| # | Title | Artist | Length |
|---|
| 1 | Let’s Make a Night to Remember | Bryan Adams | 6:19 |
| 2 | This Ain’t a Love Song | Bon Jovi | 5:02 |
| 3 | Hard to Make a Stand- assistant recording engineer:
- Ron Black, S. “Husky” Höskulds, Cappy Japngie and John Paterno
- recording engineer:
- Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
- assistant producer:
- Mitchell Froom
- producer:
- Sheryl Crow
- mixer:
- Tchad Blake
- acoustic guitar, electric bass guitar [bass] and Hammond organ [Hammond]:
- Sheryl Crow
- drums (drum set):
- Pete Thomas
- electric guitar:
- Steve Donnelly
- vocals:
- Sheryl Crow
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1996)
- recording of:
- Hard to Make a Stand
- writer:
- Bill Bottrell, Roy Scott Bryan, Sheryl Crow and Todd Wolfe
- publisher:
- Blue Lizard Music (in 1996), Ignorant Music (in 1996), Old Crow Music (in 1996), Warner–Tamerlane Publishing Corp. (in 1996) and William Harrison Music (in 1996)
| Sheryl Crow | 3:09 |
| 4 | Hazard | Richard Marx | 5:18 |
| 5 | I Guess That’s Why They Call It the Blues | Elton John | 4:42 |
| 6 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 5:03 |
| 7 | Linger | The Cranberries | 4:31 |
| 8 | Wind of Change- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar:
- Rudolf Schenker (in 1990)
- bass guitar:
- Francis Buchholz (in 1990)
- drums (drum set) and percussion:
- Herman Rarebell (in 1990)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
- guest keyboard:
- Koen van Baal (in 1990)
- slide guitar:
- Matthias Jabs (in 1990)
- background vocals:
- Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (in 1990) and Rudolf Schenker (in 1990)
- lead vocals:
- Klaus Meine (in 1990)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1990, in 1991) and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990)
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- recording of:
- Wind of Change (in 1990)
- lyricist and composer:
- Klaus Meine
- publisher:
- BMG Rights Management GmbH, Copyright Control, PolyGram International Publishing, Inc., Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc.
| Scorpions | 5:10 |
| 9 | All I Want Is Everything | Def Leppard | 5:18 |
| 10 | You’re So Vain | Chocolate Starfish | 4:12 |
| 11 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG, Story Songs, Ltd, Warner Bros., Inc., Warner Chappell Music, Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 4:03 |
| 12 | Don’t Tell Me the Time | Martha Davis | 3:30 |
| 13 | Joey | Concrete Blonde | 4:09 |
| 14 | Shivers | The Screaming Jets | 4:27 |
| 15 | Missing You- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 33)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control, Everpop Songs, Markmeem Music, Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3:59 |
| 16 | No One Is to Blame | Howard Jones | 4:12 |
