Friday Afternoon in the Universe

~ Release by Medeski Martin and Wood (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleLength
1The Lover
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
The Lover (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
6:20
2Paper Bass
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Paper Bass (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
0:56
3House Mop
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
House Mop (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
3:46
4Last Chance to Dance Trance (Perhaps)
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Last Chance to Dance Trance (Perhaps) (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
7:33
5Baby Clams
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Baby Clams (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
1:14
6We're So Happy
recorded in:
Hawaii, United States (from 1994-01 until 1994-02)
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
guest guitar and guitar:
Danny Blume
keyboard [keyboards]:
John Medeski
percussion:
Billy Martin
vocals:
Tonino Benson
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
We're So Happy
composer:
Medeski Martin & Wood
8:17
7Shack
recorded in:
Hawaii, United States (from 1994-01 until 1994-02)
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski
percussion:
Billy Martin
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Shack
composer:
Medeski Martin & Wood
3:06
8Tea
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Tea (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
1:12
9Chinoiserie
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
cover recording of:
Chinoiserie (from 1994-07-24 until 1994-07-26)
composer:
Duke Ellington
5:46
10Between Two Limbs
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Between Two Limbs (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
1:04
11Sequel
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Sequel (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
5:24
12Friday Afternoon in the Universe
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Friday Afternoon in the Universe (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
6:01
13Billy's Tool Box
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Billy's Tool Box (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
0:35
14Chubb Sub
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
keyboard [keyboards]:
John Medeski (from 1994-07-24 until 1994-07-26)
percussion:
Billy Martin (from 1994-07-24 until 1994-07-26)
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Chubb Sub (from 1994-07-24 until 1994-07-26)
composer:
Medeski Martin & Wood
5:03
15Khob Khun Krub (Thai for "Thank You")
recorded in:
Hawaii, United States (from 1994-01 until 1994-02)
recording engineer:
David Baker (from 1994-07-24 until 1994-07-26)
producer:
David Baker, MMW and Jim Payne
editor:
Bob Ward
guest flute:
Carl Green
keyboard [keyboards]:
John Medeski
percussion:
Billy Martin
recorded at:
Sear Sound in New York, New York, United States (from 1994-07-24 until 1994-07-26)
edited at:
Current Sound in New York, New York, United States
recording of:
Khob Khun Krub (Thai for "Thank You")
composer:
Medeski Martin & Wood
0:48