisher:
Chappell and Chappell & Co., Inc.
Billy Eckstine3:50
15Easy to Love
double bass:
Ray Brown (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Easy to Love (on 1952-03-26)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:02
16Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (on 1956-03-27)
cello:
Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (on 1956-03-27)
tenor saxophone:
Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Ella Fitzgerald3:06
17Everytime We Say Goodbye
Betty Carter5:48
2▼CD: The Cole Porter Songbook, Vol. II: I Get A Kick Out Of You (vocals)
#TitleArtistLength
1I Get a Kick Out of You
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (in 1957)
piano:
Oscar Peterson (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Louis Armstrong4:21
2My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
producer:
Norman Granz
bass:
Buddy Clark
drums (drum set):
Lawrence Marable
piano:
Jimmy Rowles
reeds:
Jimmy Giuffre
trombone:
Frank Rosolino
trumpet:
Lee Katzman and Jack Sheldon
tuba:
Al Pollan
vocals:
Anita O’Day (from 1959-04-07 to present, in 1959-04)
arranger:
Jimmy Giuffre
cover recording of:
My Heart Belongs to Daddy (in 1959-04)
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell, Chappell & Co. and Chappell Music Ltd.
Anita O’Day2:54
3I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Ella Fitzgerald3:15
4After You, Who?
cover recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”)
lyricist and composer:
Cole Porter (in 1932)
part of:
Gay Divorce
Helen Merrill3:06
5So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (in 1948)
publisher:
Chappell & Co., Inc.
part of:
Kiss Me, Kate (musical)
Dinah Washington4:27
6Too Darn Hot
recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Mel Tormé2:47
7Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Sarah Vaughan2:32
8Get Out of Town
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (in 1938)
part of:
Leave It to Me!
Shirley Horn2:54
9Love for Sale
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
Billie Holiday2:59
10From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (in 1950)
part of:
Kiss Me, Kate (musical)
Anita O’Day3:12
11Night and Day
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown
double bass:
Ray Brown (in 1952-12)
drums (drum set):
Alvin Stoller (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
trumpet:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire4:59
12Give Him the Ooh‐La‐La
executive producer:
Richard Seidel
producer:
Norman Granz
double bass:
Ray Brown (from 1957-09-12 until 1957-09-13)
drums (drum set):
Jo Jones (from 1957-09-12 until 1957-09-13)
guitar:
Herb Ellis (from 1957-09-12 until 1957-09-13)
piano:
Blossom Dearie (from 1957-09-12 until 1957-09-13)
vocals:
Blossom Dearie (from 1957-09-12 until 1957-09-13)
phonographic copyright (℗) by:
PolyGram Records, Inc.
recorded at:
WOR Studios in New York, New York, United States (from 1957-09-12 until 1957-09-13)
recording of:
Give Him the Oo-la-la (from 1957-09-12 until 1957-09-13)
composer:
Cole Porter
Blossom Dearie2:41
13Ev’rything I Love
recording of:
Everything I Love (Let’s Face It! musical)
lyricist and composer:
Cole Porter (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc.
Morgana King3:18
14Miss Otis Regrets
cover recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (in 1934)
publisher:
Warner/Chappell and Warner Bros., Inc. (in 1934)
Ella Fitzgerald3:56
15All of You
cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
Helen Merrill3:32
16You’re the Top
recorded in:
Los Angeles, California, United States (on 1957-08-15)
trumpet:
Louis Armstrong
vocals:
Louis Armstrong (, on 1957-08-15)
orchestra:
Russ Garcia & His Orchestra (on 1957-08-15)
conductor:
Russell Garcia (on 1957-08-15)
arranger:
Russell Garcia
recording of:
You’re the Top (on 1957-08-15)
lyricist and composer:
Cole Porter (in 1934)
part of:
Anything Goes
Louis Armstrong2:31
17Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love
lyricist and composer:
Cole Porter (in 1938)
part of:
Leave It to Me!
Betty Carter3:04
3▼CD: The Cole Porter Songbook: Anything Goes (instrumentals)
#TitleArtistLength
1What Is This Thing Called Love?
Charlie Parker and His Orchestra2:41
2Love for Sale
The Al Cohn & Zoot Sims Quintet5:01
3Begin the Beguine
Art Tatum2:57
4My Heart Belongs to Daddy
Dizzy Gillespie Quintet6:02
5Get Out of Town
Roland Kirk Quartet4:53
6Easy to Love
Sonny Stitt Quartet4:48
7I Get a Kick Out of You
The Clifford Brown–Max Roach Quintet7:41
8Night and Day
producer:
Creed Taylor
double bass [bass]:
Ron Carter (on 1964-05-06)
drums (drum set):
Elvin Jones (on 1964-05-06)
piano:
Bill Evans (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Stan Getz & Bill Evans6:49
9Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Bud Powell3:52
10You’d Be So Nice to Come Home To
Ben Webster & Coleman Hawkins4:19
11Anything Goes
Tal Farlow5:13
12I Love You
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
The Oscar Peterson Trio2:39
13I’ve Got You Under My Skin
Bill Evans & Jim Hall3:25
14I Concentrate on You
Abbey Lincoln & Max Roach4:43

Credits

Release

ASIN:US: B0000046RM [info]

Release group

part of:The Complete Cole Porter Songbooks (number: 4) (order: 4)
The Verve Songbook Series (number: 1993) (order: 5)